Les centaures

I saw the Honkers in the early 70s and loved it and remembered it. I also saw both JW.COOP & JUNIOR BONNER - both excellent. The reason I had to catch Honkers was that Mr.Inhat deeply impressed me in Madigan as Barney - an enduring psycho performance - which I can still quote verbatum. I also made a note of him in Hour of The Gun. I felt grim when he died (just after the Cannes screening?) But rest assured he, and the film, are recalled fondly. .

"The Honkers" is probably Slim Pickens best performance of all time. When we were shooting, everyone connected with the production figured that Slim was Academy Award material. Unfortunately, United Artists had a James Bond picture in release at the same time and did not devote much attention to "The Honkers". I personally feel this film was under-rated by most critics. Sam Peckinpaw's "Junior Bonner" was out at the same time and seemed to impress the critics more than our film. Also, Cliff Robertson had a rodeo film out a few months before our release and that might have hurt us, too. The picture is worth watching, if just for the rodeo footage--some of the best ever filmed--shot by James Crabbe. The director and my co-writer, Steve Ianat, died a few weeks after the picture's release, cutting short a promising career and leaving behind his lovely wife Sally, his daughter, Gaby, and newborn son, Stefan. Please give this movie a shot. I'm betting that you'll say it was well worth while. I thank anyone who has taken the time to read this. Stephen Lodge

This is one of those movies that was never publicized and therefore was missed when it originally played in the theaters.

I came across it while switching TV channels and was immediately engrossed in this story of an aging rodeo bum whose recklessness and lack of responsibility hurt everyone around him. I've often wanted to see the movie again but couldn't even remember its name, and have never seen it in the rental stores.

James Coburn and Slim Pickens were excellent in their roles, and the rodeo footage was first rate. While being an action movie and having a western setting and theme it could be enjoyed by anyone regardless of their taste in films.

James Coburn stars in and dominates The Honkers the story of a veteran rodeo cowboy who really ought to settle down with his wife Lois Nettleton and son Teddy Eccles. But Coburn likes the life too much especially the partying and those rodeo bunnies. Something about those bowlegged cowboys gets to them I guess.

So Coburn makes one of his many pit stops at his home and he and Nettleton have their usual argument about that final divorce decree he won' t sign so she can marry steady and reliable Richard Anderson who has a used car dealership. But there's a nearby rodeo so he and best friend Slim Pickens who is a rodeo clown are off to it.

The Honkers takes an honored place beside such rodeo films as The Lusty Men and Junior Bonner. Steve Ihnat really captures the ambiance and feel of the rodeo as an American institution.

Before he went into films Slim Pickens was a rodeo clown and this is the only film he actually gets to play one. Like his buddy Coburn this is the life he knows though he's not the party animal that Coburn is. I guess someone has to be the designated driver and it seems to have fallen to Slim to be that for Coburn in all situations. Being a clown requires the same kind of reflexes it does when riding a bull or a bucking horse. Slim too has slowed up a might.

Anne Archer makes her film debut as a rodeo bunny whose father is a big oil millionaire. As a kind of Indian rodeo hippie, Archer makes a fine debut in The Honkers.

I did like the ending which was most vague and you have to decide for yourself what the future holds for Coburn. This one is really worth checking out.

1971's 'The Honkers' is a stablemate to other rodeo-themed modern westerns from '71-72: 'Pocket Money', 'Junior Bonner' and 'JW. Coop'. Lanky, silver-haired toothy actor, James Coburn plays an ageing rodeo rider making a hardscrabble living in Arizona and at the same time having fun with women, bars, clubs and booze. Coburn had incredible rhythm- '..that least neurotic of Hollywood leading men', wrote David Thomson while Andy Garcia described him as the -'epitome of class'. The film records the early-'70s well - those were pioneering years and has a tragi-comic and playful feel as it shows American individualism.