IMDb RATING
5.9/10
721
YOUR RATING
A just released from prison professional thief decides to do one last high-risk heist, which could settle him for life or land him behind bars again.A just released from prison professional thief decides to do one last high-risk heist, which could settle him for life or land him behind bars again.A just released from prison professional thief decides to do one last high-risk heist, which could settle him for life or land him behind bars again.
Reinhard Kolldehoff
- Detective Hoffman
- (as Rene Kolldehoff)
Lionel Vitrant
- chauffeur Citroen
- (uncredited)
Featured reviews
It surprises me that for my 1st review, I would be moved to write a piece on this movie. I bought it for $1.99 at the local DVD store just because of the cover featuring Kirk Douglas as the star. What moved him to do this movie at this stage of his career would be interesting to know. In any event, I really enjoyed this movie a great deal. It had a car chase that rivals two of my favorites of all time in Bullit and the French Connection. It had the most realistic fight scenes I can remember seeing. The heist was elaborately thought out befitting the USA title of The Master Touch. It had a great twist at the end. A very good musical score composed by one of my favorites of all time by Ennino Moricone. Finally, It even had what I felt was a moral message to pass on at the end. Unfortunately, it also had a couple of big negatives that would perhaps bother a number of viewers. The quality of the DVD transfer is poor. Also, except for Kirk, the performer's lines are dubbed in English.
All in all however, I enjoyed this movie tremendously and feel like I uncovered an unknown gem which for movie lovers provides a great satisfaction in itself.
All in all however, I enjoyed this movie tremendously and feel like I uncovered an unknown gem which for movie lovers provides a great satisfaction in itself.
To insure some box office for this film released in America as Master Touch, Kirk Douglas was added to this Italian-German production filmed in and around Hamburg. I'm sure that Douglas did this one for the European vacation he was going to get.
Master Touch is your average caper film that has elements of other films like Bullitt, The Asphalt Jungle and Topkapi. But it doesn't glide into the different moods of these films, it rather lurches uncomfortably.
Kirk is a master safe-cracker who's just returned from a stretch in the joint. It's never really explained why this American is operating in Germany, so I assume it was a German prison. Wolfgang Preiss, a syndicate boss for whom he was doing a job when he was caught wants him for another caper. Douglas turns him down flat, but Preiss won't take no for an answer.
In the meantime though he's pinched for cash so what to do, but back to the old trade and he decides to pull the job that Preiss offered on his own. He teams up with young Giuliano Gemma, a young circus performer who he saw best one of Preiss's hoods in a fight. In the meantime wife Florinda Bolkan pleads with Kirk to go straight.
The best parts of Master Touch are devoted to the robbery and it is here the film most resembles Topkapi. The robbery sequences show that Kirk indeed had a Master Touch.
What he didn't have is good judgment in people and that leads to a climax somewhat reminiscent of The Asphalt Jungle. I'm not about to give away any endings.
Master Touch will never make anyone's top 10 list of Kirk Douglas films. Good in spots it still leaves quite a bit to be desired. But Kirk's fans around the world will like it.
Master Touch is your average caper film that has elements of other films like Bullitt, The Asphalt Jungle and Topkapi. But it doesn't glide into the different moods of these films, it rather lurches uncomfortably.
Kirk is a master safe-cracker who's just returned from a stretch in the joint. It's never really explained why this American is operating in Germany, so I assume it was a German prison. Wolfgang Preiss, a syndicate boss for whom he was doing a job when he was caught wants him for another caper. Douglas turns him down flat, but Preiss won't take no for an answer.
In the meantime though he's pinched for cash so what to do, but back to the old trade and he decides to pull the job that Preiss offered on his own. He teams up with young Giuliano Gemma, a young circus performer who he saw best one of Preiss's hoods in a fight. In the meantime wife Florinda Bolkan pleads with Kirk to go straight.
The best parts of Master Touch are devoted to the robbery and it is here the film most resembles Topkapi. The robbery sequences show that Kirk indeed had a Master Touch.
What he didn't have is good judgment in people and that leads to a climax somewhat reminiscent of The Asphalt Jungle. I'm not about to give away any endings.
Master Touch will never make anyone's top 10 list of Kirk Douglas films. Good in spots it still leaves quite a bit to be desired. But Kirk's fans around the world will like it.
A spaghetti western, or in this case, a spaghetti heist. Starts out as the usual story of someone being released from prison, determined to pull one last job that will set him up for life. Stars kirk douglas as wallace, and a lot of people we've never heard of before. Co-stars florinda bolkan (as the wife) and giuliano gemma (as the "business" partner). It takes a lot of time to get to the actual heist... car chases, car stunts, fist fights. A small, wooden gate that just rips the roof right off a car. Such a poorly made car! Super duper 1970s music, when wallace is home with the wife. All that really matters here is the last thirty minutes. It's set up as a regular bank heist, but there are some interesting twists and turns along the way. Directed by michele lupo, who died young at 56. Kirk douglas lived to 103! And was nominated for three film oscars.
