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Objectif Terre, mission Apocalypse

Original title: Chikyû kôgeki meirei Gojira tai Gaigan
  • 1972
  • PG
  • 1h 29m
IMDb RATING
5.6/10
6.2K
YOUR RATING
Objectif Terre, mission Apocalypse (1972)
A manga artist becomes suspicious of his employers when a garbled message is discovered on tape. As he forms a team to investigate, Godzilla and Anguirus set out to help defeat the invaders.
Play trailer2:12
1 Video
99+ Photos
Alien InvasionAnimal AdventureDinosaur AdventureKaijuSuperheroActionFamilySci-Fi

After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.

  • Directors
    • Jun Fukuda
    • Yoshimitsu Banno
    • Ishirô Honda
  • Writers
    • Takeshi Kimura
    • Shin'ichi Sekizawa
  • Stars
    • Hiroshi Ishikawa
    • Yuriko Hishimi
    • Minoru Takashima
  • See production info at IMDbPro
  • IMDb RATING
    5.6/10
    6.2K
    YOUR RATING
    • Directors
      • Jun Fukuda
      • Yoshimitsu Banno
      • Ishirô Honda
    • Writers
      • Takeshi Kimura
      • Shin'ichi Sekizawa
    • Stars
      • Hiroshi Ishikawa
      • Yuriko Hishimi
      • Minoru Takashima
    • 84User reviews
    • 68Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 2:12
    Trailer

    Photos192

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    Top cast30

    Edit
    Hiroshi Ishikawa
    Hiroshi Ishikawa
    • Gengo Kotaka
    Yuriko Hishimi
    Yuriko Hishimi
    • Tomoko Tomoe
    Minoru Takashima
    Minoru Takashima
    • Shosaku Takasugi
    Tomoko Umeda
    Tomoko Umeda
    • Machiko Shima
    Toshiaki Nishizawa
    Toshiaki Nishizawa
    • Kubota, Head of Children's Land
    Zan Fujita
    Zan Fujita
    • Fumio Sudo
    Kunio Murai
    Kunio Murai
    • Takashi Shima
    Gen Shimizu
    Gen Shimizu
    • Commander of Defense Forces
    Zekô Nakamura
    • Priest
    Kuniko Ashihara
    Kuniko Ashihara
    • Fumio's Mother
    Akio Murata
    • Editor of Comics Magazine
    Nobutake Saitô
    • Henchman
    • (as Noritake Saito)
    Yasuhiko Saijô
    • Henchman
    Naoya Kusakawa
    • Policeman
    Wataru Ômae
    • Henchman
    Haruo Nakajima
    Haruo Nakajima
    • Gojira…
    Kenpachirô Satsuma
    Kenpachirô Satsuma
    • Gaigan
    • (as Kengo Nakayama)
    Kôetsu Ômiya
    • Angirasu…
    • Directors
      • Jun Fukuda
      • Yoshimitsu Banno
      • Ishirô Honda
    • Writers
      • Takeshi Kimura
      • Shin'ichi Sekizawa
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews84

    5.66.1K
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    Featured reviews

    DrLenera

    70s Godzilla-juvenile,cheap,sometimes shoddy,and FUN!

    After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.

    The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.

    Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
    6TheExpatriate700

    The Original Robot Chicken

    Godzilla Vs. Gigan has no right to a good review. It makes heavy use of stock footage, has a plot that just barely hangs together, and arguably features the most ridiculous looking kaiju aside from Minya...and yet I love it! The plot, if you can call it that, involves a group of Japanese twentysomethings who stumble upon an alien invasion plot involving-gasp!-a children's amusement park. They unwittingly summon Godzilla after playing an eight track tape, leading to a battle between the Big G, Anguirus, and their old enemy King Ghidorah, along with the grotesque Gigan.

    The film suffers from a number of issues, perhaps the most glaring of which is the extensive use of stock footage. At times, Toho did not even bother to match up the footage, with the scenes switching suddenly from day to night and back again. The film also has an anti-technology message, introduced in the last half hour, even more ham-handed than the environmental themes of Godzilla vs. the Smog Monster. The characters never even bother to change their clothes, despite the film taking place over the better part of a week.

