7 Plus Seven

Director Michael Apted was a simple research assistant in the first one. He would be the driving force for the series from now on. The kids are now 14 year olds, and some of them are fully in their awkward teen stage.

When you see Nicholas and Suzy, they are painfully awkward. It's actually hard to watch. It's like torturing little puppies. When Suzy's dog kills the rabbit, it was actually a welcome break from the intrusion. The class separation is still there as the 3 prep boys move on to their upper crust education. And Tony is fully into his jockeying goal. The boys and girls are moving on with their lives.

The production value is better than the first. We are now moving into a TV movie documentary whereas the first one is a black and white TV show. I do wish for better sound quality. Sure we're getting the teenage mumbling, but maybe subtitles would be helpful.

This is not at all to put down the first entry in the "Up" Series by Michael Apted, Seven Up, but if you were to first go to this film- 7 Plus Seven- you actually would not be missing that much in the story lines of the children profiled. This is because Apted does something very smart in how he structures the material in this segment of the series, when all the children interviewed before when seven are now fourteen. He makes sure that the audience, who may need to be reminded who everyone is (at the time this was made, remember, things weren't re-aired frequently on TV, so many may have forgotten by seven years past), by simply just taking footage from the first segment of the Up Series and putting one interview following the previous one. It's not being lazy and relying on past clips, but a very precise form of counterpoint.

We see this as Apted unfolds the interviews with subjects like Bruce, Jackie, Suzanne, Nick, Charles, Lynn, all of them are here, and we see how specifically they've grown in physical appearance and voice, yes, but also in attitude and outlook. Apted asks similar questions from before, like "What do you want to be when you grow up?" Things like that, or 'what, if anything, do you watch on TV', and then it transitions into deeper, heavier questions that the kids, as when they were seven (far more articulate than many parents would ever give credit for) can at least try to tackle. Love, politics, religion, race, the state of Britain, hippies, nothing is really too far off limits to ask these kids, and we get a full spectrum of something very elemental: who are these people, if only in profile?

Apted is asking specific questions and getting honest answers- sometimes awkward, like when asked about girlfriends and boyfriends, but then again they are fourteen after all, that dastardly age to be- and its all framed about what was said in the past and what's said in the present. Another asset is the style; before it was black and white, looking like a very long newsreel story for movie theaters, and now it's in color, albeit faded over time, and the difference is striking (not to mention the intensity of the camera in some instances, as in 1963 Apted wanted to capture the rambunctious side of seven years olds).

While I'm not sure if 7 Plus Seven ranks as one of the best documentaries ever, and frankly I still hold out hope for any of the others in the series to top it, it does pose some of the best use of juxtaposition in a documentary I've ever come across. It's about growth, perspective, and innocence fading and changing, with more yet to come.

Michael Apted must be congratulated for having (or perhaps stumbling upon) the vision for this study. Begin with 14 seven year olds in England, film them in a few interesting situations, and follow those same kids as they grow up. Every seven years. Because all of our lives transpire at roughly the same rates, we cannot actually observe children growing up. But this filmed approach is the next best thing.

This second film is a bit longer, and now has color in it, but still plays much like a home movie. Now we get to see, side by side, the same children at 7 and at 14. A very difficult age, 14 is. The shy ones are more shy, and the more assertive ones are starting to feel like they understand the world around them. We begin to see the very rough edges of children on the verge of young adulthood.

This and all the others through '42-UP' in 1998 are on the 5-disk DVD set just out. ("49 UP" has been made but is not yet available on DVD.) However, simply seeing the most recent film (42-UP or 49-UP) is pretty good, because each film contains snippets of each of the former ones, allowing us to see how each child developed in 7-year increments.

Just a marvelous study of growing up.

Part two of the Up series, which loyally follows the formula established in 1964's Seven Up despite a change in the director's chair. By now the children of seven years prior have grown into adolescence, with all of their internal turmoil and social anxiety worn right out in the open; painfully obvious to the viewer if not the subject. The interviews feel less clinical this time around, as they generally take place in more comfortable, revealing personal settings (a living room or front lawn, in most cases) but the teens are far less cooperative and forthcoming. With just one or two exceptions, wringing a colorful response out of these kids is like pulling teeth, as they each struggle with quiet, navel-gazing uncertainty and a flood of wishy-washy almost-answers. That makes for some rather dry viewing (and several nearly-incomprehensible replies) but also serves as a very vivid, relatable throwback to the crippling difficulties common in this stage of the human metamorphosis. Nobody seems prepared to have reached the crossroads of life, except perhaps John (vocal and surprisingly adept at politics in his early teens) and Bruce (who bears an old soul). But maybe they just do a better job of hiding it than the others.

It's funny to see other reviewers talking about the awkwardness of the subjects and the dullness of their lives. I suppose that might be true if you're watching this installment as a stand-alone film, but I just can't see many people doing that, knowing just how long the series actually took and how many other features are out there. This was where Apted took over the project and made it his own, and this is where we first get to see changes in kids. Suzy goes from being precocious to sullen and bratty, Paul evolves from a wise little buddha to a simply meek kind of fellow, and.we get the first glimpse of Neil's change from a sunny, laughing lad into the tortured soul he'll eventually become.