After her prostitute mother is murdered, a teenage girl is sent to a remote orphanage run by a mysterious woman and her handyman, both whom she comes to suspect are hiding dark secrets.After her prostitute mother is murdered, a teenage girl is sent to a remote orphanage run by a mysterious woman and her handyman, both whom she comes to suspect are hiding dark secrets.After her prostitute mother is murdered, a teenage girl is sent to a remote orphanage run by a mysterious woman and her handyman, both whom she comes to suspect are hiding dark secrets.
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The scare scenes in the film are effective, especially the opening scene of the hammer murder of the mother. The film is helped along by the presence of a number of familiar faces, including, in addition to Melody Patterson and Gloria Grahame, Vic Tayback as a policeman, Len Lesser as the orphanage's handyman (he's very handy), and Milton Selzer as the orphanage inspector. The film also has a sense of humor about itself and you will find a couple of (intended) chuckles.
The film is topped by a weird "twist" ending that you will never see coming. In all, this is a very entertaining 70's horror flick and shouldn't be missed if you get the chance to see it.
That said Halloween is a much better movie, which goes almost without saying. But this does have a lurid feeling and a warped ending. It's that modest to low budget grunge of the 70's that oozes sleaze and danger.
Unfortunately the plot here borrows from obvious sources as it goes along which dampens the more original aspects. Tayback fans from his nice guy TV star role will be shocked, or may want to be by seeing him here.
Still warts and all this film has its memorable moments especially for fans of the era.
The print I saw was excellent, with decent sound. I have read various reviews all over the place.
For a movie supposedly made for $200,000 USD 1971 ($1,238,814.07 today) it is a stellar showcase of both creativity and using well held traditional production techniques, mixed in with really off the wall but effective tricks, some taken from other movies, some movies taken from this. The sound effects aren't as cheesy in most cases as I assumed since taken from older libraries, the crickets loop at the start were probably the most heard effect ever, have heard that in TV shows, movies and cartoons. The opening title , credits is a classic gothic german font, kinda cool. I was unfamiliar with Wranger Jane, but knowing the story of her career, this appears to be a bad turn in her history, degraded her. She is a presence on screen, but no match for someone like Vic Tayback (Calvin). The lighting at times is very flattering to her, and sometimes terrible. Her character's (Ellie Masters) entire back story is basically tragedy. I was surprised again with some production details like quality , but basic camera work, showing they probably hired union guys who have done a million TV shows. This does not look rookie, just lower budget. The actors chosen are great and are what hold this interesting 'prototype' slasher film together, but I find it more psychological than slasher.
It can boast a stylish opening murder set piece. Done mostly from the killers' perspective (with some cuts here and there), it actually predates sequences from both "Black Christmas" and "Halloween". It's got a cast of familiar faces, with the lovely Melody Patterson of 'F Troop' starring, screen legend / Oscar winner Gloria Grahame as a nasty antagonist, Len Lesser (Uncle Leo from 'Seinfeld') as her handyman / henchman, Vic Tayback (Mel from 'Alice') as police detective Calvin Carruthers, and TV veteran Milton Selzer as a social worker.
Ellie Masters (Patterson) is a teen whose mother, the extremely busy town whore, is murdered along with one of her johns. So Ellie is shipped off by Mr. Mullins (Selzer) to an orphanage, a den of corruption where uncooperative kids meet cruel fates. And not only will Ellie yearn to escape, she'll fall in lust with hunky resident Walter (Ronald Taft, "Night of the Witches"), compete with Lolita-like character Bunch (Terri Messina, "Single Room Furnished"), and a mysterious goon in a hideous mask will prowl around the premises.
Some buffs may cringe seeing Ms. Grahame in this kind of exploitation fare, but she does a solid job. Lesser, Tayback, and Selzer are all good as well. Patterson and Messina, despite clearly being substantially older than their characters, are appealing. That's a young Dennis Christopher ("Breaking Away", "Django Unchained") as orphanage resident Pete, and none other than June Foray can be heard as the voice of Ellie in her first scene in the hospital.
Strikingly violent, definitely melodramatic, and offbeat enough to be amusing, "Blood and Lace" is a shocker that ought to satisfy curiosity seekers.
Seven out of 10.
Did you know
- TriviaMelody Patterson's dialog in the opening scene was dubbed over by famed voice actress June Foray. After the first scene, the dialog is spoken by Patterson.
- GoofsIn opening scene, close-up of hammer used in bludgeoning murders already has splotches of blood between claws before it is even used on victims.
- Quotes
Mrs. Deere: I can see you're not used to discipline, Ellie.
Ellie Masters: Well - I've had my share.
Ellie Masters: I suppose things are always different when you are beautiful .. I can remember - oh yes; I was beautiful, once.
- ConnectionsFeatured in Chiller Theatre: Blood and Lace (1976)