Une rousse qui porte bonheur

Romping, colorful Presley vehicle with plenty of songs and good comedy from Harry Morgan and Donna Douglas. Johnny (Presley) is a riverboat gambler who becomes convinced that a redhead is his good luck charm -- problem is, Frankie (Douglas) is a blonde! She goes after him with a gun, and the rest is in the song (a personal favorite of Elvis', I understand). Edward Small's production clearly outclasses the Sam Katzman drek Presley would soon be floundering in. Some fairly elaborate musical numbers well-executed, quality photography and decent directing. DVD is a good one, buy it Elvis fans.

My first review on IMDB and it's an Elvis film! Seen them all and although he had done better films ie King Creole,Wild In The Country and Flaming Star to name a few, this isn't that bad. I thought some of the one liners extremely funny. Lack of sexual chemistry or any chemistry between Elvis and Donna Douglas but Elvis worked very well with M.A.S.H. veteran Harry Morgan. Most of the songs are forgettable but considering it's set in the late 1800's it's not supposed to be Rock and Roll. Good example of Tom Parker's mismanagement of Elvis during the 60's. Worse that year was Harum Scarum.......shudder!

This is an oddity in Elvis’ filmography: a quaint but pleasing musical comedy based on the popular song which had already inspired a similarly-titled film from 1936 starring Helen Morgan – apart from being featured in the Mae West vehicle SHE DONE HIM WRONG (1933) and, again, as recently as Robert Altman’s A PRAIRIE HOME COMPANION (2006).

The star isn’t entirely comfortable amid the 1890s riverboat setting, what with a few of his musical performances (and especially his hairdo) coming off as inextricably modern. Still, the plot – thin as it is – emerges to be quite engaging (what with its backdrop of fortune-telling, gambling parlors, variety acts and costume parties and involving mistaken identities, misunderstandings, an attempted murder and a bar-room brawl)! The cast presents three notable female roles: Donna Douglas (as Frankie), Nancy Kovack as Elvis’ red-headed lucky charm and the flame of his jealous boss, and Sue Ane Langdon as a ditzy “blonde” – who, along with Presley’s long-suffering sidekick Harry Morgan, turns out to be the most likable character as well as the purveyor of the film’s comic relief.

Elvis’ best ‘new’ number is “Hard Luck”; apart from the title tune, he also gets to sing the standard “When The Saints Go Marching In” (while dressed in full military regalia)! The film is short enough at 87 mins. not to overstay its welcome, but the rather low-key presentation also prevents it from being anything more than unassuming entertainment. I wouldn’t classify it among the top-flight Presley vehicles, therefore, but it’s certainly superior to some of the bigger-budgeted (yet simple-minded) fluff he made over at MGM – this being a production from independent producer Edward Small released through United Artists.

Elvis plays Johnny, a riverboat entertainer that has a big gambling problem. Donna Douglas, better known as Elly Mae Clampett, is Johnny's girl, Frankie. A fortune teller tells Johnny how he can change his luck. Enter a new lady luck played by Nancy Kovack and the cat fight begins. Costumes range from classy to gaudy. A dozen songs make up the soundtrack featuring "Hard Luck" and "Please Don't Stop Loving Me". This film was directed by Fred de Cordova, director of Johnny Carson's "Tonight Show". Also in the cast are Sue Ane Langdon, Harry Morgan and Anthony Eisley. A fun movie to watch.

Frankie and Johnny (1966)

** 1/2 (out of 4)

Johnny (Elvis) is a riverboat singer who is also one of the worst gamblers in the world, which gets him into major debt and grief to his partner Frankie (Donna Douglas). With no where else to turn, Johnny starts going to a gypsy for advice and she tells him that great luck will come in a beautiful redhead (Nancy Kovack) but this starts trouble with his boss as well as Frankie. I was pleasantly surprised to see how good this little film was, although it suffers from the same issues as many Elvis films of this period. The story is incredibly weak and once again we've gotta see The King fall for the wrong woman and try to get himself out of trouble while singing. What stands this film apart from the others through are the incredibly well done songs, which also feature some great musical numbers. The highlight is the wonderfully played out title song as well as several other tunes including "What Every Woman Lives For", "Down By the Riverside", "When the Saints Go Marching In" and "Hard Luck". Elvis doesn't give what I'd call a good performance but he fits his role well as the dumb but entertaining singer. The biggest credit must go to the supporting cast with Douglas stealing the show and Harry Morgan adding great comedy.