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At the end of the Russian Civil War, Red Army soldier Fyodor Sukhov is ordered to guard the harem of a Caspian Sea guerrilla leader.At the end of the Russian Civil War, Red Army soldier Fyodor Sukhov is ordered to guard the harem of a Caspian Sea guerrilla leader.At the end of the Russian Civil War, Red Army soldier Fyodor Sukhov is ordered to guard the harem of a Caspian Sea guerrilla leader.
- Director
- Writers
- Stars
Raisa Kurkina
- Nastasya, zhena Vereshchagina
- (as R. Kurkina)
Nikolai Godovikov
- Petrukha
- (as N. Godovikov)
Tatyana Fedotova
- Gyulchatay
- (as T. Fyedotova)
Musa Dudayev
- Rakhimov
- (as M. Dudayev)
Nikolai Badyev
- Lebedev
- (as N. Badyev)
Vladimir Kadochnikov
- podporuchik Semyon
- (as V. Kadochnikov)
Velta Deglav
- Khafiza
- (as V. Deglav)
Tatyana Krichevskaya
- Dzhamilya
- (as T. Krichevskaya)
Yakov Lents
- Starik
- (as Ya. Lents)
Alla Limenes
- Zarina
- (as A. Limenes)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sukhov (Anatoliy Kuznetsov) is a former soldier making the journey home across the desert near the Caspian sea. He ends up tasked with protecting the harem of a notorious bandit leader named Black Abdullah (Kakhi Kavsadze), after the bandit left them for dead while running from the Soviet army. What should be a short and simple escort mission turns into a perilous battle when Abdullah returns for his wives, leaving only Sukhov and a handful of allies to defeat the bandit army.
Most of the Soviet films that I've seen have been the propaganda works of the late silent era and the coldly remote intellectualism of Andrei Tarkovsky. However, much like The Amphibian Man, White Sun of the Desert is an entirely different kind of Russian film, much more fun, vibrant, exotic, and entertaining. Sukhov makes for a great change-of-pace hero: positive, confident, and romantic, as depicted by his frequent narrated composition of love letters to his beloved back home, which often amusingly contrast with what's being shown on screen. The action scenes are capably done, and there are many funny lines of dialogue ("He had the wrong grenades.") that work across the cultural barrier. There are some surprisingly dark plot turns, but instead of derailing the adventurous mood of the film, it just makes it feel more Russian, somehow. Recommended.
Most of the Soviet films that I've seen have been the propaganda works of the late silent era and the coldly remote intellectualism of Andrei Tarkovsky. However, much like The Amphibian Man, White Sun of the Desert is an entirely different kind of Russian film, much more fun, vibrant, exotic, and entertaining. Sukhov makes for a great change-of-pace hero: positive, confident, and romantic, as depicted by his frequent narrated composition of love letters to his beloved back home, which often amusingly contrast with what's being shown on screen. The action scenes are capably done, and there are many funny lines of dialogue ("He had the wrong grenades.") that work across the cultural barrier. There are some surprisingly dark plot turns, but instead of derailing the adventurous mood of the film, it just makes it feel more Russian, somehow. Recommended.
Being completely agree with all other comments, I can add a simple explanation what a cult movie it is. Every time when a manned spaceship is launched in Russia, it's team watches Beloye Solntse Pustyni right before takeoff. It's a tradition they never forgive. Even Dennis Tito had to watch it, together with other crew members, yet he probably had no translation or subtitles.
I think the "best USSR movie ever" misses the point. This is certainly not the best movie, it wasn't even supposed to do all that well in the theaters when it was first made and released. I don't think anyone ever foresaw its success. However for some reason it just works; audiences identified with it and loved it.
White sun of the desert is a classic western. You don't have to know history of the Soviet Revolution to recognize a western when you see one, for this is exactly the soviet adaptation of the genre. Not only that, but the plot of this movie is just great.
I first saw this film when I was a kid (and numerous times since then), and even though I haven't seen it in a while, even with subtitles, you can't go wrong. I'd rate it 3rd best western along with "The Good, The bad, and the Ugly", "High Noon", and "A bullet for the General."
