La Brute, le Bonze et le Méchant

No pun intended - you have to give it to our main character. He seems to be able to fight anyone ... and get away with it. Nothing really new of course when it comes to movies like this. Also the people waiting their turn to get ... well what's coming for and to them.

That all being said, our main character is quite ... how do I put it? He thinks very highly of himself - I guess you could say he has reason to, seeing how he fights. He is not the only one to think so - and his heart is in the right place after all. Still could it be he might bite more off than he can chew? The final climax will be the one to see ... of course all fights before that are well choreographed too.

There's also a lot of red paint here - well some call it Ketchup, but it does look more like paint to me. And it is another stable factor in movies like this, especially from that era. Although way more than I remember seeing back when I was little. Maybe they were cut in Germany when I watched them. The ending may be a bit too long too - it could have done with some trimming ... and the drama is ... well almost too much. There are others movies that are attached to the main character here - though I have no idea if they are supposed to be spin offs, prequels or sequels or just reimagination ... maybe something completely different? Won't be able to watch any of them any time soon for sure ...

There are a few issues with The Boxer from Shantung that keep it from being a great martial arts movie, but when it's firing on all cylinders, it's thrilling stuff. It's hard to even remember many of the problems after the huge final battle, which takes up basically the last half-hour of the movie, and features just about every surviving character getting absolutely drenched with blood and/or sweat, all the while tearing apart the interior of a restaurant to the point where I was surprised the fight didn't end with the building imploding. Anyone who's seen Kill Bill Vol. 1 might come away from this finale thinking Tarantino was heavily influenced by The Boxer from Shantung's best action sequence (it wasn't shot-for-shot remade in Tarantino's movie, but the build-up, location, and some of the specific shots looked very similar).

At 134 minutes, The Boxer from Shantung does feel a little overlong. It has a premise that sometimes feels a little simplistic, while at other times feeling a little convoluted. It's easy enough to follow that it's about gang warfare and territorial disputes, but some of the plot specifics are a little harder to fully understand. When it comes to the action though, it largely delivers, and I'd say even those who find the first 90 minutes or so a little rough around the edges should stick with it for that finale.

Once the fighting's over, the ending to the movie itself also feels a little tacked on and rushed, but it's a nitpick, at the end of the day/movie. If you want very exciting (and very bloody) martial arts action and a decent gangster storyline, I reckon this one largely delivers. I always like it when a martial arts movie saves what's easily its best action scene for the end, and in that regard, The Boxer from Shantung really satisfies.

Occasionally too gluey Eastern about the rising of Ma Yongzhen [ Chen Kuan Tai, in the German title he's giving a pirate, not a boxer ] , who hast to recognize later, the air up there is quite thin. The formal data's of the movie are quite impressing: John Woo as assistant director, Chen Kuan Tai became one the Top Actors thru it, it's with KING BOXER and FIST OF FURY one of THE influential movies of the time, followed by a somehow sequel [ IRON MAN ] and a remake [ Corey Yuen Kwai's HERO, with Takeshi Kaneshiro and the then-comeback of Yuen Biao ].

An epic is aimed, the premise is well, but due to the missing pace and the lacking dramatic and elaboration it isn't reached. The action scenes are either rigid or way too exaggerated, and some sequences could have been cut; a running time of 2hrs is too much for that. For example the Wrestling episode, which is terribly long, but also some sections with Ching Li as eye-catcher and secret love interest of Ma Yongzhen, which adds nothing at all to the film. So there's only struggle to the next, the opponents are always increasing, Ma himself is little impressed by that. At the end he runs around a tea house, collapsing it and beating the sh*t out of estimated 200 thugs, and already has an Axe cut in his belly. Thats too silly.

Movie has sure his strengths, production values is as high as the body count, Chen Kuan Tai does very well in his first leading role, there's an expanded cameo of David Chiang and the gangster story is something new, compared to the usual revenge - plot. The prologue and epilogue are quite fine, between them is a good film, but not an outstanding one.

