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6.8/10
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A charming but totally ruthless criminal is sent to a remote Arizona prison. He enlists the help of his cellmates in an escape attempt with the promise of sharing his hidden loot.A charming but totally ruthless criminal is sent to a remote Arizona prison. He enlists the help of his cellmates in an escape attempt with the promise of sharing his hidden loot.A charming but totally ruthless criminal is sent to a remote Arizona prison. He enlists the help of his cellmates in an escape attempt with the promise of sharing his hidden loot.
Alan Hale Jr.
- Tobaccy
- (as Alan Hale)
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This is an interesting black comedy, from Joseph Mankiewicz, about the gullibility of man, and how greed can corrupt anyone. Henry Fonda is a lawman, in typical Fonda-style (before WARLOCK and the spaghetti westerns changed his image). He is a firm support for law and order. However, he has been shot and left lame by Warren Oates, a drunken outlaw. He may have to retire as a result sooner than he expected.
At the start of the film we watch how Kirk Douglas (Paris Pitman) has robbed the home of Arthur O'Connor with his gang. They are killed off in one way or another. Pitman escapes with the money, and hides it in a hole full of rattlesnakes. But later he is captured. Pitman is sent to territorial prison, where he meets Oates, Burgess Meredith (as the legendary Missouri Kid), Hume Cronym and John Randolph (a pair of swindlers who are also a gay couple), and others. The warden is Martin Gabel, who soon makes it clear that if Douglas wants to be out sooner he needs the warden as a partner. But in a riot Gabel is killed, and Fonda is appointed the new warden.
Fonda tries to reform the prison, improving facilities and setting up an honor system. Douglas, the total cynic, sneers at all this, and makes his own plans. He is not going to rot for two decades or so in prison while a fortune awaits for him. So he starts plotting to get out, and Fonda keeps watching to counter his plotting.
I won't add anything else, but in the end one wonders if Paris Pitman's view of mankind is the truth of us all or not. The film has wonderful sharp comedy, including the comic put-downs of Cronyn when undercutting the pompous Randolph, and when one sees scenes like Burgess Meredith taking his first bath. I strongly recommend this film to fans of unusual westerns.
At the start of the film we watch how Kirk Douglas (Paris Pitman) has robbed the home of Arthur O'Connor with his gang. They are killed off in one way or another. Pitman escapes with the money, and hides it in a hole full of rattlesnakes. But later he is captured. Pitman is sent to territorial prison, where he meets Oates, Burgess Meredith (as the legendary Missouri Kid), Hume Cronym and John Randolph (a pair of swindlers who are also a gay couple), and others. The warden is Martin Gabel, who soon makes it clear that if Douglas wants to be out sooner he needs the warden as a partner. But in a riot Gabel is killed, and Fonda is appointed the new warden.
Fonda tries to reform the prison, improving facilities and setting up an honor system. Douglas, the total cynic, sneers at all this, and makes his own plans. He is not going to rot for two decades or so in prison while a fortune awaits for him. So he starts plotting to get out, and Fonda keeps watching to counter his plotting.
I won't add anything else, but in the end one wonders if Paris Pitman's view of mankind is the truth of us all or not. The film has wonderful sharp comedy, including the comic put-downs of Cronyn when undercutting the pompous Randolph, and when one sees scenes like Burgess Meredith taking his first bath. I strongly recommend this film to fans of unusual westerns.
A unique combination of a western and an existentialist black comedy.
The two foils are Kirk Douglas as a cunning and charming prisoner, and Henry Fonda as his steady and observant warden. They match wits within a teeming ecology of interesting characters. Burgess Meredith is the heart of the ensemble and provides several poignant moments: the bath scene and his reaction to a shooting are unforgettable.
You'll either hate or love the way "A Crooked Man" subverts the conventions of the genre. The tone of the movie is purposefully inconsistent. One moment, it's sympathetic and moving. The next it's cold and nihilistic. The humor is particularly unique for how it brings slapstick and abstraction together. Consider the way Ah-ping meets his end, or the film's obvious disingenuous portrayal of the schoolteacher's fate. Behind these profoundly idiotic scenes is something profound. One caveat: a pointless and homophobic subplot mars this otherwise perfect film.
"A Crooked Man" will be a real treat for those who like films that leave the well-beaten path.
The two foils are Kirk Douglas as a cunning and charming prisoner, and Henry Fonda as his steady and observant warden. They match wits within a teeming ecology of interesting characters. Burgess Meredith is the heart of the ensemble and provides several poignant moments: the bath scene and his reaction to a shooting are unforgettable.
You'll either hate or love the way "A Crooked Man" subverts the conventions of the genre. The tone of the movie is purposefully inconsistent. One moment, it's sympathetic and moving. The next it's cold and nihilistic. The humor is particularly unique for how it brings slapstick and abstraction together. Consider the way Ah-ping meets his end, or the film's obvious disingenuous portrayal of the schoolteacher's fate. Behind these profoundly idiotic scenes is something profound. One caveat: a pointless and homophobic subplot mars this otherwise perfect film.
