Le héros

The complete experience can be summarized as "another master piece from a true master film director Satyajit Ray". It always remains a unique experience to watch in someone's past and especially into the hidden past. The movie tackles the very issue in the most effective of the ways. To carve you characters in the story is the most important part and great directors always take their time to do so and here Ray did it in style. He gives a very appropriate introduction to each. But what needs to be praised is… in doing so story did not come to halt… it keeps on moving and things become more clear with every passing movement.

The acting is very good. I know only actor in the movie before watching it… and that is of Shermila Tagore (because of her Hindi films). But really admires the acting of the main role played by Uttam Kumar. He is very natural, fluent and expressions complement his words in every scene. Especially the acting is priceless to watch in the scene in which he is telling Aditi about his insult by the one of his senior. A must watch for all those who appreciate good… excellent cinema.

8/10

'Nayak' starts with two news headlines about movie star Arindham (Uttam Kumar). One headline states that Arindham got involved in a brawl and the other states his nomination for a prestigious award. While travelling to Delhi by train (in order to receive the award) he comes across various people including a young simple but modern journalist Aditi (Sharmila Tagore) to whom he confides his inner thoughts. In the process, the actor further discovers himself and his fear. Aditi too is moved as her prejudice against the cocky pompous movie star changes while she discovers the man behind the name.

Ray cleverly tells Arindham's story about how he made it to stardom, his sacrifice of his art, loss of friends leading to isolation, fear of failure, seeking comfort in alcohol, his inner conflict...He weaves it all into a screenplay that takes place during a train trip from Calcutta to Delhi. A lot of it is shown in flashback mode. The dream sequences are another example of fine writing and execution. We're also given a brief view of the corrupt world of cinema, how art is long lost and how it's become all about money, fame and name...very relevant and applicable to today's Indian film industry.

Uttan Kumar, being the biggest star in Bengali Cinema perfectly fits the part. One wonders how much of the character resembles Kumar in real life. Though Ray is known to cast Soumitra Chatterjee (who happened to be Kumar's arch rival) in most of his films, he made the correct decision by casting Kumar for I cannot imagine anyone else play the part. Sharmila Tagore is wonderful. The actress has an amazing presence and with her grace, simplicity and sincerity, she shines. 'Loved her scenes with Uttam.

Like most of Ray's powerful work, 'Nayak' is a rather less known but remarkable film. One of my favorites!

Satyajit Ray's Nayak tells the story of a film star. Of course, in mainstream Indian cinema, leading men are known as heroes, and the interesting paradox about the star of this film (which is probably true of most film stars who enjoy great public adulation) is that beneath this fake façade of stardom, fans, and fame, lies a man with a truly wounded soul, someone who has seemingly accomplished everything in his career but has actually accomplished nothing of what he would have probably wished for, both a person and and as an artiste. A very interesting concept of course which is adapted onto the screen in a most authentic and engaging picture. The film might not be Ray's best film, but it's still Ray's film after all, so how can one even expect anything less than that.

Satyajit Ray is, needless to say (sometimes even embarrassing to have to say that), a master director, a master storyteller, and this film is no exception in the illustrious list of evidence to his talent. Nayak is meaningful, highly absorbing, and to me it's a visual treat. The camera work and lighting are spectacular for a black-and-white film, and the setting of most of the story within a train makes for a delightful watch not only visually but culturally. Culturally because the decorative elegance, the restaurant, the order, as well as the crowd of passengers, wouldn't normally be associated with Indian trains of that period and might raise several eyebrows among non-Indians. The moving train demonstrates breathtaking views as the script moves through its conversational episodes.

Nayak works as a story, as a film, but in many ways as a poem, full of hidden, thought-provoking messages, and as a psychology textbook full of interesting insights of the human soul. The film also provides the viewer with a glimpse into the world of filmmaking from the actors' standpoint. While the story of a film hero who is actually nothing of the sort in real life is actually not big news to anyone nor is it a terribly original idea for a film, Ray makes it into such a personal story that the lead character's being an actor becomes just a random plot element. Ray takes us into his troubled world and does so with extraordinary symbolism. Take the dream sequences just as an example of Ray's profound mastery.

Naturalistic acting is to be expected in Ray films. Uttam Kumar is excellent in this author-backed role. Very few films of that era, not only in India, allowed this much of character depth and complexity, in fear of confusing the moviegoing public, but Ray knew how to balance it well, and Kumar plays the mix of Arindam's stylish appearance and inner conflict exceedingly well. Sharmila Tagore is luminous as the young, morally upright and compassionate journalist who learns to see the person behind the star and the story behind the item. She is grace personified with her elegant demeanor and restrained delivery. These two make this film what it is, and their interactions give the film its intellectual weight. The conclusion of the story is more than optimistic thanks to Ray's keen, optimistic vision.

A movie at par with Citizen Kane and Rashomon and IMO even better than them in some ways. Impeccable direction and superb acting. Makes you wonder why these two - the actor and director not get together more often in Satyajit Roy films. The angst was so real it seems the guy is not acting any more - just telling his story as it is. The dream sequencewas outstanding as was the ending. The characterisation had on occasion skirted around the burlesque with the older actor in his first interaction with the protagonist but that made the scene all the more poignant. The underlying philosophy is not too deep but something that one can deeply empathise with. The greatness of this movie is how perfectly the story is told. There is an aura of dramatic tension throughout, not between the characters but within the protagonist himself. I would sincerely recommend this movie to anyone who loves what cinema is all about.

A least seen movie of Satyajit. Satyajit is one of the very few great directors who worked outside Hollywood circle and gave a lot to the film history. He is mostly know to the movie lovers as the creator of great APU TRILOGY. I feel that Ray's works are severely under-represented in USA, although most of his works are masterpiece or near-masterpiece. Thanks to Ishmael Marchent for arranging a retrospective on Ray's works at USA in 1996, I guess. But again in that retrospective, I didn't see the names of some of his great works, like NAYAK, KUNCHENJUNGHA, SEEMABADHYA, ARANYER DIN RATRI or SONAR KELLA. Names of the films that I always see in a Satyajit Festival are the APU TRILOGY, JALSHAGHAR, CHARULATA, GHARE-BAIRE ... etc. No doubt that all of those are great works of Ray, but indeed one cannot know the power of his filmmaking unless he sees some of his other less known works (some of which I mentioned).

Nayak is a simple story of the most popular Film Actor of India, acted with all perfection by great Indian Actor Uttam Kumar, who goes to the capital city Delhi to receive an award of his achievement via a train. On the train he meets Shormila Tagore (Another favorite actress of Satyajit whom he casted in several other movies like, Apur Sansar, Devi, Aranyer Din Ratri, Seemabadhya ... etc.) and some other characters of the story. The story progresses when Uttam discusses with different aspects of his life and career with others (especially with Shormila). In depth thoughts and feelings of UTTAM sprung out as time goes by and Shormila discovers the very lonely man in Uttam hidden behind his day to day charismatic lifestyle.

On my judgement, NAYAK is the greatest creation of RAY. UTTAM's acting can challenge anyone in the motion picture history. The high abstratness and philosophical bent of the movie is comparable to that of CITIZEN KANE (according to me, better than CITIZEN KANE) and the mutual conversations among the characters or the screenplay in other words, can beat those of MINDWALK, VANYA ON 42nD STREET, RED or CASABLANCA. A must see film for all great movie lovers. A 10+ out of 10.