Bloody Mama

This film is Roger Corman and Sam Arkoff's answer to "Bonnie and Clyde". But not only did they take the theme of Depression-era gangsters, they also borrowed the idea of completely eradicating the facts. I would be hard-pressed to name one thing in this film that was based a real event.

That being said, it has some historical merit. Shelley Winters gives a good performance, and has said she was proud of the film (which she oddly enough promoted as a film denouncing violence, despite its clearly violent nature). She even allegedly took a punch to the face, resulting in a nose injury bad enough to get X-rays.

Bruce Dern and Robert DeNiro give some of the earliest performances of their careers, and any DeNiro fan who has not seen him in this is really missing out on his humble beginnings. These days, he is past his prime, making cheesy comedies. But have you seen him before his prime?

Perhaps most interesting, this was the big-screen debut of cinematographer John A. Alonzo. While he may not be well-known, he did go on to film "Harold and Maude", "Chinatown" and "Scarface" and snagged an Oscar nomination. Not bad for a graduate of the Corman School.

Shelly Winters plays a wild Ma Barker in this decent Roger Corman directed flick about the Barker gang of the great depression era. Everyone playing Ma Barkers sons, who include Robert Deniro, gives a good performance. Bruce Dern also has a small role as sort of an outside member of the gang. The Barker gang is on the run, lead by their fearless mother. They rob banks and whoever they can get their hands on. There is one particular good scene involving Deniro, complete with his Max Cady accent, where he acts on the advances of a young blonde swimmer who flirts with him while he sits on the dock. Her flirty ways turn to terror as Deniro realizes he tells her some forbidden information and can't afford to let her live. Deniro lost 30 pounds for the role. He also told Corman he could drive even though he didn't have a license. Pat Hingle, a great character actor, as a high profile man who the gang kidnaps to get ransom money is also very good. This film is no "Bonnie and Clyde" but I'm surprised it didn't get more attention. Worth a look.

Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.

Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".

In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy … there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.

The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.

A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.

Trashy gangster picture from Roger Corman about Ma Barker and her criminal sons. It's very loosely based on the real people. I won't say it's uninteresting but it sure isn't much fun. It's violent, schlocky, and quite frankly, gross. I didn't care about anybody in the movie, which made it hard to become invested in the plot. It does have a nice cast, though. Shelly Winters gets a lot of flack for this movie but I thought she was pretty good. Robert De Niro appears in an early role. I missed his name in the credits so when I saw him I couldn't believe it was really him. Bruce Dern, Don Stroud, Pat Hingle, and Scatman Crothers are among the other solid actors in the cast. Like I said, it's not much fun but it's worth a look. I did love that corny theme song.

The most colorful epoch of criminality in America during the Depression era is brought to life in this story of a bank-robber family , in a period when any employment, even illegal, was cherished, ambition, money and power originated an interminable cycle of fury and violence. The infamous Ma Barker ( Shelley Winters)'s blood-thirsty gang of the 30s backed by his four rare sons ( Robert De Niro, Robert Walden, Clint, Don Stroud) carry out heists to banks and a crime spree that gets even bigger when she dreams up an abducting plot , its a fast road to ruin. A hooker ( Diane Varsi) appears to be falling for the moronic sibling (Don Stroud as the sadistic mama lover). Later on, they hook up with Robert Walden's (as the homosexual ex-con) prison lover, Bruce Dern. Meanwhile a wealthy businessman ( Pat Hingle) is kidnapped by the grotesques family led by the sadistic mummy. Based on the biography of the violent careers of Ma Barker, named Arizona Clark (1877-1935) and his perverted sons, who roamed the South robbing banks during the Depression as Missouri, Texas, and Florida . They're joined by nefarious criminal Alvin Karpis who doesn't appear at the movie.

This is a perverse stew of murders, pronounced bloodshed, sentimental blood bonding, action , lots of violence and with a bullet-ridden ending . Overacting by Shelley Winters as sex-crazed lady killer and machine-gun toting mother. Imaginative musical score and evocative cinematography by classic cameraman John A Alonzo . Director and producer( along with Samuel Z. Arkoff and James H. Nicholson : American International) Roger Corman skillfully blends extreme violence that was highly controversial and some good scenes action. Good camera work, slick edition and nice 1930s period sets in average budget.

Followed by ¨Big Bad mama¨ (1974) by Steve Carver with Angie Dickinson, William Shatner, Tom Skerrit and ¨Big bad mama II¨ (1988) with Dickinson, Robert Culp and Julie McCullough. And a remake titled ¨Public enemies¨(96) by Mark L Lester with Theresa Russel Eric Roberts, Alyssa Milano and Frank Stallone. Furthermore, ¨The Grisson gang¨ (1971) by Robert Aldrich with Kim Darby and Scott Wilson.