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When a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a coup... Read allWhen a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a couple who stumble into a victim by accident.When a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a couple who stumble into a victim by accident.
- Awards
- 1 nomination total
Terence Plummer
- Tunnel Worker
- (as Terry Plummer)
- Director
- Writers
- All cast & crew
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Featured reviews
- is the reason to watch this film. The flabbergasting and versatile displays of sarcasm shown by Donald Pleasence's copper Calhoun are simply breathtaking. The British policeman, as is well known, has about 52 forms of sarcasm at his disposal, to make up for his not carrying a sidearm, and Pleasence uses them ALL, shifting from one to another with lightning speed. Observe a master at work. Pleasence and Rossington apparently ad-libbed many of their best lines, resulting in free and easy and extremely funny series of scenes between the two. "And very nice too."
One every so often you come across a real, unclassifiable gem - one of those low-budget cult movies you see, late at night on TV, then spend years thereafter raving about to your puzzled, disbelieving friends. "See, there's this disused Tube tunnel, with a tribe of degenerate Victorian plague cannibals down there, and they pull people off the platform and eat them, only sometimes they try to mate with them... and Donald Pleasance gives possibly the most monumentally weird performance of his LIFE... and there's this really cheesy proto-electronic score... and... and... and..." As folks wander away from you, shaking their heads sadly, you do not mind. You smile. For you have seen Death Line.
Raw Meat also titled Subhumans is a classic horror movie about terrible happenings occur at London underground. As a top civil servant disappears in the Tube tunnels , then Scotland Yard goes into action . As Police Inspector Donald Pleasence and his helper investigate the bizarre deeds. A young couple, witnesses of the weird events , David Ladd and Sharon Gudney, give some clues about the twisted case. But other murders and kidnapping take place and things go wrong.
This yarn is one of the highest earning horror movies of the seventies .Original terror movie, nowsadays considered to be a cult movie . There is primitive gore , suspense , thrills , chills and creepy scenes.The subhumans appearances are the highest points of the movie , the ghastly characters deliver the goods full of screams , shocks and tension. Interpretations are pretty well , particularly by Donald Pleasence as a sarcastically cynical Inspector, he is supported by a botcher sub-inspector and righ-hand well played Norman Rossington. Along with David Ladd, Alan Ladd's son who as a little boy performed some films with his daddy. David Ladd has made a decent career as a film producer. And , of course, a brief intervention by the great Christopher Lee in a suspect role as a meddlesome MI5 agent .The movie has an acceptable production design plenty of decrepit lairs, dark tunnels , eerie skeletons and excellent make-up with crusted , bruised faces . Adequate and evocative cinematograpjy filled with shades and lights by Alex Thomson. Thrilling and terrifyng musical score by Malone and Jeremy Rose.
The motion picture was well directed by Gary Sherman and it was reedited for American audiencies and released under the title Raw Meat. Gary Sherman is an expert on action genre as he proved in Wanted : dead or alive with Rutger Hauer , Vice Squad with Wing Hauser and being specialist on Terror films as Death Line , Poltergeist III , and "Dead and buried" that is deemed to be his best one . Rating 6.5/10 . Good ,acceptable and decent terror movie
This yarn is one of the highest earning horror movies of the seventies .Original terror movie, nowsadays considered to be a cult movie . There is primitive gore , suspense , thrills , chills and creepy scenes.The subhumans appearances are the highest points of the movie , the ghastly characters deliver the goods full of screams , shocks and tension. Interpretations are pretty well , particularly by Donald Pleasence as a sarcastically cynical Inspector, he is supported by a botcher sub-inspector and righ-hand well played Norman Rossington. Along with David Ladd, Alan Ladd's son who as a little boy performed some films with his daddy. David Ladd has made a decent career as a film producer. And , of course, a brief intervention by the great Christopher Lee in a suspect role as a meddlesome MI5 agent .The movie has an acceptable production design plenty of decrepit lairs, dark tunnels , eerie skeletons and excellent make-up with crusted , bruised faces . Adequate and evocative cinematograpjy filled with shades and lights by Alex Thomson. Thrilling and terrifyng musical score by Malone and Jeremy Rose.
