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There's no question that the moviegoing experience has changed since the "The Exorcist" became a landmark cultural event when it was released the day after Christmas in 1973. Anyone that waltzed right in to see "The Exorcist: Believer" in theaters this October would have been shocked by the long lines snaking around the block to see the controversial original when it took the world by storm almost 50 years ago. It's unlikely that any other film will ever match that particular watershed moment in horror ever again.

"The Exorcist" marked the first time a genre film had ever received an Oscar nomination for Best Picture. Notably, the entire production garnered 10 nominations, winning two for Best Adapted Screenplay and Best Sound. In the decades since its release, "The Exorcist" has retained its well-deserved status as one of the scariest movies ever made, having left an indelible mark on generations of unassuming spectators that...

Martin Scorsese was at a crossroads in 1985. The King of Comedy had tanked at the box office, and Paramount had recently pulled the plug on his passion project, The Last Temptation of Christ, weeks before production was set to begin. So when the script for After Hours came across his desk via actor-producer Griffin Dunne and producer Amy Robinson, who had appeared in Mean Streets, Scorsese jumped at the chance to helm a small-scale, low-budget black comedy set in New York City’s SoHo neighborhood.

After Hours comes full circle by opening and closing at the workplace of bored data entry drone Paul Hackett (Dunne). In between, Paul’s nightmarish nightlong odyssey sees him repeatedly returning to the same handful of locations and oddball individuals, spiraling ever deeper into an infernal realm of anxiety, paranoia, and free-floating guilt. In this regard, the film shares themes and motifs with other titles...

One summer a few years ago, Frances Bean Cobain worked as an intern in the New York offices of Rolling Stone. Frances – the daughter of Nirvana singer-guitarist Kurt Cobain and an executive producer of the new HBO documentary on his life, Kurt Cobain: Montage of Heck – was “a 15-year-old Goth kid, so stoked,” she recalls with a laugh during a recent interview for the cover story in our new issue. She remembers providing research assistance on a cover about the Jonas Brothers – and working in a cubicle across from...