[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Jon Voight in The All-American Boy (1973)

Trivia

The All-American Boy

Edit
The character of Vic Bealer was based on a man that lived in Vacaville, California named Michael Dennis Galbraith.
The All-American Boy (1973) was filmed before but released after Jon Voight's huge hit in Délivrance (1972).
A number of the fighters in The All-American Boy (1973) were well-known boxers, including Ken Norton, who became the world heavyweight champion in 1973 when he defeated Muhammad Ali in a split decision. Norton made his motion picture debut in The All-American Boy, although the film Top of the Heap (1972), in which he also appeared, was released earlier in 1972. Norton also carries in his real-life young son Ken Norton Jr. on his shoulders in the first boxing gym scene.
The All-American Boy (1973) was a financial failure and quickly forgotten. Though flawed, with an unsympathetic protagonist too unclear to pin down, the film does reflect a unique voice from a turbulent time.
According to director John Boorman, who had begun pestering Voight to make Délivrance (1972) at this time, the actor was incredibly depressed about The All-American Boy (1973), because he felt that he and Charles Eastman had not adequately captured such a difficult character. Boorman claimed that Voight threatened to give up on acting.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.