The motion picture was well directed by Gary Sherman and it was reedited for American audiencies and released under the title Raw Meat. Gary Sherman is an expert on action genre as he proved in Wanted : dead or alive with Rutger Hauer , Vice Squad with Wing Hauser and being specialist on Terror films as Death Line , Poltergeist III , and "Dead and buried" that is deemed to be his best one . Rating 6.5/10 . Good ,acceptable and decent terror movie
This movie's story: in the bowels of the Earth below the streets of London, there exists an area that had been buried in the late 19th century by a cave-in. One might not think it possible, but the people who were sealed off managed to survive. Now, 80 years later, their last living descendant (Hugh Armstrong) is about to make his existence known to the outside world. People start disappearing, but the ball only really gets rolling when a prominent public servant (top character actor James Cossins) vanishes. The chief police inspector on the case, Calhoun (Donald Pleasence), realizes that he has his hands full, but vows to stick it out, despite the matter now being more in the domain of MI5.
This marked the debut fictional theatrical feature for the young American director Gary Sherman, who also came up with the story; he went on to direct such nifty 1980s pictures as "Dead & Buried" and "Vice Squad". He and his crew make excellent use of some *extremely* atmospheric locations. They're dark, they're filthy, and they're dripping with water. "Death Line" (a.k.a. "Raw Meat") can take credit for bringing horror to the London tubes almost a decade before "An American Werewolf in London". The makeup effects and gore are very well done, and this is additionally blessed with a highly offbeat music score composed by Wil Malone and Jeremy Rose. The camera-work is utterly fantastic - wait for the approximately 10 minute sequence from about 23 minutes in to 33 minutes in for a memorable tracking shot showcasing the monsters' lair.
It's well worth noting that our hideous killer is far from being malicious. He's really more pitiable than anything else, especially as he goes into mourning at one point, and tries to make a connection with lovely young Patricia Wilson (Sharon Gurney), uttering the only English words that he's ever managed to learn. You really feel his despair and sadness when it comes to his companion, the Woman (June Turner).
Donald Pleasence is an absolute delight in our lead role, playing the material with a heavy dose of humour. His Inspector Calhoun is hilariously surly, and witty. David Ladd (one of Alan Ladds' sons) does okay as American student Alex Campbell, but the character is pretty insensitive and hostile for a while, only earning our sympathy towards the end. Gurney is highly appealing as his girlfriend. Top notch supporting players include Norman Rossington, Clive Swift, Heather Stoney, Hugh Dickson, and Ron Pember. Sir Christopher Lee is great fun to watch, albeit kind of wasted in a cameo role as MI5 agent Stratton-Villiers.
Horror fans need to add this one to their watch list, if they haven't seen it already. It's too good to pass up.
Eight out of 10.
This marked the debut fictional theatrical feature for the young American director Gary Sherman, who also came up with the story; he went on to direct such nifty 1980s pictures as "Dead & Buried" and "Vice Squad". He and his crew make excellent use of some *extremely* atmospheric locations. They're dark, they're filthy, and they're dripping with water. "Death Line" (a.k.a. "Raw Meat") can take credit for bringing horror to the London tubes almost a decade before "An American Werewolf in London". The makeup effects and gore are very well done, and this is additionally blessed with a highly offbeat music score composed by Wil Malone and Jeremy Rose. The camera-work is utterly fantastic - wait for the approximately 10 minute sequence from about 23 minutes in to 33 minutes in for a memorable tracking shot showcasing the monsters' lair.
It's well worth noting that our hideous killer is far from being malicious. He's really more pitiable than anything else, especially as he goes into mourning at one point, and tries to make a connection with lovely young Patricia Wilson (Sharon Gurney), uttering the only English words that he's ever managed to learn. You really feel his despair and sadness when it comes to his companion, the Woman (June Turner).