"A Crooked Man" will be a real treat for those who like films that leave the well-beaten path.
I found this to be a fine western comedy. Kirk Douglas plays an incorrigible, but likable bank robber in the 1800's. Henry Fonda is a straight-laced Sheriff turn prison Warden trying to reform the cunning thief in the territorial pokey. Douglas of course intends to escape and go back to the hidden money, but he must enlist help from the likes of Warren Oates, Burgess Meredith and Hume Cronyn. This is a very enjoyable and funny film that reveals Douglas' bare butt. In supporting roles are Arthur O'Connell and Martin Gabel. Unload your six shooter and prop up your spurs; this one is worth your time.
This is One of Director Mankiewicz's most Divisive Films.
The 4-Time Oscar Winner seemed to Discover the Absence of the "Motion Picture Code" and Embraced the Freedom with this Multi-Toned, Star-Studded Western.
His First Western Ever is a Romping, Head-Snapping, Cynical to the End Look at the "Lighter" Side of Rape, Murder, Robbery, the Penal System, and More.
The Movie is so Odd it is Jaw-Dropping at Times.
The Cast from Top to Bottom all Join in on the "Fun".
The Film Appealed, and still does, to the Post-Modern Audience and Film-School Generation where "Revisionist" is Not a Bad Thing.
Because Nothing On-Screen is Traditional, Especially the Tone, that the Studio-System, where the Director, Henry Fonda, and Kirk Douglas Earned Their Bona-Fides.
This Probably Paved the Way for Great Films Like Mel Brooks""Blazing Saddles" (1974).
The Strange Goings-On in this Love it or Hate it Film, was Probably Shocking to Western Fans and Stalwart Studio-Film Fans.
But that Unfortunate Ride of Full-Control was Over. This was the Dawning of the Age of the Independent Film and Independent Authorship.
For those Willing to "Walk on the Wild Side" of Westerns...
Worth a Watch
Not for Everyone.
The 4-Time Oscar Winner seemed to Discover the Absence of the "Motion Picture Code" and Embraced the Freedom with this Multi-Toned, Star-Studded Western.
His First Western Ever is a Romping, Head-Snapping, Cynical to the End Look at the "Lighter" Side of Rape, Murder, Robbery, the Penal System, and More.
The Movie is so Odd it is Jaw-Dropping at Times.
The Cast from Top to Bottom all Join in on the "Fun".
The Film Appealed, and still does, to the Post-Modern Audience and Film-School Generation where "Revisionist" is Not a Bad Thing.
Because Nothing On-Screen is Traditional, Especially the Tone, that the Studio-System, where the Director, Henry Fonda, and Kirk Douglas Earned Their Bona-Fides.
This Probably Paved the Way for Great Films Like Mel Brooks""Blazing Saddles" (1974).
The Strange Goings-On in this Love it or Hate it Film, was Probably Shocking to Western Fans and Stalwart Studio-Film Fans.
But that Unfortunate Ride of Full-Control was Over. This was the Dawning of the Age of the Independent Film and Independent Authorship.
For those Willing to "Walk on the Wild Side" of Westerns...
Worth a Watch
Not for Everyone.
Kirk douglas, henry fonda. After a robbery, pitman is sent off to prison. And he can't stop thinking about escape. The usual prison gags and shenanigans. The wardens come and go, and each time, pitman thinks he has the upper hand. Keep an eye out for alan hale junior (skipperrr !) and burgess meredith (the penguin!) can pitman keep his plan together, make the break, and find the money he hid? It's pretty good. Directed by joseph mankiewicz. Only directed one more after this. He won four oscars!
Did you know
- TriviaThe prison set took seven weeks to build. When construction began, it was snowing. When it ended, the temperature was 100 degrees. Upon completion of filming, the entire set had to be removed and the area it occupied restored to its original pristine state so that no trace would be left.
- GoofsWhen Pitman is getting beaten up by three men in the prison yard during a heavy rainstorm, there is bright sunshine casting distinct shadows behind them.
- Quotes
Woodward Lopeman: Don't tell me you can't make speeches. You could talk a coyote out of a chicken!
- Alternate versionsA scene was shot where Miss Jessie Brundidge runs away from the prison completely naked, after having had her clothes torn off piece by piece over the course of the prison riot. Although two images from the shooting of this scene exist, proving that it was indeed shot, it was never a part of the final, finished film for U.S. release, and nor was it ever reinstated for either the VHS or, later, DVD release of the film. Whether the scene was ever added to any of the international releases of the film, however, is unknown.
- ConnectionsEdited into On location with There Was a Crooked Man. (1970)
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