Et maintenant, on l'appelle El Magnifico

Watching this right now, trying to figure out if it was directly inspired by the Lucky Luke adventure about the Duke arriving in the USA from England. And I suspect it is, because all the humor structure is centered around that.

Come to think of it, back then it must have been quite normal to adapt a major comic book to cinema without properly crediting the source material. Still, this is a head scratcher and I gotta check the publication date of that Lucky Luke adventure to make sure.

Anyways...

Terence Hill is watchable even without Bud Spencer, however the supporting cast has difficulty shining when there is only one lead.

Production quality and pace are same with all those other spaghetti westerns. Facial expressions during the brawl scenes are the highlights.

Watchable after half a decade, but not the best example to the genre it belongs with.

P. S. Just checked it. The adventure is titled after the character "Tenderfoot" and was published in French in 1968. Yep, my theory holds water. Italian filmmakers saw the potential soon as (and maybe even before) translations were around.

Pretty good Terrence Hill movie. I watched it on the Starz premium network; but there, it is titled "Man from the East"; and the dialog is all in English. I could not find that title on IMDB so I matched the DVD cover art to this movie.

Sir Thomas Moore, An eccentric Englishman, is sent to the Wild West by his dying fathers last wish, to teach him how to be a "real" man. He is threatened by a man called Morton, who wants to marry the girl that Hill also wishes to marry. With the help of his 3 friends, Hill learns how to fight and use a gun in case he is challenged by Morton.

Being a fan of Terence Hill movies, I decided to get a bootleg of this movie off a friend. I was told this movie was better then Hill's 2 most famous movies THEY CALL ME TRINITY & TRINITY IS STILL MY NAME. This movie wasn't that funny and the action was just average. Still I enjoyed seeing MAN OF THE EAST, but its nothing special, and a bit overlong I might add. It's worth seeing once if your a Hill/Spencer fan. My vote: **1/2 out of ****

City dweller meats countryside and encounters a lot of trouble. Naturally he has to gain respect and to prove that he's worthy, too. The humor is similar to the one of the Trinity series and is never truly violent. No one will be killed or injured. The film was shot in the beautiful environment of the Plitvice lakes in Croatia and reminded me of the days I spent there.

6 / 10.

This is, except perhaps for Peckinpah's "Pat Garrett & Billy The Kid", my favorite movie at all. It's biggest quality is its completeness in almost every respect. Completeness in its themes, in its means, and a glorious cast.

It's a film most of all about friendship (I most often think of the scene where monkey, usually the most 'rude' of the protagonists, eagerly grasps the last letter of their dead friend, and then, realizing he can't read at all, is forced to pass the letter to Holy Joe, but in fact the friendship theme is present in the whole movie), about the antagonism of freedom and civilization, about the need and the struggle to find and defend your own position towards everything surrounding you (the 'star' to follow), about how dreams and reality can influence each other (remember the scene of Candida experiencing the man of her dreams riding towards her in a gracious slow motion, while Terence Hill in fact cusses his half-dead horse), about technological progress, it's consequences, and about almost every other theme that has ever been dealt with in 80 years of western history.

The movie's means are comedy, satire, drama, buddy movie, a really great musical score by Guido & Maurizio de Angelis, and all style elements of the classical western.

The cast is superb, creating at least half a dozen unique characters you can root on; unfortunately with one exception: Yanti Somer's lousy performance as Candida.

Another wonderful thing about this movie, is that it doesn't condemn any of its characters; everyone has his place in the film's world and gets his respect by script, direction and cast: the protagonists as well as the whores, the 'villains', the bounty hunters and the jailers. By the way: This quality also characterizes most films by Sam Peckinpah.