Un été 42

This movie captivated me beyond my expectations. Not being a movie-goer or a TV-watcher, I had not yet seen (or read about) the movie, its excerpts, the original book, or the cast, although I had heard references to the summer of '42. After an intense work week, I had tuned into the PBS channel on TV to watch 30 minutes of a business news program, at the end of which, PBS showed that "The Summer of '42" was next. I thought of watching it only for a few minutes - not really being interested in seeing a story from 62 years ago in a movie made 33 years ago. PBS played the movie without a break, and I sat through all of it - totally captivated. I don't think I can explain the reasons with a typical technical analysis. I think it held me in a trance, because it reflected my own coming of age. Even though I grew up in a different era, country, culture and society, there were many parallels to the drugstore episode, the furtive readings of the book, the carrying of the grocery bags, the storing away of the boxes, and the attempted "fooling around" inside the movie theater.

I like a production (movie; theater; music) that reflects the reality one experiences in life. This movie was one of those rare productions. I felt it was quite artistic in its balance - the way it assimilated simple elements from everyday living, with a simple, but enchanting, musical score. The movie did not need any dazzling stage effects - Jennifer O'Neill was enough; and, even in her, the art and beauty was in her being so natural.

In the end, I felt good about spending the time to see the movie.

I saw this movie in the theater during it's initial release and several times on TV since then but it's been many years since I've seen it last and would like to see it again. This is a classic coming of age movie. A great story and script with a wonderful cast. Gary Grimes, Jerry Houser and Oliver Conant as the the three teenage boys and Jennifer O'Neil as the war bride. Robert Mulligan certainly had a diverse directorial career with such varied memorable films as To Kill A Mockingbird, The Great Imposter, The Man in the Moon and The Other and quite a few forgettable films as well. He certainly made a memorable one with Summer of 42. Mulligan brought Harper Lee's words to life in his wonderful adaptation of her novel in Mockingbird and he brings Herman Raucher's screenplay to life in 42. Two examples of very personal semi-autobiographical remembrances of growing up successfully brought to the big screen. Michel Legrand's music couldn't be any more perfect for this film. I was the exact age of the boys depicted in this movie when it was released so I could relate to this and the ethereal beauty as represented by O'Neil. Maybe today I would classify this under guilty pleasure like something on the Lifetime channel but movie has stayed with me over time and I would like to see it again on the big screen. I would recommend this and give it a 8.5 on a scale of 10.

I first saw this movie on TV as a teenager in the 70s. One or two of my sisters may have been watching too, and it was somewhat embarrassing when the intimate scene with Hermie and Dorothy came out, but I wasn't about to turn my head as I enjoyed the movie as a whole. My parents were never that strict on us so I didn't have that worry.

This movie tugs at the emotions. The impossible relationship with the beautiful older woman. The camaraderie with friends during that age. It's also interesting how 15 year old girls were made to appear so immature and unsexy, like when the 3 boys had dates and were standing in a movie line. Everything points to the thrill of that older woman relationship. I was just wanting that to happen for Herbie, and when it did... wow. Some of the situations were humorous, like when Herbie tries to buy rubbers at the dime store. Just all in all a great story, one I can watch again and again. I give it 8 out of 10 stars. This one is easily in my top 250.

Oh. My. God.

What a stunning piece of craftsmanship. A masterpiece. Such innocence. Such humanity. Such wisdom. Such truth. Such is the need to touch the soul of another, and such is the need to seek comfort. Yet tenderness risks so much. Oh to be tender again. Yet who could bear it again?

I remember when I was eight years old and I remember what a splash this movie made. I don't really recall that I was told or even understood why, and of course I wasn't taken to see it at that age, at that time, when it was common to keep children ignorant of much they are not today. I'm not sure now that it wasn't the craving of the parents to let themselves drown in the strangeness that is naivety prolonged too long for the sake of innocence itself rather than some strange desire to protect their children from things the children could already begin to feel within themselves but were not allowed to mention or ask about.

Though the latter is, even today, what is trumpeted about as the reason for shielding children from things they might not be ready for, I'm beginning to wonder if it isn't really the parents who are just protecting themselves, trying to squeeze out more childhood days from their children for the parents to enjoy before they must finally release their darling children into the fray that tides upon the whims of nature and destiny.

This movie came out in 1971. Tonight they played it late on our local PBS station here in Dallas. I'd never seen it and not thought about renting it and watching it in all these 33 years since then.

One might say it is simply about a couple of 15 year old boys coming of age. But it is more than that. So much more. In fact, without question, it is about the human condition itself.

This is a movie about sex, no doubt about that either. But a movie of a kind that I don't think I've ever seen before. Everyone should see this film. Everyone.

If you live alone, see it and feel your own soul's needs. If you live with someone, see it together and draw him or her close.

Above all, when it is over, you will find yourself remembering and feeling that rarest of all feelings, true tenderness.

The young men should have received acclaim for their performances , and without question so too should have the woman.

For she was woman, every woman.

This is truly a wonderful film and a classic. It has everything: romance, comedy, sadness and the reminiscence of puberty and coming of age. The dialog between Hermie and his two teenage buddies wile exploring their emerging sexuality is a wonderful and hilarious, i.e., "Do you think I'm in love with Vera Michaels. I hope I'm not in love with her. I hate her." Who couldn't relate to those things in our youth.

Jennifer O'Neill, as Hermie's crush Dorothy, is gorgeous and well suited for her role. The scenes between her and Hermie go from funny and clever to sad and wondrous. One can only guess the emotions going on inside Dorothy's head when she finds out her husband has been killed in the war. I always felt she just wanted to experience closeness with someone during that time and Hermie just happened to be nearby. She also knew he cared about her and it was important for her to be needed . . . by someone.

A glorious film and one I can watch tons of times and discover something different each time. Highly recommended.

P.S. Michele LeGrand's musical score is beautiful. Just another plus for the movie.