Jesse James Meets Frankenstein's Daughter

Veteran filmmaker William Beaudine, with 256 movies under his belt, directed this dreary, low-budget, drive-in oater without much flair. Beaudine and scenarist Carl Hittleman go to absurd lengths to give the preposterous plot (what if Jesse James tangled with Frankenstein's daughter) a plausible set-up. Our notorious heroine and her elderly assistant have fled Germany to conduct their abominable experiments in the relative isolation of the old Southwest in a converted monastery. Film theorists will have a field day with the metaphorical implications of Frankenstein renovating a Catholic monastery. Maria Frankenstein longs to follow in her dastardly daddy's footsteps, but the Mexican peasants nearby don't make good guinea pigs. They have a nasty habit of dying on her. Interestingly enough, Frankenstein's daughter relocated to the American West to take advantage of the frequency of lightning. Anybody who has heard the commentary track on the Kurt Russell movie "Tombstone" may recall the director commenting on the abundance of lightning on their movie set in Arizona, so "Jesse James" contains a modicum of plausibility. The infamous outlaw is trying to lay low when he hooks up with Butch Curry and the Wild Bunch. (Obviously, Butch Curry is Butch Cassidy, but the producers must have felt that one real-life outlaw was sufficient.)Anyway, Butch's greedy brother Lonny alerts Marshall MacPhee about Jesse's whereabouts. During an abortive stagecoach robbery, Jesse's partner Hank catches a slug in the shoulder, and Jesse takes him to the House of Frankenstein to get patched up. Naturally, evil Maria takes them in, because muscle-bound Hank qualifies as the perfect specimen for her blasphemous experiments. See what I mean about the bedrock of plausiblity? This horror horse opera appears to have been shot on a shoe-string budget, since Beaudine stages the action largely in master shots. A mustached John Lupton makes a bland Jesse James. Other than an accurate alias, Jesse's character has been white-washed beyond recognition, and he utters lines about himself that only a censor would pen to dissuade anybody from following in his footsteps. After Hank's transformation to Igor, the camp factor in the action picks up, but there is simply not enough camp to keep this western fired up. Not as hilariously awful as you might imagine, but nevertheless this hybrid-genre hokum is tame, without fireworks. Maria dons a multi-colored G.I. helmet during the transformation sequences, and her laboratory pales in comparison with even a Hammer entry. At one point in the film, she refers to herself as Frankenstein's granddaughter. The producers really should have made up their minds. If there is anything truly execrable about this superficial, saddle-sore sagebrusher, scrutinize the long shots of Frankenstein's monastery: it's an obvious matte painting! Maria Frankenstein is a hoot as a character. In a lackluster cast, veteran character actor Jim Davis of "Dallas" fame stands out as a stalwart lawman, while long-time heavy Rayford Barnes provides the most excitement as he tries to collect the reward on Jesse's head. Worthwhile only as a curiosity piece, "Jesse James Meets Frankenstein's Daughter" (* out of ****)lacks the audacity of "Lady Frankenstein." The year after Beaudine made this nonsense, he helmed "Billy the Kid Versus Dracula."

According to the IMDb here, William "One Shot" Beaudine directed no less than 298 films before his death in 1970. In 1966, he brought all his 50-some-odd years of experience in the industry to bear on his final film, "Jesse James Meets Frankenstein's Daughter," and the result is one of the more unusual movie concoctions you will ever see. As the title suggests, this film conflates the Western and horror genres, although not so stupidly as 1957's "Teenage Monster." Here, James and his beefcake sidekick, on the lam after a botched holdup, knock on the wrong doctor's door seeking medical assistance. Maria Frankenstein, the granddaughter (not daughter) of the original, and a real chip(py) off the old block, almost leaps for joy when she sees Jesse's hunky pal, and wastes little time transforming him into "Igor," a lumbering automaton with a synthetic brain... Truth to tell, this film isn't nearly as awful as I had anticipated, and certainly exceeded my minimal expectations. Yes, it is a B Western at best, crossed with the usual Frankensteinian hijinks, but is quite entertaining for what it is, and moves along briskly. The film features some passable acting (I've seen much worse), some amusing lines, Injun attacks, shootouts, and all the cool-looking lab gizmos we've come to expect from a Franky picture. On the DVD that I just viewed, one of the extras is a running commentary track by Joe Bob Briggs, and it is both highly informative and extremely funny; better than anything one could hope to hear on MST3K. The man is a real treasure for the "psychotronic" film fanatic, and makes this DVD something special.

Thought dead, Jesse James joins the Wild Bunch (!) for a stagecoach robbery. Double crossed, he escapes an ambush and takes his wounded partner Hank (Harry?) Tracy to the house of Frankenstein's granddaughter for treatment. She instead plans on turning the hulking Tracy into the newest Frankenstein monster.

Not for all tastes, this is actually pretty good if you catch it in the right mood and if you have a sense of humor.

Jesse James Meets Frankenstein's Daughter is neither the best Jesse James nor Frankenstein movies ever made. However, it's a lot of kookie fun. Also, it's slightly better than the infamous companion film Billy The Kid Versus Dracula.

Under the supervision of of veteran director William Beaudine, this is a pretty even mixture of the old poverty row western and horror films, slathered in a thick coat of 1960's color and shot in widescreen.

Giving credit where credit is due - unlike many other Jesse James flicks, this one actually cast an actor that looks like James!

Legendary outlaw of the Old West Jesse James, on the run from Marshal MacPhee, hides out in the castle of Baron Frankenstein's granddaughter Maria, who proceeds to transform Jesse's slow-witted pal Hank into a bald zombie, which she names Igor.

This film is generally considered to be pretty awful and has a fairly low rating on IMDb (though I have seen worse ratings). I am not going to dispute this by saying it is a forgotten masterpiece, but really... it may not be as terrible as you might want to believe.

The acting is pretty bad and the plot is a bit questionable, but there is something to be said about campy movies. They have their place. And, really, how many horror westerns are there? Not as many as there probably could be. This is a bit of ground breaker.

This is one of those movies that "Mystery Science Theatre" was made for (I don't know if MST3K ever did one on this). All of the fun is asking questions that nobody who made the movie ever did. Why is there only one bed in the Mexican household? Who gets to sleep in it? Do they take turns? Why is Lady Frankenstein's brother so much older than she is? Juanita leaves her parents in the wilderness and doesn't she ever worry about them? When Jesse goes to the pharmacist to get some medicine, the pharmacist goes in the back room and exits out a back door to get the sheriff. When he gets back, he starts preparing the medicine. What was his justification for going into the back room?

(Perhaps I overthink things. . .)

This is a movie to goof on and in that respect it triumphs tremendously.