A naive couple leave their small town for success in London's adult entertainment culture.A naive couple leave their small town for success in London's adult entertainment culture.A naive couple leave their small town for success in London's adult entertainment culture.
Syd Conabere
- Lazlo
- (as Sydney Conabere)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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"London? At your age!?" Teenagers Joe (Robin Askwith) and Carol (Janet Lynn) leave their rather boring lives in rural Norwich and go to swinging London to make their fortune. Things do not go to plan and when they run out of money Carol turns to prostitution. She doesn't seem too bothered about selling herself to dirty old men but Joe is obviously jealous - that is until big money starts rolling in. However riches don't always bring happiness and I think that there is a moral in this tale (allegedly based on a true story). Director Pete Walker made a series of very British horror movies but before that he was making sexploitation films, this being the second one that I have so far watched. And I have to say that I thoroughly enjoyed it. It is a delightful snapshot of England, both rural and urban, in 1970. I loved seeing the fashions, the old vehicles, the music and listening to what would now be considered dated language. Apparently the film courted much controversy in the UK at the time but viewed now the sex side of it is pretty tame. Carol and Joe do have sex a few times, including on the train to London, but very little is seen. Janet Lynn was a very attractive young actress, she is seen topless quite a few times plus one brief full frontal shot. Askwith, who went on to star in the British sex comedy "Confessions of.." movies, is seen naked from the rear. Fair amount of sex talk, ranging from the f word to the very British "have it off". I noticed one goof, the couple agree to be filmed having sex for money, the reflection of the real crew cameraman can be seen in a mirror next to the character cameraman with his 8mm handheld camera. Cool It, Carol isn't exactly red hot as a sex movie but I found it to be an enjoyable and charming romp that has as much humour as it does sex.
As I write these words, 'Cool it, Carol!', directed by Pete Walker who is perhaps better known for his horror films, is close to its silver anniversary. It's sobering to remember that 25 years before the film came out, World War 2 had just come to an end.
A lot changes in 25 years. This story, sometimes known as 'The Dirtiest Girl I Ever Met' stars Janet Lynn as the titular strumpet - and she isn't a strumpet at all. Demure, shy even, she tells her wannabe boyfriend Joe (Robin Asquith) that she just doesn't see sex as a big deal. This comes in handy when the two of them try to make their fortune in London. In other circumstances, Joe becoming her pimp and managing her earnings might portray him as a bit of a git, but that doesn't seem to be the case here.
We're never really witnesses to the various sex acts, but rather Joe's reaction as a number of old men disappear into the bedroom with Carol. When she wanders out after it's over for a nice cup of tea, she's not remotely fazed by the ordeal.
Based on real-life events, this slice of exploitation is both naïve and eye-watering in its depiction of the ambitions of these young people, both of whom are well portrayed.
While Askwith became a household name with a series of bawdy comedies, Lynn settled down to a life of domesticity away from the cameras. Jess Conrad, Stubby Kaye and DJ Pete Murray bolster the cast with a series of cameos.
I found this an enjoyable slice of what is now 'period drama'. My score is 7 out of 10.
A lot changes in 25 years. This story, sometimes known as 'The Dirtiest Girl I Ever Met' stars Janet Lynn as the titular strumpet - and she isn't a strumpet at all. Demure, shy even, she tells her wannabe boyfriend Joe (Robin Asquith) that she just doesn't see sex as a big deal. This comes in handy when the two of them try to make their fortune in London. In other circumstances, Joe becoming her pimp and managing her earnings might portray him as a bit of a git, but that doesn't seem to be the case here.
We're never really witnesses to the various sex acts, but rather Joe's reaction as a number of old men disappear into the bedroom with Carol. When she wanders out after it's over for a nice cup of tea, she's not remotely fazed by the ordeal.
Based on real-life events, this slice of exploitation is both naïve and eye-watering in its depiction of the ambitions of these young people, both of whom are well portrayed.
While Askwith became a household name with a series of bawdy comedies, Lynn settled down to a life of domesticity away from the cameras. Jess Conrad, Stubby Kaye and DJ Pete Murray bolster the cast with a series of cameos.
I found this an enjoyable slice of what is now 'period drama'. My score is 7 out of 10.
One of a mass of soft-porn films produced by the British industry at that time, catering to the semi-pissed young blokes set who needed somewhere to go between the pub and an early-hours curry, with cinemas showing them suitably late in that 'slot'.
Robin Askwith got typecast in the 'Confessions' films of that 'genre', but those films had a comedy air, and THIS one just seemed to be telling a morality tale, with the main couple returning to the country having got fed-up with debauchery in sex-mad London.
Lots of nudity, as you'd expect, with quite a few shots of female pubic hair, to keep the audience suitably excited.
The film looked like it had been butchered by the editor, and/or the studio, as some scenes didn't seem to follow from the previous one, and the ending looked like it had been glued on in a hurry?
My total admiration goes to the train-spotter geek who noted (see 'goofs') that the couple boarded their original 'to London' train on the Kent/Sussex border, had sex in the carriage (but such rolling stock was used on the Pompey line!), and arrived in London at Paddington, despite supposedly coming from the East Midlands - from where trains do NOT go to Paddington! Clearly he wasn't overly entranced by the gorgeous pert breasts, firm peachy bum and nubile body of the lead actress, let alone the other models on view in the film?!