White sun of the desert is a classic western. You don't have to know history of the Soviet Revolution to recognize a western when you see one, for this is exactly the soviet adaptation of the genre. Not only that, but the plot of this movie is just great.
I first saw this film when I was a kid (and numerous times since then), and even though I haven't seen it in a while, even with subtitles, you can't go wrong. I'd rate it 3rd best western along with "The Good, The bad, and the Ugly", "High Noon", and "A bullet for the General."
Needless to say, this film carries an enormous cultural significance for the Russians. Today, Russian press even hails it as the first Russian/Soviet action film, although "Piraty XX Veka" is much better suited for that title. Besides, this movie is not the kind of action that people are used to nowadays. There is no point in going over the film's story line because it is very simple and focuses on good vs. bad guys (Soviet style, that is) during the Russian civil war. I imagine that any person who hasn't lived in the former USSR will not find much to worship here. And yet, it is truly a masterpiece that sort of happened to be made without any grand intentions, but was able to strike a chord with the entire nation. It's all very simple and naive, but the film's characters, the things they say, the theme song, it all clicks together perfectly. And the best thing about it is that neither time nor political fluctuations (like the demise of the Soviet empire) doesn't detract its magic. It just became more sarcastic, or nostalgic, depending on your perception. "White Sun of The Desert" is undoubtedly a classic of the Soviet cinema.
White sun of the desert was a very interesting film. It seemed to revolve around the idea of duty. It often presented different characters with a challenge that they had to rise to and overcome in whatever way they knew how. The different ways that this idea manifested itself was the interesting part. Not every hero in the film was equal. Some of them were characters that possessed traits that were far from desirable but this was not always the case. For example, the main character Sukhov was making his journey home when he was given the task of escorting a group of women across the desert. He rejected this task at first but when the women were left with him he rose to the occasion and did whatever was necessary to protect them until they reached their destination. In the beginning of the film Sukhov find and saves Sayid from death. Throughout the film Sayid repeatedly leaves to peruse his own goal of avenging his father's death, but he always seems to return when his services are needed to help protect the group of women. Another unlikely hero in the film is Vereshchagin, a drunkard that clings to his past experiences of grandeur. This character is told by his wife not to get involved in Sukhov's problem but when he is truly needed he also does what is necessary and aids Sukhov in battle.
This was a very fun film to watch. It was very interesting to watch the different types of heroes that all rose to the occasion and did what they needed to do. Sukhov was the only character in the story that was not flawed in very obvious ways, but even the characters with problems were able to give what they had to the cause. This made me think of the soviet state and how it may have wanted to deliver the message that even if one is not perfect the state would not be able to exist and function without them. Everyone had to play a part that was necessary in order to complete the goal.
This was a very fun film to watch. It was very interesting to watch the different types of heroes that all rose to the occasion and did what they needed to do. Sukhov was the only character in the story that was not flawed in very obvious ways, but even the characters with problems were able to give what they had to the cause. This made me think of the soviet state and how it may have wanted to deliver the message that even if one is not perfect the state would not be able to exist and function without them. Everyone had to play a part that was necessary in order to complete the goal.
Did you know
- TriviaIt is an unbreakable tradition that Russian cosmonauts and foreign guests watch this movie the day before they blast off aboard a Soyuz rocket from Baikonur Cosmodrome.
- GoofsThe smugglers' boat is first shown on shore with the paint on her hull faded and worn down. The next morning, the boat is seen afloat in the bay freshly painted and loaded with goods. It is unclear how this happened since the Basmachi gang was busy throughout the night hunting for Sukhov and the harem.
- ConnectionsFeatured in Space Dogs (2010)
- SoundtracksVashe blagorodiye, gospozha Razluka
Written by Isaac Schwarts and Bulat Okudzhava
Performed by Pavel Luspekayev
- How long is White Sun of the Desert?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Le soleil blanc
- Filming locations
- Makhachkala, Dagestan, Soviet Union(western shore of the Caspian Sea)
- Production companies
- See more company credits at IMDbPro
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Top Gap
By what name was Le soleil blanc du désert (1970) officially released in India in English?
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