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6.6/10
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Young blind Sarah is staying with relatives in their English countryside manor. An unknown maniac enters the house and murders all of Sarah's relatives. When the culprit realizes that Sarah ... Read allYoung blind Sarah is staying with relatives in their English countryside manor. An unknown maniac enters the house and murders all of Sarah's relatives. When the culprit realizes that Sarah is still alive, he pursues her.Young blind Sarah is staying with relatives in their English countryside manor. An unknown maniac enters the house and murders all of Sarah's relatives. When the culprit realizes that Sarah is still alive, he pursues her.
- Awards
- 1 nomination total
George Hilsdon
- Pub Landlord
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sarah (Mia Farrow) is staying in the country with her aunt and uncle on their vast estate, far removed from the noise and chaos of the city. Unfortunately, these fine people have returned from a trip to said urban center, unaware that someone there has taken an unsavory interest in them.
Soon thereafter, Sarah returns from an outing, and goes about her usual routine, not knowing that her loved ones have met with a catastrophic end. Sarah is blind, and can't see the carnage as she navigates through the huge house. The dire circumstances become a nightmare, and Sarah finds herself hunted by a murderer, identified -to the viewer- only by his distinctive footwear.
Director Richard Fleischer keeps us in the dark with Sarah, using the camera to trick and jolt us along with her. SEE NO EVIL is another fantastic thriller for Ms. Farrow. This time, instead of the Devil, she must attempt to flee from an unknown psychopath. Her sightless journey is nerve-jangling and treacherous, loaded with a school of red herrings! This film is for lovers of mystery, suspense, and the cold touch of horror...
Soon thereafter, Sarah returns from an outing, and goes about her usual routine, not knowing that her loved ones have met with a catastrophic end. Sarah is blind, and can't see the carnage as she navigates through the huge house. The dire circumstances become a nightmare, and Sarah finds herself hunted by a murderer, identified -to the viewer- only by his distinctive footwear.
Director Richard Fleischer keeps us in the dark with Sarah, using the camera to trick and jolt us along with her. SEE NO EVIL is another fantastic thriller for Ms. Farrow. This time, instead of the Devil, she must attempt to flee from an unknown psychopath. Her sightless journey is nerve-jangling and treacherous, loaded with a school of red herrings! This film is for lovers of mystery, suspense, and the cold touch of horror...
Mention Mia Farrow's name to horror fans and most of them will instantly (and understandably) think of Polanski's classic, Rosemary's Baby; my immediate thought, however, would be of Blind Terror, a lesser known thriller in which Ms. Farrow plays Sarah, a blind girl whose relatives become the target of a psycho killer after her uncle accidentally splashes the loony's precious cowboy boots. I first saw this film at a rather tender age and its macabre concept, senseless killing and shocking images have haunted me ever since.
Directed by Richard Fleischer, Blind Terror opens with our nutter leaving a cinema (having caught the amazing sounding double-bill of 'The Convent Murders' and 'Rapist Cult'). He then passes a newspaper stand displaying horrific headlines, a store with a display of toy guns, and a TV shop showing a bloodthirsty film; violence, it seems, is all around us, although often we choose not to see it. Poor blind Sarah, on the other hand, doesn't have much of a choice: after the soggy-footed psycho pays a visit to her Uncle's farmhouse (whilst she is out with her boyfriend), she returns home, and prepares for bed, all the while blissfully unaware that the bloody corpses of her nearest and dearest lay all around her.
Only when Sarah eventually tries to get into her bath does she realise that something is terribly wrongbecause that's where her uncle's lifeless body has been dumped! Meanwhile, the killer discovers that he has left behind a vital clue that could reveal his identity, and returns to the farmhouse to find it...
Fleischer's deliberately paced and carefully considered direction (which makes brilliant use of imaginative camera angles and cleverly framed shots), combined with excellent cinematography from Gerry Fisher and a completely convincing central performance from Farrow, ensure that this film is a success despite a few rather contrived moments in an otherwise well-crafted script by Brian Clemens (a case of mistaken identity at the end of the film is rather far-fetched, and the fact that Sandy, Sarah's pretty cousin, would date a 'diddycoy' is also difficult to swallow).
Atmospheric, suspenseful, and packed with nerve-shredding moments, Blind Terror is an under-rated slice of 70s British cinema that, although not perfect, is still well worth seeking out.
7.5 out of 10, rounded up to 8 for IMDb.
Directed by Richard Fleischer, Blind Terror opens with our nutter leaving a cinema (having caught the amazing sounding double-bill of 'The Convent Murders' and 'Rapist Cult'). He then passes a newspaper stand displaying horrific headlines, a store with a display of toy guns, and a TV shop showing a bloodthirsty film; violence, it seems, is all around us, although often we choose not to see it. Poor blind Sarah, on the other hand, doesn't have much of a choice: after the soggy-footed psycho pays a visit to her Uncle's farmhouse (whilst she is out with her boyfriend), she returns home, and prepares for bed, all the while blissfully unaware that the bloody corpses of her nearest and dearest lay all around her.
Only when Sarah eventually tries to get into her bath does she realise that something is terribly wrongbecause that's where her uncle's lifeless body has been dumped! Meanwhile, the killer discovers that he has left behind a vital clue that could reveal his identity, and returns to the farmhouse to find it...