There's a lot of other, similar, better foreign heist movies from this period, including the French AND HOPE TO DIE, and the Italian LAST CHANCE which I both found much more interesting than this work.
The main thing this one has going for it is once-huge American star Kirk Douglas in a very meaty central role as a super-suave master thief akin to Clooney's character in the recent "Ocean's 11" series. The supporting cast is also good, though underused, with Gemma as a trapeze artist who Douglas tries to recruit into the life of thievery. Wolfgang Preiss (the guy who always plays Nazi bad guys in war movies) plays the main mob boss with Romano Puppo in a satisfying role as his head thug. Puppo and Gemma have numerous fight and chase scenes which are fun to watch but add absolutely nothing to the plot. Speaking of plot, this one conveniently glazes over all the details of the heist, except on how Douglas deals with the security system's sound recorder. His preparations don't appear to be particularly well informed yet he seems unswervingly confident about the whole thing. Hmmm....
He also has a hot girlfriend/wife/lover/whatever Florinda Bolkan... who repeatedly tells him NOT to go through with the heist or she will leave him. These assertions make absolutely no impact on Douglas, who is single-minded in his pursuit of a big score... and then he is surprised later by all the double-crosses.
It's worth tracking down, but not exactly the most cerebral crime caper from the period. A little more realism would have done this film an immeasurable service.
The main thing this one has going for it is once-huge American star Kirk Douglas in a very meaty central role as a super-suave master thief akin to Clooney's character in the recent "Ocean's 11" series. The supporting cast is also good, though underused, with Gemma as a trapeze artist who Douglas tries to recruit into the life of thievery. Wolfgang Preiss (the guy who always plays Nazi bad guys in war movies) plays the main mob boss with Romano Puppo in a satisfying role as his head thug. Puppo and Gemma have numerous fight and chase scenes which are fun to watch but add absolutely nothing to the plot. Speaking of plot, this one conveniently glazes over all the details of the heist, except on how Douglas deals with the security system's sound recorder. His preparations don't appear to be particularly well informed yet he seems unswervingly confident about the whole thing. Hmmm....
He also has a hot girlfriend/wife/lover/whatever Florinda Bolkan... who repeatedly tells him NOT to go through with the heist or she will leave him. These assertions make absolutely no impact on Douglas, who is single-minded in his pursuit of a big score... and then he is surprised later by all the double-crosses.
It's worth tracking down, but not exactly the most cerebral crime caper from the period. A little more realism would have done this film an immeasurable service.
It may interest some to know that the score was composed by spaghetti-western and crime flick master Ennio Morricone. For some reason this goes unlisted on the DVD I own but is stated on the beginning credits (and the IMDb file).
The scoring often follows a somewhat formulaic approach that has been taken to quite a few of these films (i.e. recapitulate the theme endlessly), but there are high points. An example would be long scene preceding the film's conclusion, when Wallace is running through a coal factory.
The film itself is fairly entertaining, if not for the antiquated technologies regarded as cutting edge, and Douglas' sharp suits. Features some fairly hairy car-chases esp. considering the lack of special effects but long (and decidedly cheesy) romantic interludes with Anna.
Not spoiling ANYTHING, the movie actually has a great twist and is fairly suspenseful as the characters plan to execute the biggest heist in town.
The scoring often follows a somewhat formulaic approach that has been taken to quite a few of these films (i.e. recapitulate the theme endlessly), but there are high points. An example would be long scene preceding the film's conclusion, when Wallace is running through a coal factory.
The film itself is fairly entertaining, if not for the antiquated technologies regarded as cutting edge, and Douglas' sharp suits. Features some fairly hairy car-chases esp. considering the lack of special effects but long (and decidedly cheesy) romantic interludes with Anna.
Not spoiling ANYTHING, the movie actually has a great twist and is fairly suspenseful as the characters plan to execute the biggest heist in town.
Did you know
- TriviaAll entries contain spoilers
- GoofsDuring the chase, one of the cars keep changing back and forth from a 1958 Plymouth two door to a 1960 Dodge four door with slightly modified tail fins.
- Alternate versionsSome video prints run 95 minutes and full-frame, while the uncut version runs 112 minutes and in widescreen.
- ConnectionsFeatured in Cinemassacre Video: Top 10 Car Chases (2008)
- How long is The Master Touch?Powered by Alexa
Details
- Runtime1 hour 52 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content