Based on an actual event, this is the tragic story of Saskatchewan fugitive Almighty Voice, a Cree Indian who is arrested for stealing government livestock out of desperate hunger.Based on an actual event, this is the tragic story of Saskatchewan fugitive Almighty Voice, a Cree Indian who is arrested for stealing government livestock out of desperate hunger.Based on an actual event, this is the tragic story of Saskatchewan fugitive Almighty Voice, a Cree Indian who is arrested for stealing government livestock out of desperate hunger.
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Donald Sutherland plays Mountie Dan Candy as if the character he knew he was in a movie and kept pushing it to be an action/adventure film, or a revenge movie, or a revisionist Western with a hero who could make a difference - but he's not. He's in an historical docudrama about a series of related domestic tragedies. Which means that the outcome is predetermined, and after insisting he has some power to effect matters for the better, he is left with the Indians to witness the end unfold.
This is the clue to the real strength of the film, which many would find its greatest fault. It is indeed slow, in order to accommodate an elegiac visual style. Tone and effect - essentially of sorrow, and of powerlessness over the historic inevitability of it all - form the real substance of the movie.
It's understandable that such is not to the taste of many audiences. But the film makers do deserve credit for attempting to approach their material in this fashion, rather than opt for something more profitably "exciting." That said, it must be admitted that a large scale production like this is operating on what appears to be a crash budget, and that doesn't help. It certainly didn't help in the preservation of the film, the available print on DVD is pretty bad. But occasionally the cinematography rises to the majesty that the script and director are calling for it, and eerie and beautiful moments pop up in the film, often when you least expect it.
Not really a success, but by no means simply a failure.
This is the clue to the real strength of the film, which many would find its greatest fault. It is indeed slow, in order to accommodate an elegiac visual style. Tone and effect - essentially of sorrow, and of powerlessness over the historic inevitability of it all - form the real substance of the movie.
It's understandable that such is not to the taste of many audiences. But the film makers do deserve credit for attempting to approach their material in this fashion, rather than opt for something more profitably "exciting." That said, it must be admitted that a large scale production like this is operating on what appears to be a crash budget, and that doesn't help. It certainly didn't help in the preservation of the film, the available print on DVD is pretty bad. But occasionally the cinematography rises to the majesty that the script and director are calling for it, and eerie and beautiful moments pop up in the film, often when you least expect it.
Not really a success, but by no means simply a failure.
Donald Sutherland who was Canadian never misses a chance to boost the film industry in his native country. With this in mind he starred in Alien Thunder about the true story of Cree Indian who was arrested for some minor charge, but resented confinement and escaped. The Cree, Gordon Tootoosis kills Mountie Kevin McCarthy who is Sutherland's partner.
In Canada as well as in the USA when you're partner is killed you're supposed to do something about it. That's what The Maltese Falcon teaches us. Sutherland feels the same way, but the Royal Canadian Mounted Police were never in the same kind of numbers that our US Cavalry were, they didn't need to be. It was a more solitary occupation with them having to cover the vast wilderness in this case of Canada's Northwest Territory.
I didn't see a particularly good print of the film, it had a really grainy and washed out look to it. That could have been corrected, but the rather dull telling of the story was not something better cinematography or editing could have remedied. The performances by the cast were sincere and the Indians were as realistically portrayed as ever been on screen.
An interesting story that was ruined with a dull treatment.
In Canada as well as in the USA when you're partner is killed you're supposed to do something about it. That's what The Maltese Falcon teaches us. Sutherland feels the same way, but the Royal Canadian Mounted Police were never in the same kind of numbers that our US Cavalry were, they didn't need to be. It was a more solitary occupation with them having to cover the vast wilderness in this case of Canada's Northwest Territory.
I didn't see a particularly good print of the film, it had a really grainy and washed out look to it. That could have been corrected, but the rather dull telling of the story was not something better cinematography or editing could have remedied. The performances by the cast were sincere and the Indians were as realistically portrayed as ever been on screen.
An interesting story that was ruined with a dull treatment.
I only gave this movie a 4, but that's mainly because it was kind of slow. I like Chief Dan George, so that was a plus right there. I read a comment from one of the commentors and he mentioned how grainy the picture was and I pretty much experienced the same thing. However I thought it added realism to the movie. The dialogue, the sets, the wardrobe, the scenery. It almost looked like someone had a video camera back in those days and actually filmed what was taking place. It's always a good thing when movies use real Indians instead of actors that are painted up to look like Indians. You would think that I would have givin' this movie a higher rating with all the positive things I've said, but it is a movie to fall asleep too. I got this movie in a 20 movie pack, so what the heck.
