Au service de Satan

Back in the early 70's when Charlie Manson and chums had just killed the hippie era cultist horror was in vogue. Race With The Devil was probably the artistic high point of the genre,but obscurities like Enter The Devil and Blood Sabbath are arguably of more generic interest to geeks like myself, dwelling more on the aesthetic aspects of crazy cults. There's a lot of aesthetic and thematic potential in the whole cult set up, hoods and robes, chanting, obscure rituals and fires, then there's the whole issue of singularity of purpose and the subsumed individual, someone can be just about anything on the outside but when it comes to their cult affiliation they become just a piece of the one persona. Other films delve deeper into the themes, but Enter The Devil gets good mileage out of the aesthetic and smartly sets things in the eerie isolation of the New Mexico desert for greater effect. It's simple slow burning stuff for the most part, Deputy Sheriff Ozzie Perkins investigating a disappearance and finding that the plot thickens as he goes, there's a good dusty atmosphere and sense of nagging unease punctuated by short sharp shocks, then things rev up with a nail biting two punch driving the film into its final block. There are clichés at hand, like Mexicans being either goofy or feisty, white guys being mostly horny and bigoted and the female lead being largely ineffectual, but somehow the character interactions work nicely, building up a solid feel of place and time both compelling and gently unsettling. The generally likable acting helps, beautiful Leslie Culver is charming enough as the research professor on hand to explain things, Joshua Bryant a helpful and friendly motel owner and Happy Shahan gruff and decent as the Deputy Sheriff. They all gel pretty well, as do the other players, making the slower moments pretty pleasing and producing a quiet, mundane feel that renders the climax all the more effective. I don't know whether the print I saw was the cut US release that got a PG certificate and re-released on Something Weird DVDR or full length (I think it was a S. African VHS but the run time falls between the two listed on IMDb) but the big shock scene in this is marvellous stuff, not graphic but real mean spirited and unsettling, really blows you out of the comfort zone prior established. The actual climax has its problems, but its short and sweet and shouldn't deter anyone who has managed the rest. Little in the way of bloodshed or action but definitely a good 'un, well worth a look for 70's horror fans.

Enter the Devil (1972)

** (out of 4)

This low-budget horror film was shot in New Mexico where it is also set. The film tells the story of a bunch of people who disappear without a trace and a local state trooper's attempt to track them down. It turns out that a Satanic cult are behind the kidnappings.

ENTER THE DEVIL is a film that doesn't have much of a cult following but the title puts it along side countless other "devil" or "Satanic" movies that were released after the success of Roman Polanski's ROSEMARY'S BABY. Is the film a masterpiece or something that everyone should check out? Absolutely not but at the same time there are some interesting things that make it worth viewing.

To me the best thing about the film was its music score by Sam Douglas. There's honestly nothing to the score that I would call original but at the same time it does help build up an atmosphere and it just feels dirty like the setting of the picture. I also thought there were some effective shots of the Satanic group walking through the night with their torches lighting up the blackness of night. These two things mixed together were quite good and I'd say much better than some of the other things that we saw in countless pictures like it.

As far as the story goes, it's certainly not that original and in fact it really runs out of gas around hte hour mark. There isn't enough going on in the picture to completely hold your attention but I will say the ending came as a shock and especially considering how blunt it was. Performances are what you'd expect from a film like this but for the most part I'd say the direction by Fred Q. Dobbs was good.

ENTER THE DEVIL isn't going to win any major awards but it's an interesting little film that horror fans should check out.

The title of this film is incorrect. The devil has little to do with the story. It is, in fact, about an extreme Christian Religion. As stated in the film, some local cultures adapted their beliefs and religions with those of the Christian missionaries. We all know how nasty those Christians could be. "Exorcise The Devil" would have been a more apt title as that's what the disciples were trying to do.

Writer and director Frank Q. Dobbs and David S. Cass Sr would have done better if they had expanded on the religion itself. I liked the concept of the religious mix. The missing people were a good hook to keep the story moving at a nice pace and to bring in the police. Missing from the story are the devotee's reasons. Most religions have specific punishments for specific crimes. It would have strengthened the story had we been told what crime received which punishment. We also needed more of the religious element,

At least Dobbs was better at directing than he was at writing. Though his shooting style is pedestrian, and he keeps the storytelling to a steady trot it works well for the film. Though there are a few scenes, such as the rape sequence, the runaway mine car, and all the killings and religious segments that would have become enhanced with a change in pace and a few varied angles and imaginative lighting. This would have lifted the film out of the ordinary.

The acting was okay. Nobody stank too much or tried to steal the show. On the whole, they are believable in their portrayal of their characters. Though I have to say the only actor I recognised, Joshua Bryant, who I've regarded as a steady and solid actor, is out of sorts in the film. It's like he just turned up on set, said his lines, and waited in his trailer for his next scene. This doesn't deter from the film as he's not the main character. He needed to be a tad more forceful, especially at the revelation.