The lead actress made very few films - as someone said - a shame as she had some talent, and was certainly very attractive. Her character's name (Carol Thatcher) was presumably a coincidence, not a sad jibe at her eventual PM mother Margaret?!
Robin Askwith got typecast in the 'Confessions' films of that 'genre', but those films had a comedy air, and THIS one just seemed to be telling a morality tale, with the main couple returning to the country having got fed-up with debauchery in sex-mad London.
Lots of nudity, as you'd expect, with quite a few shots of female pubic hair, to keep the audience suitably excited.
The film looked like it had been butchered by the editor, and/or the studio, as some scenes didn't seem to follow from the previous one, and the ending looked like it had been glued on in a hurry?
My total admiration goes to the train-spotter geek who noted (see 'goofs') that the couple boarded their original 'to London' train on the Kent/Sussex border, had sex in the carriage (but such rolling stock was used on the Pompey line!), and arrived in London at Paddington, despite supposedly coming from the East Midlands - from where trains do NOT go to Paddington! Clearly he wasn't overly entranced by the gorgeous pert breasts, firm peachy bum and nubile body of the lead actress, let alone the other models on view in the film?!
The lead actress made very few films - as someone said - a shame as she had some talent, and was certainly very attractive. Her character's name (Carol Thatcher) was presumably a coincidence, not a sad jibe at her eventual PM mother Margaret?!
Carol is quite something when you see her in lingerie or nude. She leaves her boring existence to pursue her modelling career, taking off with childhood friend, Robin Askwith, mostly still filling the boots of his Timmy Lea character in the Confession films. Though the story is supposedly true in this film, one wouldn't really care. A lot of people will do anything to survive. Askwith and co need money in London. Food, like that delectable pastry in the window and accommodation costs money. Someone talent spots Askwith's better half, and soon she's doing some pretty weird photographic nude shoots, and offering sexual services, where may'be a bit of her likes it. She becomes hooked, finding it hard to turn offers down, where Askwith starts getting annoyed. Jealousy? He has a thing for her? She doesn't decline at first. Some tasty nudity, provide momentary erotic entertainment from our title lead, doing it with some 60+ men, some moments of it getting nasty, if demeaning to our lead, despite it being a comedy, that didn't have me laughing. This movie isn't anything special. Bits of it are truly pathetic, and I wonder if the words, "acting lessons", mean anything to Askwith.
COOL IT CAROL! is a low budget sexploitation epic from British director Pete Walker, although even at this stage of his career he can't resist making the material as dark and uncomfortable as it can be. Made in 1970, it proves a fitting tribute of its era, complete with sleazy porn producers, dirty old men, and all manner of outlandish fashions and hairstyles.
The production values are typically excellent as this looks and feels like your usual above-average Walker production. Robin Askwith and Janet Lynn are a good fit as the out-of-their-depth young couple who move to London with hopes of hitting the big time, only to find themselves drawn into a world of sleaze. The grubby atmosphere is spot on and there's plenty of tasty nudity for male viewers to enjoy (particularly from the delectable Lynn), but it's all rather seedy and depressing.
In many ways this film is an offshoot of the old 'sensation' genre of the 1930s, about pretty young girls finding themselves exploited by perverted older men. There are indications at comedy with the presence of Askwith and some funny dialogue, but as mentioned, it's rather depressing overall with a storyline that never really goes anywhere. I much prefer Walker when he has a story to tell, as in his later film HOME BEFORE MIDNIGHT.
The production values are typically excellent as this looks and feels like your usual above-average Walker production. Robin Askwith and Janet Lynn are a good fit as the out-of-their-depth young couple who move to London with hopes of hitting the big time, only to find themselves drawn into a world of sleaze. The grubby atmosphere is spot on and there's plenty of tasty nudity for male viewers to enjoy (particularly from the delectable Lynn), but it's all rather seedy and depressing.
In many ways this film is an offshoot of the old 'sensation' genre of the 1930s, about pretty young girls finding themselves exploited by perverted older men. There are indications at comedy with the presence of Askwith and some funny dialogue, but as mentioned, it's rather depressing overall with a storyline that never really goes anywhere. I much prefer Walker when he has a story to tell, as in his later film HOME BEFORE MIDNIGHT.
Did you know
- TriviaSusan George was the first choice for the role of Carol.
- GoofsThe couple board a Hastings line narrow bodied DEMU (diesel electric multiple unit) train at Etchingham, bound for London Charing Cross, have sex on a 4-COR EMU which operated between London Waterloo and Portsmouth, and arrive at London Paddington. They say they came from Oakham (in Rutland), so would have come into London St Pancras or London King's Cross.
- Crazy creditsDisclaimer in opening titles: "This story is true but actual names & places are fictitious".
- ConnectionsFeatured in When Robin Met Janet (2023)
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Dirtiest Girl I Ever Met
- Filming locations
- Paddington Railway Station, Praed Street, Paddington, Westminster, Greater London, England, UK(Joe and Carol arrive in London)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Sound mix
- Aspect ratio
- 1.78 : 1
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