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6.3/10
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Bill, Martha and their little child Hal are spending a quiet winter Sunday in their house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez.Bill, Martha and their little child Hal are spending a quiet winter Sunday in their house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez.Bill, Martha and their little child Hal are spending a quiet winter Sunday in their house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez.
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Many of you have probably seen Brian De Palma's Casualties of War from 1987. CoW was based on a real story, this fictional 1972 film shows what happened afterward. All I can say is that this is an incredibly intriguing, but sadly forgotten film.
There are many other aspects that make this film special. First of all it's James Wood's debut, second it's allegedly the first fictional film to deal with Vietnam in a serious manner, and third because of how intense the film manages to get. The very set-up sends flashbacks to Funny Games. Two old army buddies of Wood's shows up at his house. This might seem nice enough, but even without the knowledge I had you get the feeling that something is wrong. These are the men Wood's turned in for raping and killing a Vietnamese girl.
The atmosphere screams of dread and you sit back horrified wondering when it's all going to explode. Unlike Kazan's other features it's not visually beautiful in the traditional sense, though it does have many haunting images. This film seeks a more personal touch, again one that might appear somewhat similar to Haneke's minimalism. One thing I found fascinating is that it often cuts the heads of it's characters, which creates an unnatural and weird, albeit very effective atmosphere.
It's also wonderfully contained - there's basically just one setting - their house and the area near by. This only intensifies the whole situation. Of course it does have some small problems. For example the character doesn't seem to realize how serious the situation actually is. But this is one scary flick, and I would definitely recommend it!
There are many other aspects that make this film special. First of all it's James Wood's debut, second it's allegedly the first fictional film to deal with Vietnam in a serious manner, and third because of how intense the film manages to get. The very set-up sends flashbacks to Funny Games. Two old army buddies of Wood's shows up at his house. This might seem nice enough, but even without the knowledge I had you get the feeling that something is wrong. These are the men Wood's turned in for raping and killing a Vietnamese girl.
The atmosphere screams of dread and you sit back horrified wondering when it's all going to explode. Unlike Kazan's other features it's not visually beautiful in the traditional sense, though it does have many haunting images. This film seeks a more personal touch, again one that might appear somewhat similar to Haneke's minimalism. One thing I found fascinating is that it often cuts the heads of it's characters, which creates an unnatural and weird, albeit very effective atmosphere.
It's also wonderfully contained - there's basically just one setting - their house and the area near by. This only intensifies the whole situation. Of course it does have some small problems. For example the character doesn't seem to realize how serious the situation actually is. But this is one scary flick, and I would definitely recommend it!
This curio is a low budget drama directed by Elia Kazan from a script by his son. This is probably one of the first times audiences got to see James Woods in a leading role. He plays Bill, a young man, just back from the Vietnam War and living in a rural menage with his girl, her older husband, and his child. The older guy is a Hemingwayesque writer with a penchant for booze, and Patrick McVey plays the role with aplomb. At their door appear a couple of Bill's old army buddies, and one of them has a grudge to work out, since Bill ratted him out something back in the war zone. The young woman gets into it too, and the tension grows to an inevitable confrontation. There are no revelations here, but it is worth a look.
I recently saw this obscure film on cable and was not ready for the disturbance it set in me afterwards. It is a basic retelling of many story's we've seen before, (old army buddies come back after the war to seek redemption on the friend that did them wrong) but it was a bit of a stand out in the it has a very unexpected, shocking ending. It explores the violence and the tension of the situation well, moving slowly and methodically, which works for a while but then falls short, as you have to say "enough all ready" and get on with it.
Decent performance by a young James Woods and also by Steve Railsback in his first film (who later goes on to star if the cult classic "Life Force". All and all, if you can get past the amateurish production value, an OK exploration of violence and invasion that just takes forever to get going. If you liked Michael Haneke's "Funny Games" (though I particularly didn't) I would recommend this film.