This average chiller could have been better... Way better. As it stands I wouldn't recommend you rush out and buy it. But should it appear on telly, cable, satellite, or streaming service (but don't pay-per-view it) then check it out. It'll pass some time away.

Ratings: Story 0.75 : Direction 1 : Pace 1 : Acting 1 : Enjoyment 1 : Total 4.75

Come, take a pilgrimage over to my Killer Thriller Chillers list and see where this religious flick ranked in my chart.

Take Care and Stay Well.

Here is a movie that deserves to be seen again, an ultra low budget independently produced regional horror effort made out in the dusty hills of New Mexico about a coven of migrant workers who worship Satan. Contemporary social commentary aside this is a surprisingly gritty and grim little film made all the more authentic, convincing and haunting by it's low rent, jury-rigged feel. With a cast made up of stock actors, stunt performers, non-professional local color types and a couple name brand character actors, ENTER THE DEVIL has the feel of a very personal effort by someone who had a specific vision in mind. By limiting what it tries to accomplish the film succeeds where many others of a similar vein feel silly. Check out THE DEVIL'S RAIN for an example of what I mean.

Half of the film concerns a youngish state trooper's efforts to track down a missing person. His investigation leads him to an area hunting lodge & silver mine operation where the local bigots gather to drink beer, shoot things, and pat the Latina serving wench on the fanny. Meanwhile a pretty state employed anthropologist stops by to continue her studies into the somewhat pagan customs of the local Mexican workforce. Bodies are found, ominous accidents + close-calls befall the interloping Caucasian types, and the serving wench earns the wrath of her own people by apparently just being present to be manhandled & groped at by the bigoted hunters. It isn't easy being pretty some days.

All of it is actually rather unremarkable up until a segment about halfway through the film when the inquisitive trooper follows reports of lights out in the desert & the sound of chanting voices by the area loon, who as usual is the only person who really has a grasp of what's at hand. The trooper (David Cass, a former Burt Lancaster stunt double who co-wrote the film & served as 2nd unit director) eventually stumbles upon the horrible secret of this migrant cult in a scene that stops the film cold -- A fetching young lady being dragged into the desert by the coven who lash her to a post with barbed wire and proceed to burn her alive in the most stomach wrenching witch burning scene since CONQUEROR WORM.

It's not that it's unduly graphic, but like CONQUEROR WORM's burning the implied suffering and sadism of the incident is out of proportion with anything the film shows viewers up until that point. It is gruesome, horrifying, grimly realistic and concludes with the sight of the trooper gagging and coughing his way out of a billowing cloud of smoke from the burning body, which in itself will leave viewers feeling queasy for hours. The film also eschews any kind of erotic angle to the incident: There is no Sadean fantasy at work here, only stinging barbed wire, hammered nails and burning, cracking flesh. Try to find an uncensored imported print with gibberish subtitles, the domestic North American prints were all trimmed to secure a PG rating for a good time at the drive in. Yee haw.

After that the film settles back into the routine as the pretty anthropologist starts to get that sinking feeling that the disappearances, deaths, mysterious lights and Gregorian chanting hooded ominous figures out in the evil cave of Satan may be related. Gee, do you think? We get further police procedural footage including medical examination lingo, local political intrigue and an annoyingly predictable twist ending that anybody familiar with this kind of stuff will be able to dial in before the 3rd reel is loaded. The film then proceeds to climax with a bizarre display of xenophobia as the state trooper brigade closes in with their M-16 automatic rifles blazing as they gun down the coven en-masse. Pretty twisted idea of fun: no wonder this one generated cult interest.

So here is a sleeper of a movie that has been left behind by the sands of time -- the only way to find it are on expensive & rarely found prior rental tapes or dubiously sourced public domain releases by underground companies. Nobody seems interested in trying to revive this one which is a shame, it's a startling little bit of regional horror and one of the least silly examples of the Satanic Coven fad that was so popular during the early - mid 1970s. Watch it as a double bill with the excellent RACE WITH THE DEVIL, which remains the watershed effort from the idiom. The two will serve to compliment each other even though the low budget and seemingly aimless pacing of the first 3rd of ENTER THE DEVIL may annoy those easily bored. But once you get to that burning scene this film is perhaps even more unsettling, and nobody ever said that art had to be pretty.

7/10

The best of this low-budget film is its scenery : the desert is an unusual place to celebrate some kind of (black) sabbaths which resemble a Christian procession of penitents that still takes place in Spain ; filmed at night ,holding their torches against a starless black sky ,it's rather impressive in an unpretentious small production ;so are the scenes with the sidewinders.

The female character ,a professor who studies ancient satanic rites on the Mexican border, is in it to provide the movie with a decorative victim;the sheriff is obsessed with the elections and his deputy has a crush on Mexican babes.The screenplay is basic ,to put it mildly.