There may have been something of a good chase film here, based on a true story about a Cree Indian who turned cop killer when confronted by the Mounties over a stolen cow, but the version I saw from Digiview is so amazingly badly transferred that it's almost unwatchable. It's too bad, simply because a clean, crisp version--not edited by some lunkhead in Lower Slobovia--may have saved it from my donate-to-the-library pile.
On the whole though, it's not a bad story. A mid-thirties Donald Sutherland appears to have made this movie as a favor to his native Canada; he couldn't have been paid much because the whole movie looks as if it was made by a university film class rich with a grant from a provincial arts endowment. Sutherland is believable, and so are the group of Canadian actors and actresses, both Native and European.
The only bad performance is by a great screen presence--Chief Dan George. It was either the transfer and lack of scan and pan or no direction for the chief that robbed George's character of doing much more than looking inscrutable, usually almost off screen (because of the lack of scan and pan). In fact, there are whole chunks of the movie where you can hear people cooking or slogging through slush or gurgling from a gunshot wound, but you can't see them because nobody taught that guy in the transfer booth how to operate the doohickeys on the master board.
I had a heart procedure done last summer--nothing huge, but I'm good for another 40,000 miles. Anyway, while I was getting zapped by a high-tech soldering iron, I was strapped down on this table called an ironing board. I couldn't move my head; my vision was confined to the thousand-pound x-ray machines above me. Very unpleasant (except for the end result). Not having scan and pan is something like that. You so want to look around the sides of your screen to see what the hell you're missing. I wanted to sit up, push the x-rays out of the way, and ask the cardiologist what he was up to.
I think that's why they strapped me down.
Oh, well. What you can see, from time to time, is the provincial equivalent of some beautiful plains-state wilderness. Cold and raw, inviting to visit.
It's still not worth the buck. If this sounds appealing, try to find a decent copy.
On the whole though, it's not a bad story. A mid-thirties Donald Sutherland appears to have made this movie as a favor to his native Canada; he couldn't have been paid much because the whole movie looks as if it was made by a university film class rich with a grant from a provincial arts endowment. Sutherland is believable, and so are the group of Canadian actors and actresses, both Native and European.
The only bad performance is by a great screen presence--Chief Dan George. It was either the transfer and lack of scan and pan or no direction for the chief that robbed George's character of doing much more than looking inscrutable, usually almost off screen (because of the lack of scan and pan). In fact, there are whole chunks of the movie where you can hear people cooking or slogging through slush or gurgling from a gunshot wound, but you can't see them because nobody taught that guy in the transfer booth how to operate the doohickeys on the master board.
I had a heart procedure done last summer--nothing huge, but I'm good for another 40,000 miles. Anyway, while I was getting zapped by a high-tech soldering iron, I was strapped down on this table called an ironing board. I couldn't move my head; my vision was confined to the thousand-pound x-ray machines above me. Very unpleasant (except for the end result). Not having scan and pan is something like that. You so want to look around the sides of your screen to see what the hell you're missing. I wanted to sit up, push the x-rays out of the way, and ask the cardiologist what he was up to.
I think that's why they strapped me down.
Oh, well. What you can see, from time to time, is the provincial equivalent of some beautiful plains-state wilderness. Cold and raw, inviting to visit.
It's still not worth the buck. If this sounds appealing, try to find a decent copy.
10ram-30
ALIEN THUNDER is based on the true story of Almighty Voice, a Cree Indian fugitive that eluded the Mounties for over a year. Donald Sutherland plays Mounty Dan Candy who is obsessed with "getting his man". The film is alternately sympathetic towards the white police officers and the Native Americans. Two of the First Nation stars are Oscar nominated Chief Dan George who plays Sounding Sky and, in his screen debut, Gordon Tootoosis in the title role. It is Donald Sutherland who steals the show with his role as the tall tale telling, comforting, determined N.W.M.P.. The film is recommended not for its plot, which wears a bit thin, but for it's vivid capturing of early Canadian pioneer life and Northern Cree culture.
Did you know
- TriviaStars the leads of both the original L'Invasion des profanateurs de sépultures (1956) (Kevin McCarthy) and the remake L'Invasion des profanateurs (1978) (Donald Sutherland).
- Quotes
Sgt. Dan Candy: Jesus, you're stubborn. If you was to drown they'd find your body upstream.
- ConnectionsReferenced in Chair de poule: The Blob That Ate Everyone (1997)
- How long is Alien Thunder?Powered by Alexa
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- CA$1,500,000 (estimated)
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