Le jour du dauphin

With some generous financial backing marine biologist George C. Scott has trained two dolphins to actually speak some rudimentary English. The dolphins are Alpha and Beta and they refer to Scott and wife Trish Van Devere as Ma and Pa. To all intents and purposes they are parents of the porpoises.

Pure scientist Scott as he describes himself has never given a thought as to his backers and their generous financial backing. But when he and Van Devere are lured off the island they work on and Alpha and Beta are taken, it's up to Scott to find them as he considers them as like his children.

Scott usually the most intense of actors is rather subdued in his part here. He has trouble comprehending why anyone would want to put such creatures in harm's way. Make no mistake it's in harm's way they are going.

I couldn't quite figure out Paul Sorvino's role in this film. He's first with the bad guys and then defects and gives Scott a voice of common sense that he desperately needs.

The dolphins are the real show, the true innocents in a corrupt world. To an extent they mirror their ma and pa.

The Day Of The Dolphin got Oscar nominations for sound and for the music score. It's an interesting and absorbing film even today.

I think I was six when I first saw it. I might have been five. It's always been my favorite movie.

All I can remember, and I don't know how many times I've seen it since, is that I cry when I do. I wouldn't have known who George C. Scott was, then, but he certainly adds to the drama.

This is a classic. This is about the United States, about the people of the world. This movie is a classic - eternal.

I don't know that I understood, then, what was truly going on - that scientific discovery, technology - as precious and valuable as it is, was going to be corrupted to carry out an assassination plot.

It's almost eerily reminiscent of 9/11. But we didn't stop 9/11.

Maybe what needs to change is the way we see the world, whether we're 6, or 86. This is a movie for all to see, especially children. This is a movie that will bring us together, and instruct us about the dangers of not only technology, but also the sometimes destructiveness of human nature.

One of my favorite films that really brings out your emotions especially in the end also accompanied with a great musical score. One of George C. Scott's many great portrayals and just simply beautiful.

Jake Terrell (George C. Scott) and his wife Maggie are trying to train their dolphin Alpha "Fa" to communicate in English. They bring in a female dolphin for companionship. The problem is that the foundation funding the research has different objectives for the dolphins.

Despite the weirdness of talking broken English with a dolphin, I try to take this movie seriously on its own level. It is certainly sincere in creating this world and its people. I appreciate the ultimate message. The problem is that I don't get why the foundation is funding the dolphin to talk English. It makes no sense. They don't need to discuss philosophy with the dolphins. They just need it to carry stuff. Ultimately, the movie does not make sense in its central premise.

Marine biology scientist Dr. Jake Terrell, his wife Maggie and a crew of ecologists for the last few years have been financed by an organization to study confined dolphins on a distant Florida island. They've conditioned a male and a female dolphin to say "fa," "ma," "pa" and other basic vocabulary, and to comprehend English sufficiently enough to have simple dialogue. But Alpha can't be trained to think in English. He can merely mimic, until Jake teaches him a lesson about loss. He introduces a female dolphin, Beta, watches Alpha fall for her, then splits them up until Alpha can demand her, in English. The wholesale sequence showing Alpha swimming frantically around, thrashing his tail on the enclosure that divides them, is heartrending.

Jake is like the classic father of the baby-boom bracket, unwavering in teaching valuable lessons even when he feels his child's anguish, in this case a dolphin who loves him like a father. When Alpha at last begs for Beta by name, it's an intensely gratifying moment, exemplifying the identity-related idea of language as a conciliation intuited out of loss. And, much to our grief, Alpha is now disposed to all kinds of anthropomorphic cognizant suffering.

And naturally, trouble lies ahead in the form of a thriller plot true to the pinnacle era of conspiracies and rogue government. Initially, a young Paul Sorvino's slippery pollster blackmails his way onto Dr. Terrell's island, and before long, a sinister regime faction is revealed to intend to use the newfound capacity for communication in these dolphins to their advantage by abducting them for function in a presidential assassination, of all things.

In training Alpha and Beta to verbalize, Jake destines them for humanity, initiating them into ceaseless yearning and unlocking the floodgates to advantage being taken of them. In due course, with the purpose of thwarting Alpha and Beta more exploitation, Jake must make a decision that is inconceivable to the living, beating heart. Pure as they are, dolphins comprehend mere absolutes. How can you make a dolphin understand not only that humans can be both good and bad, tell lies and kill their own, but that rejection, abandonment can still mean undying love, ultimate sacrifice? "Men are bad," he tells them, hardly suppressing his utterly irreparable heartbreak, and ours. "All men bad."