The story of the 1941 Japanese air raid on Pearl Harbor, and the series of preceding American blunders that aggravated its effectiveness.The story of the 1941 Japanese air raid on Pearl Harbor, and the series of preceding American blunders that aggravated its effectiveness.The story of the 1941 Japanese air raid on Pearl Harbor, and the series of preceding American blunders that aggravated its effectiveness.
- Won 1 Oscar
- 2 wins & 7 nominations total
- Admiral Chuici Nagumo
- (as Eijiro Tono)
Featured reviews
Whether you want to waste time seeing Brucheimer and Bay's self-indulgently long PEARL HARBOR with its totally extraneous fictional romance -- that's up to you. But whether you see it or not, the real history of the human stupidity on both sides of the Pacific that created the attack is clearly portrayed in TORA! TORA! TORA!
The new DVD edition has insightful commentary by the director plus a documentary about the attack. This film is tensely paced and displays and excellent cast. The Jerry Goldsmith score is kept to a minimum but is very effective. The special FX for the attack are all the more impressive considering they were done before the advent of computer generated FX such as those in PEARL HARBOR -- and they equal those of PEARL HARBOR.
If you want to know the real story, see this film and then also check out the companion stories in FROM HERE TO ETERNITY, DESTINATION TOKYO, and THIRTY SECONDS OVER TOKYO.
This is a great movie and immaculately accurate down to the last detail, such as how the Japanese trained for the attack on Pearl Harbor at Kagoshima City on Ryukyu Island. The book describes how the pilots in crews of three, zoomed down over the mountains behind the city, over the pier, and dropped torpedoes at a breakwater 300 yards away. The movie had all these details. Throughout, it was accurate even down to the exact wording of communications and quotes from the various people involved.
I loved how the Japanese directed the Japanese parts and vice versa for the Americans. It really told both sides of the story.
Technically as a film though, it has limitations. Some of the models used are kind of cheesy, but some are actually pretty good. But hey, it was 1970, this is before Star Wars even. And a lot of the acting is pretty wooden.
If you're looking for great special effects, and not much substance, see Pearl Harbor. If you're interested in the story, the "why", and figures involved in this historic event, definitely see Tora! Tora! Tora!.
Better yet, read the book I referenced above - it won the Pulitzer Prize and you won't be able to put it down - and you will be spellbound by this movie knowing all the background and reasons for the Japanese attack, and all the details about the characters.
It continues to be a source of total wonder for me that _Tora! Tora! Tora!_, a movie made nearly thirty-two years ago, is so expertly presented. The reason for this is twofold: usage of lesser-known character actors to keep plot distraction to a minimum, and the usage of vintage working ships and aircraft to keep the realism to a maximum. These two elements merge together to produce what amounts to a cameraman in a time machine filming the actual events on site.
Since this was a collaborative effort between both US and Japanese film studios, the numerous switches between scenes will give you a good look at the differences between directing (and acting) styles. I am constantly amazed at the boldness of the content for a film released in the US during the Vietnam War, and only 25 years after the Pearl Harbor attack itself; compared to the rather wooden Martin Balsam and Jason Robards, Takahiro Tamura's Lt. Commander Fuchida is replete with a charisma I would never have expected from The Enemy. The Japanese side of the tale is laid before you so well that one is sent into the minds of the people involved, a rarity for American war films. (Sometimes it goes a little bit over the edge -- Admiral Yamamoto's comment "I know [the Americans] are a proud and just people" is a mistranslation -- but the general mood is accurately conveyed overall.)
And then there is the beautiful and sometimes chilling scenery. The attack scenes themselves are eye-popping and brazen enough -- an awesome effort given the technology of the period -- but my personal favorite scene is the Japanese lead strike force's departure from their aircraft carrier. Those of you who purchase the DVD version of the movie should crank up the volume at this point. This is a piece of film that most probably can never be shot again: REAL aircraft flooring their REAL engines and taking flight from a REAL ship of war, against the backdrop of the early dawn, one after another, until the sky is alive with what looks like waves and waves of warplanes. Although the aircraft and ships used were modifed American stock, the flags, uniforms, and color schemes are all authentic... resulting in a spine-tingling spectacle of Japanese pilots plunging headlong into what was ultimately a disastrous mistake. They are depicted as human beings, as they should be.