Boxer from Shantung is pretty much what you'd get if you made Goodfellas as a Chinese martial arts film. Ma Yongzhen (Chen Kuan-tai) is poor country boy who moves to Shanghai to seek his fortune. Unfortunately, the times are tough and oftentimes he and his friends don't even have enough money for a roof over their heads. But after meeting a legendary crime lord Tan Si (David Chiang), Ma realizes that the only way to move forward in this city of poverty and misery is to do so through illegal means.

Boxer from Shantung elevates itself above most of its peers by the virtue of its fight scenes. Chen is a fantastic, fully-trained martial artist, whose various moves and stunts are beautiful to watch. I also like the fact that unlike in so many other martial arts films, the main character is not invincible. Fitting for a gangster film. The last fight scene is actually pretty brutal to watch because of this, but all the more awesome for it. Definitely one of the best fight scenes I've seen in my life and worth the price of admission by itself.

What keeps the film from being a masterpiece is the fact that the story is rather bland. It starts out well enough and the ending is fantastic, but the middle part lost me pretty quickly. It felt like the film was simply going through the motions to get to the good part. It's by no means awful and you still get a lot of good fights, but the characters themselves don't become as dear to you as they should.

Still, it's a film you see to watch people kung fu fighting. And for that it is a very good film. If you're looking a captivating story and fleshed-out characters, this is not your film, but I think you already knew that walking in.

BOXER FROM SHANTUNG (aka KILLER FROM SHANTUNG, 1972) successfully combines gangster and kung fu genres to create a compelling two-hour rags-to-riches tale of a poor drifter in early 20th century Shanghai who rises up in the local mob by virtue of his kung fu skills. Ma Yung Chen (played by Chen Kuan-Tai) so impresses the local bosses that he is quickly given his own teahouse and protection racket, yet he remains loyal to his friends, including a hapless little sidekick, and friendly to the poor. He has a run-in with another local gangster, Tan (David Chiang in an extended cameo), but they soon develop mutual respect.

The kung fu comes in when Ma is confronted by rival gangster Yang, whose henchmen consist of the Four Champions. When Ma beats three of the Champions in their very first encounter, an enmity develops that finally culminates in a massive brawl at a neutral teahouse where Ma takes on dozens of Yang's thugs. In this remarkable fight scene, Ma is hit with an ax but continues to fight up and down the two stories of the building with the ax imbedded in his stomach. It's all shot in the Shaw Bros. studio and backlot in Hong Kong, with some additional work on HK locations familiar to kung fu fans.

Chen Kuan-Tai (EXECUTIONERS FROM SHAOLIN) was bigger and stronger-looking than most Shaw Bros. kung fu stars and carries the right air of brute force and intimidation in what is essentially the role of a petty gangster. Yet his broad smile, outgoing manner and protective nature give his rough-hewn character a likability that attracts audience sympathy. Ma is not just a standard vengeance-seeking kung fu student forced to learn new styles to beat a more powerful opponent. He is more at loose ends, trying to find his way in the world and not necessarily on the straight and narrow path.

Aside from Chen and David Chiang, the few familiar kung fu faces in the cast include Cheng Kay Yeh (as Chen's sidekick), Ku Feng (as one of the champions) and Wang Ching. Top-billed actress Ching Li co-stars as Chen's love interest, a singer in the restaurant he runs, although her role is less significant than the billing would indicate. The film was directed by kung fu specialist Chang Cheh, with Pao Hsueh Li given a co-directing credit. The action directors are an impressive lot and include Tang Chia, Liu Chia Liang (Lau Kar Leung), and Liu Chia Yung.

ADDENDUM: A follow-up of sorts is the similarly-styled MAN OF IRON (1972), also reviewed on this site, which also co-stars Chen Kuan Tai and Ching Li, but gives Ms. Ching a larger, more interesting role. QUEEN BOXER (1974), also reviewed on this site, is an unofficial non-Shaw sequel to SHANTUNG and focuses on the sister of Ma Yung Chen as she arrives in Shanghai and begins a quest for vengeance. She is played by the phenomenal kung fu diva, Chia Ling (billed as Judy Lee).

In December 2003, Celestial/IVL released a restored, remastered, letter-boxed, subtitled Region 3 DVD of BOXER FROM SHANTUNG. That's the one to see.