Decent performance by a young James Woods and also by Steve Railsback in his first film (who later goes on to star if the cult classic "Life Force". All and all, if you can get past the amateurish production value, an OK exploration of violence and invasion that just takes forever to get going. If you liked Michael Haneke's "Funny Games" (though I particularly didn't) I would recommend this film.
If you look at this in terms of Kazan's career and the way he puts his own experience in every film (even though I'm sure he'd rather not, but he just can't help himself), this is a masterpiece. If you look at it in terms of commercial cinema, you might describe it as an interesting failure. (Leonard Maltin's book describes it as a BOMB.) All I know is that I was on the edge of my seat screaming at the television, it must have had something going for it.
The filming has a "Night of the Living Dead" kind of quality, and is just as harrowing. I wish I didn't relate to Kazan's misanthropic view of humanity, but I do. If you think you're an expert on what makes a good movie, skip this, it's not for you. If you're interested in looking at the dark and fascinating side of people who do evil things, don't miss it. A depressing but great movie. At least someone knows enough about this stuff to put it in a film; the bad part is when we have to live through it.
The filming has a "Night of the Living Dead" kind of quality, and is just as harrowing. I wish I didn't relate to Kazan's misanthropic view of humanity, but I do. If you think you're an expert on what makes a good movie, skip this, it's not for you. If you're interested in looking at the dark and fascinating side of people who do evil things, don't miss it. A depressing but great movie. At least someone knows enough about this stuff to put it in a film; the bad part is when we have to live through it.
(1972) The Visitors
WAR DRAMA
Somewhat controversial subject matter that centers on common law couple, Bill Schmidt (James Woods) and Martha Wayne (Patricia Joyce) with their young baby Hal. While Martha's dad, Harry Wayne (Patrick McVey) lives next door, we find out is a Western novelist. And just when Bill decides to leave on the following morning on a drive to grab the newspaper, two people show up we find out used to belong to the same army regiment as Bill and wanted to see him or "The Visitors" hence the title. Their names are Antonio Rodriguez (Chico Martínez) or Tony for short and Sgt. Mike Nickerson (Steve Railsback). And as the movie is progressing we find out both Tony and Mike used to be court martialed by one of their own regimen Bill, and it was at this point their motives for showing up at Bill's residence is ambiguous.
Somewhat controversial subject matter that centers on common law couple, Bill Schmidt (James Woods) and Martha Wayne (Patricia Joyce) with their young baby Hal. While Martha's dad, Harry Wayne (Patrick McVey) lives next door, we find out is a Western novelist. And just when Bill decides to leave on the following morning on a drive to grab the newspaper, two people show up we find out used to belong to the same army regiment as Bill and wanted to see him or "The Visitors" hence the title. Their names are Antonio Rodriguez (Chico Martínez) or Tony for short and Sgt. Mike Nickerson (Steve Railsback). And as the movie is progressing we find out both Tony and Mike used to be court martialed by one of their own regimen Bill, and it was at this point their motives for showing up at Bill's residence is ambiguous.
Did you know
- TriviaBrian De Palma says on a interview given for the DVD extras of "Outrages (1989)" that the idea from this movie came from the same story that "Outrages (1989)" is based on. The story was published in "The New Yorker" Magazine in 1969, and later became a book. Allegedly Elia Kazan also read the story on The New Yorker and had the idea of a fictional script that showed the after wards of the true history showed in "Outrages (1989)," in which the character played by Sean Penn goes to jail after has been convicted by a martial court of war crimes (he and three outer guys kidnapped, raped and then murdered a Vietnamese girl in the Vietnam war). In the movie, "Sean Penn"'s character, in his trial, promises revenge to Michael J. Fox's character, who was the one that reported him.
- Quotes
Harry Wayne: He was in some kind of trouble in Vietnam. Do you know about it?
Sgt. Mike Nickerson: We were it.
- ConnectionsFeatures Super Bowl III (1969)
- How long is The Visitors?Powered by Alexa
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Box office
- Budget
- $135,000 (estimated)
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