Skullduggery

Continuing my plan to watch every Burt Reynolds movie in his filmography in order, I come to Skullduggery.

Plot In A Paragraph: Douglas Temple (a likable Burt Reynolds) manages to wrangle his way on to a jungle expedition in New Guinea when anthologist Sybil Greame (Susan Clarke) lands in his territory. While she searches for old bones, he searches for phosphor (which is used in the "new" colour TV's) they not only discover both, but a whole lot more.

I'm amazed by what I read on here sometimes, as some of the people rating this movie 2/10 or worse 1/10 clearly just didn't get it. Even if it was made today this movie would still ring true.

Burt Reynolds is incredibly likable and shows great promise for more important roles. However "Skullduggery" winds up a bit of a mismatch due to an inconsistent mix of humour and human drama. That's down to bad editing and poor direction.

The cinematography in Technicolor has always appealed to me and scenes such as the tribal women rowing their four (4) large canoes with the archaelogical safari team and their supplies down the New Guinea river(s) infested with killer native tribes, snakes, and crocodiles, injects the needed adventure and to stamp this movie as a bona fide thriller.

Burt Reynolds and Susan Clark are excellent choices as the two male and female leads who both have romantic inclinations but for very different reasons. The audience is asked to form their own opinion on what their discovery of the Tropi tribe means to the human race.

As with many of the world controversies regarding racism, evolution, slavery, and the industrial revolution, the film Skullduggery will leave you with some questions as to what is fair and what is right when a new discovery such as the Tropi tribe is uncovered.

Skullduggery (1970) starts off as a combination of adventure with some light humor and a romantic twist thrown in for good measure, but it was not how I expected the film to transpire as I had been impressed by Burt Reynolds performance in the later (1972) film Deliverance. Not to say I was disappointed in the film Skullduggery, as I was not. I really enjoy scenic pictures of far away corners of the world, and the directors Gordon Douglas and Richard Wilson captured the landscape of New Guinea with crisp and clean panoramic views of the green forests, huge mountains, and seedy crocodile infested waters.

I enjoyed Skullduggery and will most likely watch it again in a few years. This review is somewhat of a personal reminder to confirm a thumbs up review which I give a 6 out of 10 IMDb rating.

The first half of the movie tastes like a remake of a jungle expedition in one of those old Tarzan classics starring Weissmuller, the second half tries to be something like a class in philosophy - what makes a human human etc. Sadly, despite a good cast and production both parts never really blend well together. The first part was entertaining to me, a simple but fun adventure movie, the second part was a rather boring affair to me - an attempt to make something significant but not really engaging, and in the context of the first half (adventure, romance) it just feels too much out of tune.

Once upon a time there was a science fiction author named H. Beam Piper who wrote a classic book named "Little Fuzzy" which was about a man discovering a race of adorable little fuzzy humanoids on another planet. Mr. Piper died in 1964, but Hollywood and many of today's authors starting looting his grave before his cadaver got cold. This is the book where they got the idea for Ewoks from.

Skullduggery is such a blatant ripoff of "Little Fuzzy" I can wonder why I'm the only who's ever noticed?

But don't take my word for it. Here's a link to Project Guntenberg where you can download a copy of "Little Fuzzy" for free: http://www.gutenberg.org/ebooks/18137

Between an eclectic television career and hitting big with the big-screen DELIVERANCE, Burt Reynolds appeared in mostly westerns and/or adventure b-movies... two of the latter titled IMPASSE and then SKULLDUGGERY, with Reynolds as one of those cocky fortune hunters, here smitten with classy female scientist Susan Clark while paired with friendly sidekick Roger C. Carmel...

But right when the expedition into the scenic, potentially perilous mountains of Papua New Guinea begins... with the man and dame sleeping together too quickly to evolve into an AFRICAN QUEEN-style anti-chemistry romance... a group of ape-like/missing-link creatures are discovered, and quickly exploited...

First in a spontaneous, companion-like fashion by Reynolds, trying to make something of the country's phosphorus that he was initially seeking... then becoming burdened slaves to sophisticated British heavies in what's offbeat enough to derive from European cinema before confusing American audiences, never capturing any particular audience, cult or otherwise, since Burt Reynolds was relatively unknown...

Although he's more affable and loose than the rudimentary monotone before discovering the value of self-deprecating scoundrels... and the moral dilemma turned third-act courtroom drama about enslaved primal creatures is simply too deep and idealistic for what should be (and what somewhat began as a) traipsing adventure.