Il est mort après la guerre

Original title: Tôkyô sensô sengo hiwa

1970
1h 34m

IMDb RATING

YOUR RATING

A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it ... Read allA metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.

See production info at IMDbPro

IMDb RATING

6.9/10

870

YOUR RATING

See production info at IMDbPro

Awards
- 1 nomination total

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9:57

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Connections
Featured in The Man Who Left His Soul on Film (1984)

User reviews6

Featured review

New theme and different structure

A complex and layered film by the director of the new wave of Japanese cinema "Nagisa Oshima" at the end of the 60s and the beginning of the 70s, which analyzes cinema and its reflection with an unconventional narrative and with a political background. The black and white of the film has been able to be effective in creating an atmosphere suitable for the content. This movie should be watched carefully and analyzed from different angles. The most obvious theme of the film is definitely the analysis of cinema, and the director wants to dig deep and the nature of cinema and from there examine the cinema and make us think. The film is structurally and thematically different from its predecessors in Japan. It seems that the new wave cinema of the 60s in France and Japanese new wave cinema have subtle similarities and similar effects.