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Le détraqué

Original title: The Mad Bomber
  • 1973
  • 16
  • 1h 31m
IMDb RATING
5.8/10
896
YOUR RATING
Le détraqué (1973)
ActionCrimeDramaThriller

Los Angeles detectives Minelli and Blake must track down a serial rapist who may know the identity of a mentally disturbed bomber.Los Angeles detectives Minelli and Blake must track down a serial rapist who may know the identity of a mentally disturbed bomber.Los Angeles detectives Minelli and Blake must track down a serial rapist who may know the identity of a mentally disturbed bomber.

  • Director
    • Bert I. Gordon
  • Writers
    • Bert I. Gordon
    • Marc Behm
  • Stars
    • Vince Edwards
    • Chuck Connors
    • Neville Brand
  • See production info at IMDbPro
  • IMDb RATING
    5.8/10
    896
    YOUR RATING
    • Director
      • Bert I. Gordon
    • Writers
      • Bert I. Gordon
      • Marc Behm
    • Stars
      • Vince Edwards
      • Chuck Connors
      • Neville Brand
    • 21User reviews
    • 27Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos65

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    Top cast37

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    Vince Edwards
    Vince Edwards
    • Lieutenant Geronimo Minneli
    Chuck Connors
    Chuck Connors
    • William Dorn
    Neville Brand
    Neville Brand
    • George Fromley
    Hank Brandt
    • Inspector Blake
    Christina Hart
    Christina Hart
    • Fromley's Victim
    Faith Quabius
    • Martha
    Ilona Wilson
    • Mrs. Fromley
    Nancy Honnold
    • Anne Dorn
    Ted Gehring
    Ted Gehring
    • Police Chief Marc C. Forester
    Jeff Burton
    Jeff Burton
    • Sgt. Gribble
    Dee Carroll
    Dee Carroll
    • Miss Roman
    Pola Muzyka
    • Shelly the Stripper
    • (as Paula Mitchell)
    Cynthia MacAdams
    • Mrs. Dorn
    • (as Cynthia McAdams)
    Brett Hadley
    • Vice Squad Officer
    Royce D. Applegate
    Royce D. Applegate
    • Man in Car
    • (as Roy Applegate)
    Jack Garner
    • Plant Manager
    James Stuart Duffy
    James Stuart Duffy
    • Youth
    Michael Stanwood
    • Youth
    • Director
      • Bert I. Gordon
    • Writers
      • Bert I. Gordon
      • Marc Behm
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews21

    5.8896
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    Featured reviews

    6matthewlcorey-77844

    Give this provocative film a shot!

    Provocative film about the hunt for a lunatic on a rampage and the investigation leading to his apprehension. Despite the copious amount of graphic female nudity, it has the overall look of a 70's cop show or TV movie.

    Chuck Connors (TV's The Rifleman) convincingly inhabits his role as the deranged bomber and Neville Brand has an interesting turn as a rapist who happens to witness him en route to one of the targets of his violence. The weak link in the cast is Vince Edwards, whose one-note performance as the obsessed police detective left me wanting more.

    Give this one a shot and you may be pleasantly surprised!
    Michael_Elliott

    Highly Entertaining Mix of Action and Sleaze

    The Police Connection (1973)

    *** (out of 4)

    A Los Angeles cop (Vince Edwards) is trying to track down a mad bomber (Chuck Connors) but he hasn't any witness or evidence. This all changes when the bomber attacks a hospital at the same time a rapist (Neville Brand) attacks a woman. The cop figures if he can catch the rapist he can then find out who the bomber is.

    Bert I. Gordon will always be remembered for his "big" movies like THE AMAZING COLOSSAL MAN, VILLAGE OF THE GIANTS and THE CYCLOPS but this film here is very far from them. In fact, I must say that this here is the best movie I've seen from Gordon and it's a real shame that he didn't continue making movies like this. If you know the director then you know he followed this up returning to his "big" roots with THE FOOD OF THE GODS and EMPIRE OF THE ANTS.

    I was really shocked at how entertaining this film was and especially in its uncut form. Gordon made a career out of "safe" movies but that's certainly not the case here as it earns its R-rating. The violence is quite graphic at times but what really stands out is the sleaze factor. You've got all sorts of full frontal nudity as well as some kinky moments dealing with a subplot of the rapist. Not only do you have some great explosions that shows off the action but the rape scenes are also filmed quite well for this period.

    The performances here are another major plus. Edwards is extremely good and believable as the cop who will stop at nothing to bring down the bomber. Brand gets the sleazy role as the rapist and he does an extremely effective job with it. His character is certainly lower than dirt and Brand's performance just makes you feel how dirty this guy is. I was also very impressed with Connors who was flawless in the role as the bomber. This guy has several mental issues and I thought the actor perfectly captured all of this.

    The film, also known as THE MAD BOMBER, was apparently really cut down for its television and video release so you certainly want to make sure that you're watching the uncut version. The sleaze and action factor are quite high and that makes this Gordon's best picture.
    7merklekranz

    Two great evil performances ......