    Nevertheless, Godzilla vs. Gigan retains a fond place in my memory. It features a good twenty to thirty minutes of sustained kaiju destruction. Furthermore, Gigan, despite its ridiculous appearance, is a surprisingly menacing villain, being the only monster to make Godzilla bleed. In the end, it's a dumb but fun movie.
    6IonicBreezeMachine

    Godzilla vs. Gigan sees itself mostly return to the camp of the later Showa films, but enjoyable to a certain extent

    Struggling manga artist Gengo (Hiroshi Ishikawa) whose children's stories involving homework and stern mother monsters are consistently rejected by editors takes a job with the company designing the new monster theme park World Children's Land. When Gengo finds an audio tape dropped by a young woman named Machiko (Tomoko Umeda), he stumbles into a conspiracy that suggests World Children's Land may be a front for more insidious purposes involving the monsters of Monster Island.

    After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.

    As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.

    So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.

    Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
    7Leofwine_draca

    Great, great fun

    I'm a massive fan of kaiju movies so I come to these films predisposed to like them. I've seen most of the original GODZILLA series and am attempting to fill in a few blanks; one of those is GODZILLA VS. GIGAN, a late-entry instalment that pits Godzilla and his old foe Anguirus against new space-monster Gigan and an old enemy, King Ghidorah.

    GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.

    Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
    5NerdBat

    Awesome monsters, Slow movie

    The film does seem to drag quite a bit. It's not a bad movie, and Gigan is one of my favorite Godzilla monsters. He has a great design, and we even have him teaming up with Ghidorah, one of the monsters who (supposedly died in Destroy All Monsters but is somehow back) is one of the most popular and powerful Godzilla monsters. The creatures don't seem to appear though until almost halfway through the film, and even then, most of the destruction you see doesn't actually show that it's the monsters causing it. Some scenes do quite well, but not all of them. I also feel like they got kinda lazy with the designs for the alien invaders who control Gigan, it's like they just picked a roach out and said "oh yeah, there's a good alien". Toho could have done better than that I think. Overall the film concept is AMAZING but they didn't jump into it very well, a lot of crap goes on that is just unnecessary.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Despite the film being made for young children as part of Toho's Champion Festival, it is the first in which Godzilla visibly bleeds. Prior to his passing, original special effect director Eiji Tsuburaya deliberately kept blood and gore to a minimum. However the 1970s saw an increase in violence depicted in children's media in Japan. Special effects director Teruyoshi Nakano and the rest of the effects crew were actually inspired to make the fights bloodier because they received fan requests from children who asked why didn't the monsters bleed, so the crew obliged to appease them.
    • Goofs
      Due to stock footage from earlier movies being used, the appearances of Godzilla, Ghidorah, and Anguirus keep changing.
    • Quotes

      Gojira: Hey Anguirus!

      Angirasu: What do you want?

      Gojira: Something funny going on, you better check!

      Angirasu: Okay.

      Gojira: Hurry up!

    • Crazy credits
      In the opening credits of the Japanese version, colorful lasers shoot from different directions, and pop up into strips within which each credit appears in white text. In the English versions, only the sound FX of the lasers are heard (standard text credits were used).
    • Alternate versions
      For the scenes of Godzilla and Angilas talking to each other, word balloons are used in the Japanese version, but Toho's international English version (used for Cinema Shares' edited US print titled "Godzilla on Monster Island"), uses actual English dialogue.
    • Connections
      Edited from Rodan (1956)
    • Soundtracks
      Gojira Mâchi
      ("Godzilla March")

      Music by Kunio Miyauchi

      Lyrics by Shin'ichi Sekizawa and Jun Fukuda

      Performed by Susumu Ishikawa & The Toho Kids' Chorus Group

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    FAQ16

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    Details

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    • Release date
      • March 12, 1972 (Japan)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • Extermination 2025
    • Production companies
      • Toho Eizo Co.
      • Toho
    • See more company credits at IMDbPro

    Box office

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    • Gross worldwide
      • $2,413,078
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 29 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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