La tente rouge

"The Red Tent", as it was called when released in most of the world, is a fascinating historical epic of Arctic exploration. In the 1920's, Italian General Nobile sought to be the first to fly over the North Pole in a dirigible, of all things! Much of the movie focuses on these efforts; unfortunately, the winds kick up and the air ship is ripped apart. Surviving crewmen end up in various locations on the ice and then procede to battle the elements and polar bears. The great arctic explorer Raoul Amundsen is called in as are the Soviets who pick up radio messages of the disaster; an ice breaker is then dispatched to assist in the rescue. Yes, it is an involved and realistiuc spectacle.

Peter Finch is very good as Nobile, and so is Connery as Amundsen - and it's an historic well-known fact that the first man to reach the South Pole, Amundsen, vanished in his attempt to save Nobile.

Of note is that the story is recounted in flashback much later in a sort of trial of Nobile in his home in Rome, as characters living and dead appear to confront or defend him. Whether or not Nobile was reckless or had bad luck, or just over reached himself, is for the viewer to determine from putting the stories together.

Somewhat long and overinvolved this is still an engrossing account of an epic Arctic disaster and the heroic rescue attempts that followed. If you see it, GRAB it.

This is one of the greatest movies i've ever seen, and i wish it was available on DVD. I'm a guy, and i'm not ashamed to say that it's one of the two or three movies i've ever seen that actually made me cry!!! Yea, it's really that good!!! Forget the macho bullshit, this is about real men, and real courage... It's about the courage to survive in the most adverse conditions... And, it's done with that incredible style and cinematic brilliance that only the Italians seem able to achieve (and this from a self-professed anglo-phile...) Oh, yea, and it's actually a true story too...!!! Watch it, if you ever get the chance, and i'm sure you'll agree that this movie deserves to be in the top ten of anybody's list...

Greg, the anglo-Italian movie buff

I looked up this little-known gem because the director Mikhail Kalatozov had also directed Letter Never Sent. Though the story is a bit hard to follow, since it is told as a recollection and an imaginary reunion of the principals involved. The cinematography is outstanding, capturing the desolateness and starkness of the arctic, along with a haunting soundtrack. The cast is very solid, the story - true life outweighs fiction. I have always found films dealing with survival in the elements to be fascinating. This film keep the viewer engrossed, without resorting to cheap dramatics, or sentimentality. Just solid filmmaking.

An English language film starring Peter Finch, Sean Connery, and Claudia Cardinale, this is nonetheless pure Kalatozov, more imbued with man's madness than Herzog. General Alberto Nobile (Finch) takes airship Italia to the North Pole in what appears to be no more than a public relations effort, with pretensions of scientific endeavour. The film is reminiscent of an earlier Kalatozov effort Neotpravlennoye pismo / The Unsent Letter (1960) in terms of there being a love interest, and also many people looking for explorers in peril and specifically in terms of the representation of joy (wacky music and speed). Kalatosov and Mosfilm were no doubt inspired by a real-life story where Uncle Joe's bestest commies manage to save a bunch of foolhardy imperialists. This seems to be a favourite theme of superior Soviet drama, and the film reminded me of the Soviet sci-fi film Nebo zovyot / Call of the Heavens (1962) in many ways, including Soviet harbour scenes of cheering crowds and self-sacrificing efforts to save the deluded. The film at least acknowledges that the first successful expedition to the North Pole was American, and so some of the revolutionary fervour I'd come to expect had diminished by this stage in Kalatosov's career. There is however a glorious purely dogmatic shot of a Russian sailor heaping coal into a furnace which has coloured him red.

The film is not condescending in that there is a genuine awe and respect for the great polar explorers. Roald Amundsen's spectral presence (played by Sean Connery) is magnetic and haunting.

Another cinematic precursor of this one may be Battle of the River Plate (1956), also starring Peter Finch, a film fascinated with the concept of historical spectacle. The actual crash is a matter of history, indicated at the start of the film and is not a spoiler. The filming of the crash is spectacular and crazy glorious cine-trauma.

Finn Malmgren is one of the most interesting characters, he has a death wish, a love of the emptiness and Arctic loneliness. I think maybe it's something that they all share. Why would anyone venture into this morass of crumbling ice otherwise?

The film is framed by a trial, Nobile trying himself, in his mind, for the disaster, this is very trippy.

This Italian-Russian endeavor is a lost treasure and one of the great historical dramas. The movie is really a dream of General Nobile, a survivor and commanding officer of the Italia, a dirigible that met with disaster in a grand Artic exploration during the Mussolini era. It is about the psychology of guilt, accountability, and leadership. Beyond the human psychological profile of the film, it captures the harsh, expansive grandeur of nature better than almost any movie I've seen. The cinematography of the Artic is unlikely to be ever met again with the computer-generated film of today. The Russian ice-breaker ship which rescues the Italian crew survivors requires no special effects and remains a challenge for today's movie producers to emulate. The iceberg film sequences were spectacular. Sean Connery, Claudia Cardinale, Peter Finch and the rest of the cast give very fine acting performances. Ennio Morricone composes one of his greatest scores. As great as a film composer he is, he still is not remembered for one of his most haunting compositions in this film. There is an equally beautiful soundtrack in the Russian version by composer Aleksandr Zatsepin. It is a shame this film was not recognized perhaps in part due to its Soviet influence in a Hollywood-dominated market. It is a bit rough around the edges (meaning editing and directing could be smoother) but in terms of great film-making, it rarely gets better. When you watch it a couple times, you begin to appreciate the raw beauty and human drama of this film.