    The concept of a serial rapist being the only one who can identify a serial bomber is what drives this exploitation shocker towards B movie greatness. Neville Brand, despicable as he is, assaulting and killing to satisfy his twisted sexual fantasies, is easily eclipsed by Chuck Conners as the mad bomber, on a crusade to avenge his daughter's death. These two great evil performances are the core of this film. What prevents "The Police Connection" from being a flat out classic is head police investigator Vince Edwards, who sleep walks through the entire movie, providing zero charisma. He most definitely is no "Dirty Harry". If you can find an unedited version, get it. You will be amazed. - MERK
    Sargebri

    A Bert Gordon Film Without a B.I.G. Monster

    This is probably the only decent film that Bert I. Gordon ever did in his career. The story film is full of tension as we see the protagonist, Geronimo Minelli, not only hunting down the bomber, but he must also try to save the life of the creepy rapist who witnessed his second bombing. Vince Edwards does a pretty good job playing Minelli and Chuck Connors is good as Dorn, the title bomber. Connors really shows how much he really wants to get back at the people he feels has wronged him, and goes about his "work" with such cold, unemotional efficiency. However, Neville Brand steals the film as the rapist. Brand showed why he was one of the more popular villains in film with his disturbing performance. Its a shame that this picture isn't shown on television anymore.
    6tavm

    The Mad Bomber is an okay thriller by Bert I. Gordon

    I've just seen on Google Video what-according to the other comments I've read-was the edited version of The Mad Bomber. Chuck Connors plays the title character who's trying to avenge his daughter's death from a drug overdose on the city of Los Angeles. Vince Edwards is the cop trying to stop him. And Neville Brand is the rapist who witnesses Connors at the mental hospital he sneaks into. Supposedly there were actual scenes of nudity, graphic rape, even more intense explosions. What I saw seemed sufficient. While there are some slow spots such as Brand's having to identify Connors through various face recreations with Edwards in the police headquarters, there is enough tension to keep things going. Writer, producer, director Bert I. Gordon does seem a bit heavy-handed in his approach and many of the minor characters are mostly stick figures for plot contrivances. Still, fairly good performances by Connors, Edwards, and Brand. Update:6/23/13-I just watched on YouTube one of the cut scenes from this movie, a scene when the Brand character is watching film of a nude woman doing flirty poses that he gets off on. The rating stays.

    Storyline

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    Did you know

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    • Trivia
      The adult movie theater scene in the film is the Paris Theatre, located at 8163 Santa Monica Blvd. in West Hollywood. The theater opened as the Carmel Theatre, a legitimate movie house, in 1926, and operated as a grindhouse and adults-only Paris Theatre from the mid-1960s until 1976, when the building was destroyed by a fire.
    • Quotes

      [first lines]

      [man throws cup on sidewalk]

      William Dorn: You just littered the street.

      Pedestrian on sidewalk: But it was empty.

      William Dorn: Well, I want you to go back and pick up your trash.

      Pedestrian on sidewalk: What?

      William Dorn: I said I want you to go back and pick it up.

      Pedestrian on sidewalk: Like hell I will.

      William Dorn: It's people like you that make our world filthy my friend. You're a pig! Did you hear what I said? Tell me.

      Pedestrian on sidewalk: It's people like me that make our world filthy, I'm a pig.

      William Dorn: Now, go back and pick up your trash. Put it in your pocket. Now, don't you feel better?

      [pedestrian walks off with no reply]

    • Alternate versions
      An edited-for-television cut of the film, which has been widely released on DVD, removes scenes of nudity, gore and coarse language, but also features additional footage not seen in the original theatrical version. Among the additions:
      • A slightly longer scene of the bomb construction at the onset of the film.
      • A radio description of the bomber laid over a shot of a radio tower.
      • Lieutenant Minneli giving a citation over the placement of a street sign to a theatre owner who is exhibiting "teen sex" films.
      • Removal of a piece of dialogue where the police chief says he wants to catch the "son of a bitch before he blows up Los Angeles."
      • An alternate take of a woman getting changed through a window. In the TV version, her undergarments are never visible, and she's always wearing her blue dress.
      • Alternate shots of her attack where her blue dress hasn't been ripped.
      • An alternate edit of the montage of female police officers working the streets, which removes violence, but adds additional officers walking through the night.
      • An alternate version of Lieutenant Minneli exploring the presumed suspect's apartment. In the TV version, the walls don't contain nude images of his wife, but rather just nondescript decor. When Minneli plays the projector, a different version of footage of his wife is on it, with tight shots on her face and alternate perspectives that don't reveal her nude body.
      • When the man later returns home to view the footage of his wife alone, he is watching a different film of her without nude images. However, a single topless photograph of her still appears during the bomber's explosion for a brief moment, seemingly missed by the editors.
    • Connections
      Referenced in Best of the Worst: Night Beast, Trick or Treat, and Skull Forest (2013)
    • Soundtracks
      Reaching Out
      by Dan Yordan

      Vocal by Nancy Honnold

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    FAQ14

    • How long is The Mad Bomber?Powered by Alexa

    Details

    Edit
    • Release date
      • December 13, 1973 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Confessions of a Dirty Cop
    • Filming locations
      • The Ellison Suites - 15 Paloma Ave, Venice, Los Angeles, California, USA(William Dorn's apartment)
    • Production company
      • College Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 31 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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