Unrepentant ladies' man Alfie Elkins gradually begins to understand the consequences of his lifestyle in 1960s London.Unrepentant ladies' man Alfie Elkins gradually begins to understand the consequences of his lifestyle in 1960s London.Unrepentant ladies' man Alfie Elkins gradually begins to understand the consequences of his lifestyle in 1960s London.
- Nominated for 5 Oscars
- 8 wins & 22 nominations total
- Convalescent Home Resident
- (uncredited)
- Man in Pub
- (uncredited)
- Girl in Street
- (uncredited)
- Pub Patron
- (uncredited)
- Laundress
- (uncredited)
Featured reviews
Caine plays the role just right. The movie would go nowhere if he wasn't able to make us understand what about Alfie attracts women despite his treatment of them. The film has noble ambitions, and explores some pretty dark (and for the time, edgy) terrain, when Alfie's antics catch up with him and he leaves one of his conquests (played quietly by Vivien Merchant) in the hands of a sleazy abortionist. The look on Caine's face when he returns to his apartment and sees the aborted fetus, visual confirmation of his callous disregard, was enough on its own to earn him the Oscar nomination he received for this film.
Much of the marketing for "Alfie" positions it as a gay romp through the swinging 60s, but it's actually quite a bitter little pill to swallow, and it leaves a bad taste in the mouth.
With Shelley Winters as a blowsy American who's as good at playing Alfie as he is her.
Grade: B+
The subjects of love and devotion, or more accurately their opposites, philandering and infidelity, are treated with a unique sensitivity in the script. Michael Caine is at once both lovable and detestable, perfectly characterizing the age-old dynamic between the need for love and the need for physical pleasure. But this is not a feel-good movie, it is a movie that explores the difficult decisions that confront a person as they mature in both life and love, and it conveys the basic feelings that are present in all human beings, regardless of outward appearances.
I would recommend this as a thought-provoking exploration of human nature.
Caine's character is inherently unlikeable, but, he exudes such a strong charisma that one warms to him gradually. The films choice of supporting actress is also well done as they are controlled by Caine's character, but not upstaged.
The ending, for me is the key point in liking Caine's character, as without spoiling the film, the final scene, set against the Thames at night, is an outstanding piece of writing and direction.
Alfie is an excellent introduction to Michael Caine's work and, for all its flaws, it remains an outstanding film.
In Alfie, Michael Caine plays the ultimate cad. He has an endless supply of women at his disposal, even though he treats them like garbage and refuses to commit to any of them. He's a sarcastic, flippant young man, and even when he gets one of his girlfriends pregnant, he refuses to marry her-which, in 1966, was not respectable behavior. However, as villainous as he seems, he manages to charm the audience with his constant talking to the camera and adorable aura. The audience thinks he's despicable, but desperately wants him to see the error of his ways and repent, so they're invested in him and the film.
It's a very adult story, so even though Michael cracks jokes to the audience, it's a pretty heavy film. I don't want to give anything away, but particularly religious audiences might want to avoid this movie. If you do decide to watch it, you'll probably be very glad you did. Not only is it one of the most famous flicks of the 60s, but you'll get to hear the origin of Burt Bacharach's memorable title song, and you'll gain a new celebrity boyfriend. I actually wrote Michael Caine a fan letter when I was in high school and told him I thought he was exceptionally dreamy.
Kiddy Warning: Obviously, you have control over your own children. However, due to some upsetting adult content, I wouldn't let my kids watch it.
Did you know
- TriviaFor her few scenes with Sir Michael Caine, Shelley Winters couldn't understand his dialogue at all, due to his strong Cockney accent, and had to wait until her leading man stopped moving his lips before responding with her lines.
- GoofsWhen Alfie is in the doctor's office and looks out of the window at the funeral, the window frame is of a different sort from the one of the interior.
- Quotes
[final words of the film]
Alfie: You know what? When I look back on my little life and the birds I've known, and think of all the things they've done for me and the little I've done for them, you'd think I've had the best of it along the line. But what have I got out of it? I've got a bob or two, some decent clothes, a car, I've got me health back and I ain't attached. But I ain't got me peace of mind - and if you ain't got that, you ain't got nothing. I dunno. It seems to me if they ain't got you one way they've got you another. So what's the answer? That's what I keep asking myself - what's it all about? Know what I mean?
- Crazy creditsAt the beginning of the film, Sir Michael Caine talks to camera and explains that there will be no opening credits. The closing credits are a roll call which features photos of the principal actors, as well as of the main technical crew, including director Lewis Gilbert and cameraman Otto Heller.
- ConnectionsFeatured in Paramount Presents (1974)
- SoundtracksAlfie
Written by Burt Bacharach and Hal David
Arranged by Burt Bacharach
Performed by Cilla Black
Produced by George Martin and Burt Bacharach (uncredited)
(U.K. re-release)
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Details
Box office
- Budget
- $800,000 (estimated)
- Runtime1 hour 54 minutes
- Aspect ratio
- 2.35 : 1