Donald Pleasence is an absolute delight in our lead role, playing the material with a heavy dose of humour. His Inspector Calhoun is hilariously surly, and witty. David Ladd (one of Alan Ladds' sons) does okay as American student Alex Campbell, but the character is pretty insensitive and hostile for a while, only earning our sympathy towards the end. Gurney is highly appealing as his girlfriend. Top notch supporting players include Norman Rossington, Clive Swift, Heather Stoney, Hugh Dickson, and Ron Pember. Sir Christopher Lee is great fun to watch, albeit kind of wasted in a cameo role as MI5 agent Stratton-Villiers.
Horror fans need to add this one to their watch list, if they haven't seen it already. It's too good to pass up.
Eight out of 10.
A cannibal (Hugh Armstrong) is roaming the London subway system in 1973. Police inspector Donald Pleasence (having a LOT of fun with his role) wants to catch him--a young Britsh couple (Sharon Gunrey, David Ladd) try to help until she gets kidnapped by the cannibal...
Very low budget, rarely shown horror film. The low budget hurts, but the script is good, the idea original and there are some truly creepy scenes (such as the looooonngg tracking shot from the cannibals' lair). The movie is also quite gruesome at times--there's very little violence, but there are long shots of decaying or half-eaten bodies (and body parts). Look for the sequence where a supposedly dead body can be seen blinking his eyes quite a bit! Also there's a very disturbing near rape scene.
The most amazing thing about the film is that the cannibal comes across as a sympathetic character! He only kills for survival--not for evil purposes.
As for the acting--Pleasance is just great here--he attacks the role full force and is having a grand old time doing it--he really brings the film to life. Gurney is very good as the English girl but Ladd is truly horrible as her boyfriend. And those 70s hair and clothes! Armstrong is (as I said) very sympathetic and also vicious as the cannibal. Also Christopher Lee has an amusing short sequence in this.
So, it's gruesome but worth catching, but it's shown very rarely on cable so good luck!
Very low budget, rarely shown horror film. The low budget hurts, but the script is good, the idea original and there are some truly creepy scenes (such as the looooonngg tracking shot from the cannibals' lair). The movie is also quite gruesome at times--there's very little violence, but there are long shots of decaying or half-eaten bodies (and body parts). Look for the sequence where a supposedly dead body can be seen blinking his eyes quite a bit! Also there's a very disturbing near rape scene.
The most amazing thing about the film is that the cannibal comes across as a sympathetic character! He only kills for survival--not for evil purposes.
As for the acting--Pleasance is just great here--he attacks the role full force and is having a grand old time doing it--he really brings the film to life. Gurney is very good as the English girl but Ladd is truly horrible as her boyfriend. And those 70s hair and clothes! Armstrong is (as I said) very sympathetic and also vicious as the cannibal. Also Christopher Lee has an amusing short sequence in this.
So, it's gruesome but worth catching, but it's shown very rarely on cable so good luck!
Did you know
- TriviaChristopher Lee agreed to do the film for scale because he wanted to work with Donald Pleasence. Despite this, the two never share the screen together due to their large height difference (Lee was 6ft5 and Pleasence is 5ft6). Director Gary Sherman kept them in separate shots until Lee sits down at the end of the scene so that he wouldn't have issues fitting them both into the same frame.
- GoofsAt Russell Square Station there is a platform sign saying, "Way Out and District Line." The District line goes nowhere near Russell Square.
- Alternate versionsThe original UK cinema and video versions were cut by the BBFC to heavily edit the broom impalement, a shot of a spade in a man's head, the cannibal biting off a rat's head, and his pursuit and attempted rape of Sharon Gurney. The full uncut version was finally passed by the BBFC for the DVD release in March 2006.
- ConnectionsFeatured in Nightmare Festival (1989)
- How long is Death Line?Powered by Alexa
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- Aldwych Underground Railway Station, Surrey Street, Aldwych, Westminster, Greater London, England, UK(Russell Square underground station)
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