Sartana dans la vallée des vautours

I liked William Berger in this film and I liked the story. The final gunfight was very exciting. It was something like the one in For a Few Dollars More.

The ending wasn't all that funny, though and I thought the film dragged somewhat in the middle. The jailbreak was good and so was the hunt through death valley. I think many of the same people who were in Sabata were in this film although I am not sure.

The theme song "King for a Day" was very good and fitted the film. All spaghettis should have good music and this one does.

Calloway helps 3 bandits to escape from prison. The deal is that they shall give him 50 percent of the gold they have hidden. Of course, as soon as they are free, they have little intention to divide the treasure with him. A long ride through the desert "valley of death" seems the perfect opportunity to get rid of him. However, Calloway is like a cat with 9 lives...

"Sartana nella valle degli avvoltoi" is a quite methodical movie which develops its story step by step instead of relying on mindless action. Yes, the movie is a bit slower than others of the genre, but since it takes time for its characters, for example the puppet maker, it has more qualities than the average low budget western. Nothing extraordinary, but I was satisfied.

While "Django" was the most-ripped off name in spaghetti westerns, I think "Sartana" must be in second place. Though the hero of this spaghetti western dresses in black, he is not the fantastic Sartana character John Garko played in several movies. For one thing, he's played by William Berger - pretty appropriate, since this character is an anti-hero. (And he's not even named Sartana!)

The story is pretty confusing, with some bad editing and a lack of explanation in some key scenes (like: where do those explosions on the city street come from?) But the story takes several interesting twists and turns, like how power switches back and forth from one character to another. And it's interesting to see Berger as a kind of hero, after playing the heavy in so many other roles. Movie also has one of the more memorable theme songs - "King For A Day" - even though it doesn't really apply to Berger's character or anyone else!

Lee Galloway/Sartana (William Berger) is a wanted man. The film begins with an ill-fated bounty hunter on his tail (who, upon arriving in town finds the Sheriff is "tied up with a funeral"). Needless to say the hunter doesn't last long - Galloway then breaks the dangerous Craig brothers out of jail - in exchange for half of the gold the gang stole from the army. The brothers unsurprisingly doublecross Galloway and from then on the film degenerates into a formulaic game of cat-and-mouse; that said, I'm sure you can guess the outcome of this tired, uninspired western.

Although the whole affair's rather dull, there are a few nice touches: the scene involving the musical-doll maker (the fake Father Brown from "Sabata"); the catchy music and title song; the attractive landscapes (more lush-green than desert-yellow here); and a scene I find hilarious but shouldn't when, out of Galloway's shooting range, one of the Craig brothers gasps and pretends to have been hit - then sits up and blows Galloway a big raspberry! Alright, I know it's not exactly the Tuco/Gunsmith scene from "The Good, the Bad and the Ugly", but what it lacks in subtlety, it makes up for in it's short and sweetness. Trust me. Oh, please yourselves... Another plus is the presence of Berger and Wayde Preston. Both pretty much sleepwalk through their roles but they play them both straight and convincingly and stop this from being a complete and utter waste of time. I guess this isn't bad enough to be in the "so awful it's good" category, but for one or two viewings it's passable. Just make sure you go down the pub/bar before watching it...

*Dumb dialogue* The doll maker's daughter (Clementine in my version) commenting on how economically sound it is to waste food: "I do get pleasure from fixing dinner as if there were a lot of people around - to help us forget we're poor."

This is the first entry I've watched in a long-running series of Spaghetti Westerns revolving around the titular figure, played here by William Berger; as such, he displays no particular features that would make him stand out from similar anti-heroes (such as The Man With No Name or Django) and, in fact, is never even referred to by that nickname! Incidentally, this seems to have been considerably trimmed for American export – given that the running-time is a mere 79 minutes; what remains is a thinly-plotted affair which virtually resolves itself into one long chase! Incidentally, the R2 C'Est La Vie DVD sports German credit titles and even the first spoken bits of dialogue is in that language!

Sartana springs a trio of no-good brothers from jail intending to cut in on a fortune in gold that awaits them; however, the latter soon double-cross him and he's stranded on foot and without provisions in Death Valley (hence the title) – they also get even with their former associates (including puppet-maker Luciano Pigozzi) for letting them take the rap. Eventually, of course, Sartana catches up with the gang – taking some time-out to romance a gal who aided in his convalescence…but she too turns out to be harboring ideas above her station! At the finale, the 'outlaw' is revealed to be a courier for the American cavalry entrusted with a crucial message – and his reward for the accomplishment of said mission is that he gets to keep the brothers' gold for himself! For the record, the song playing over the opening credits "King For A Day" is quite decent and is even warbled, for no good reason, by a blonde bar-room chanteuse at one point in the film.