It is an astoundingly accurate presentation of a dark moment in history for both the US and Japan, free of pretense, pandering to the audience, big-bucks megastars, lovey-dovey sappiness, and computer-generated pixels. You don't *need* any of these things to create a fantastic movie; all you need is history, which we all know is stranger -- and scarier, and more engaging -- than fiction. _Tora! Tora! Tora_ should be in every movie fan's library.
I remember the survivors talking about how accuratly the attack was presented. They also talked about some of the inaccuracies (mostly uniforms and aircraft) but overall they thought it was great. Many grown men cried as they remembered fallen comrads.
I'm still impressed with the special effects. Several postings have complained about how "fake the backgrouds" looked. I've been to Pearl Harbor and the movie was actually filmed there.
There have been comments about the lack of suffering shown. Even if it had been filmed the studio would not have released it. Combat footage from World War II is shown on the History Channel today couldn't been shown in the theaters or TV when I was growing up (the 50's). It was considered too graphic for public consumption!
FOX had to build the full-sized battleships that you saw in the movie. They weren't computer generated images (CGI). Actually, they only built one that stood in for all the other battleships. There wouldn't be another massive shipboard set built along that scale until James Cameron's "Titanic".
The models of the ships (both U.S. and Japanese) built were also done on a large scale.
They had to assemble a fleet of flying Japanese aircraft (they modified existing surplus U.S. Navy and Air Force trainers) and rent real B-17s and P-40s. Those planes you see up there on the screen are real. Many of those "Japanse" aircraft are still flying and can be seen at Air Shows across the nation.
Whereever possible, the exact locations of the attack were used. In at lease one case, a hanger that was scheduled for demolition was destroyed in the filming of the movie.
It's much better than "Pearl Harbor".
Did you know
- TriviaThe previous war epic by Darryl F. Zanuck, Le Jour le plus long (1962) was an extreme success. As stated by his son, producer Richard D. Zanuck, this was because it was about victory. He noted in contrast that Tora! Tora! Tora! is about defeat. Although the film made a great deal of money, it did nowhere near as well as The Longest Day. In Japan, however, the film was a smash. For the Japanese audience, it not only depicted a battle victory (after twenty-five years of films depicting defeat) but it also put the attack on more understandable footing; identifying not only the villains but also the motivation of those who believed that their actions were honorable.
- GoofsShortly before the attack commences, an officer tells Isoroku Yamamoto, "The Emperor wishes to follow the Geneva Convention. A declaration of war will be delivered at 1 pm, 30 minutes before the attack." The Geneva Convention deals solely with the treatment of POW's and non-combatants. Japan ratified but did not sign the Geneva Convention. He likely meant the Hague Convention of 1899, which covers the rules of war, and which Japan signed. Senior Japanese officers would be well aware of that.
- Quotes
[last lines]
Admiral Isoroku Yamamoto: I had intended to deal a fatal blow to the American fleet by attacking Pearl Harbor immediately after Japan's official declaration of war. But according to the American radio, Pearl Harbor was attacked 55 minutes before our ultimatum was delivered in Washington. I can't imagine anything that would infuriate the Americans more. II fear all we have done is to awaken a sleeping giant and fill him with a terrible resolve.
- Crazy creditsFor the U.S. version of the film, the next to last of the main credits reads "Japanese Sequences Directed by Toshio Masuda Kinji Fukasaku" and the last credit reads, "Directed by Richard Fleischer." For the Japanese version of the film, the next to last credit reads, "American Sequences Directed by Richard Fleischer" and the final credit reads, "Directed by Toshio Masuda Kinji Fukasaku."
- Alternate versionsThe original release included a line by Admiral Halsey (James Whitmore) saying that after the war, Japanese will only be spoken in Hell. This line is removed from later releases.
- ConnectionsEdited into La bataille de Midway (1976)
Details
Box office
- Budget
- $25,000,000 (estimated)
- Runtime2 hours 24 minutes
- Color
- Aspect ratio
- 2.35 : 1