Fleischer's deliberately paced and carefully considered direction (which makes brilliant use of imaginative camera angles and cleverly framed shots), combined with excellent cinematography from Gerry Fisher and a completely convincing central performance from Farrow, ensure that this film is a success despite a few rather contrived moments in an otherwise well-crafted script by Brian Clemens (a case of mistaken identity at the end of the film is rather far-fetched, and the fact that Sandy, Sarah's pretty cousin, would date a 'diddycoy' is also difficult to swallow).
Atmospheric, suspenseful, and packed with nerve-shredding moments, Blind Terror is an under-rated slice of 70s British cinema that, although not perfect, is still well worth seeking out.
7.5 out of 10, rounded up to 8 for IMDb.
Well made horror/suspense movie from the early 70's about a woman (Farrow), blinded in a horse-riding accident, who goes to live with her Uncle in a house in the English countryside. While she is out with her old boyfriend, something is happening to her Uncle and the rest of her family back in the house. But on returning, how can she know when she cannot see?
Good suspense - sometimes the viewer is a step ahead of the blind woman, other times we are as blind as she is, a great score and good acting by all makes this a wonderful movie for a rainy afternoon. Interesting to see Michael Elphick and a young Paul Nicholas along for the ride too.
Beautifully photographed and directed.
5 out of 5.
Good suspense - sometimes the viewer is a step ahead of the blind woman, other times we are as blind as she is, a great score and good acting by all makes this a wonderful movie for a rainy afternoon. Interesting to see Michael Elphick and a young Paul Nicholas along for the ride too.
Beautifully photographed and directed.
5 out of 5.
I recently viewed See No Evil (1971) on Tubi. The plot centers around a blind woman returning home after a long absence, only to unknowingly find herself in a house where everyone has met a grim fate. When the perpetrator realizes she's in the house, her life might be in grave danger.
Directed by Richard Fleischer (Red Sonya), the film stars Mia Farrow (Rosemary's Baby), Dorothy Alison (The Third Key), Norman Eshley (Warship), Robin Bailey (The Diplomatic Corpseg and Paul Nicholas (Tommy).
This movie had great potential, featuring a unique premise, well-established circumstances, and an excellent performance by Farrow. Regrettably, it fell short in delivering the horror elements I anticipated, relying heavily on Farrow's acting to portray the blind woman rather than creating a genuinely eerie atmosphere. Notably, the use of cowboy boots added a playful touch, and the depiction of the corpses was commendable. The bathtub scene in the finale was a standout moment in the film.
In summary, See No Evil is worth a watch for horror enthusiasts, but it missed an opportunity to truly distinguish itself in the genre. I would rate this a 5.5-6/10 and recommend considering Audrey Hepburn's Wait Until Dark as a more captivating alternative.
Directed by Richard Fleischer (Red Sonya), the film stars Mia Farrow (Rosemary's Baby), Dorothy Alison (The Third Key), Norman Eshley (Warship), Robin Bailey (The Diplomatic Corpseg and Paul Nicholas (Tommy).
This movie had great potential, featuring a unique premise, well-established circumstances, and an excellent performance by Farrow. Regrettably, it fell short in delivering the horror elements I anticipated, relying heavily on Farrow's acting to portray the blind woman rather than creating a genuinely eerie atmosphere. Notably, the use of cowboy boots added a playful touch, and the depiction of the corpses was commendable. The bathtub scene in the finale was a standout moment in the film.
In summary, See No Evil is worth a watch for horror enthusiasts, but it missed an opportunity to truly distinguish itself in the genre. I would rate this a 5.5-6/10 and recommend considering Audrey Hepburn's Wait Until Dark as a more captivating alternative.
The first 45 minutes of "Blind Terror" are excellent and you have the feeling you're watching a great thriller. Director's Richard Fleischer handling of the atmosphere and introduction of the psycho killer just by showing his feet wearing cowboy boots is brilliant.
But then the boots chase a blind Mia Farrow and as she gets away the film sort of looses intensity and impact and becomes sort of slow. It recovers later with the final sequences and revelation of the psycho.
Mia Farrow's performance as the menaced blind victim is excellent.
Although no one could say this is not an entertaining and exciting thriller -mainly fans of the genre-, you get the feeling that it could have been even better if that in-the-middle-sort-of-bump could have been avoided.
All in all, "Blind Terror" is a good thriller worth watching. A 7 (out of 10) for me.
But then the boots chase a blind Mia Farrow and as she gets away the film sort of looses intensity and impact and becomes sort of slow. It recovers later with the final sequences and revelation of the psycho.
Mia Farrow's performance as the menaced blind victim is excellent.
Although no one could say this is not an entertaining and exciting thriller -mainly fans of the genre-, you get the feeling that it could have been even better if that in-the-middle-sort-of-bump could have been avoided.
All in all, "Blind Terror" is a good thriller worth watching. A 7 (out of 10) for me.
Did you know
- TriviaThe movies at the theatre, 'Rapist Cult' and 'The Convent Murders', are fictional creations.
- GoofsSarah drops her boots on the floor after she takes them off. However, as a blind person (even one new to this condition), she would make sure that everything was put away tidily so that it could be found again easily i.e. put her boots standing together next to the cupboard.
- Quotes
Gypsy Mother: Tom?
Gypsy Tom: Don't worry, momma. I'll take care of everything.
- ConnectionsFeatured in Cinemacabre TV Trailers (1993)
Details
- Release date
- Country of origin
- Language
- Also known as
- Terror ciego
- Filming locations
- Binfield Manor, Binfield Road, Warfield, Berkshire, England, UK(Rexton family's country manor)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,315,680
- Runtime1 hour 28 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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