Deux cents motels

To many people, musician Frank Zappa's counterculture rants were dangerous, to some sexually charged and stimulating, and still to others tired and boring. Somehow, he managed to cut a deal with United Artists and filmed what emerged as a free-form musical diatribe on drugs, sex, the gap between generations (musicians vs. the common businessman) and post-psychedelic expression. With MTV some 10 years off, this was the only way Zappa and his Mothers (of Invention) could bring their ideas together; but, unfortunately, it's too messy to involve anyone beyond Zappa's core audience. Ringo Starr, in Frank Zappa garb, has some curious speeches that attempt to clarify Zappa's concepts of society, and some of the rock music is indeed exciting, but Mr. Z. is far too defensive to be much fun. Surely some of these directionless scenes are meant to be satiric, but his sense of humor is always undermined by a draggy, self-serious need to "teach us something". A post-"Laugh-In" series of sketches, "200 Motels" might've been personally felt out, but it fails to grab us because, technically, the movie looks terrible. Grungy with druggy influences, it simply doesn't take shape. Besides, Bob Rafelson and the Monkees did this kind of thing first (and more slickly, to involve a wider audience) with "Head" in 1968. *1/2 from ****

There is no film quite like 200 Motels, but a lot of its very strange appearance (especially when viewed on a cinema screen) is due to its videotape source. (Actually, it isn't the first film released theatrically, to have been originated on this medium. One of the versions of Jean Harlow's biography to be released in 1965 used something called 'Electronovision', which is much the same thing, although it seems suspiciously like an afterthought over a successful TV play in that case.) The 1971 double album was my introduction to Zappa's music, back in 1973, and I first saw this film in 1978, on a double bill with - wait for it - Annie Hall. Now, that's bizarre. I was mesmerised by this messy production, but everyone in the cinema, including my friends, seemed to hate it. Even by 1978, the effects were dated, and the sound quality left a lot to be desired. However, ten years later, when I saw the film in on VHS, I scooped it up, and I still enjoy it.

More satire and music would have been welcome in place of the cast and orchestra being forced to recite childish swearwords, although it must be realised that this is an exercise to defuse the effect of 'bad language', much as Shaw did with Pygmalion (the original play has the word 'bloody' repeated over and over, opposed to achieving the comedy shock effect as in the 1938 movie) There are some very well worked out scenes, such as the stars' dressing-room/racehorse chute sequence, and the dialogue between Jim Black and Theodor Bikel, and maybe sufficient time and budget would have yielded more of the same.

The music was sufficient to launch me into thirty years of collecting Zappa's music, and I still enjoy it today - it's more fulfilling to listen to than the movie is to watch, but the movie is worth seeing, as long as you are not expecting anything too coherent.

In amongst the confusion is a worthwhile film about groupies, and genius, and the sadness, as opposed to the glamour, of the life of rock stars, and I can't help feeling that someone with fifty million dollars to spend could do worse than remake this. It's about time Zappa's output reached a wider audience. Stop remaking films that were fine as they were, you guys. We didn't need another Planet of the Apes, Tim Burton! Do a film about Frank Zappa. Johnny Depp could play Frank!

After years of trying, I recently began to enjoy The Mother's of Invention and Frank Zappa, so I figured it was time to give 200 Motels another shot. Once before I had tried watching it and couldn't finish it. It happened again. The tendency seems to be to say this is a good film and you just don't understand it, if you're a Zappa fan. Still, I don't think it's a very good film. It looks like it was edited by ten year olds. It gave me a headache to watch the first music scene. A little too smart for me, I suppose.

I watch this remarkable visual document every 5 or 6 months to remind me of the visionary powers of this great composer and musician. Frank Zappa attempts to weld together several totally different worlds of artistic behaviour. There's the nice, successful middle of the road stuff, personalized by Starr and Moon. The traditional Classic music is shown and half-ridiculed. The almost always invisible groupie scene plays it's part (no actresses here, only the real girls)like it did as a short lived musical group the GTO's (the true meaning is lost; some say Girls together only or outrageously) Frank even took one of the groupies ( Miss Lucy ?) into his home to play nanny to his children. Last, but not at all least, are the Mothers. I omit the of invention part as this was the idea of the record company to soften the blow to the female part of America's silent majority. It was the beginning of the Flo and Eddie period, which Frank sometimes explained on stage as the result of a famous DJ saying that he could make the Mothers as big as the Turtles. Well, Frank used to say: If you wanna be as big as the Turtles, have a few Turtles in your band. The movies shows in a half hidden and symbolic way the craziness of the world, the moral dilemma's and the influence of religion on the psychological development of mankind. This is the first big step into Zappa's conceptual continuity idea, which sadly ended with his death. The movie is a monument to his genius.

It is a long time since I saw this film, so am really going off memory - however I am certain that if I say this is one of the most off-the-wall movies ever made, few who have seen it would disagree!

Frank Zappa and the Mothers of Invention were an excellent bunch of musicians who had evolved into a bit of send-up on the side by the time '200 Motels' was released. This means it falls rather heavily between being a rock musical or a comedy tour film a la Spinal Tap. Ringo Starr appears as Larry the Dwarf. Keith Moon appears as a nun (now, that's scary!); while, for reasons unknown, Theodore Bikel is there throughout as the spaced out Dave (Bikel was in 'My Fair Lady' as the star pupil amongst other mainstream features).

In good company amongst features such as 'Head' (The Monkees) and 'Born to Boogie' (T-Rex) I suppose '200 Motels' is very much of its time but looks silly and dated all these years on.