User reviews

'Otley' is a definite film of its time, showing swinging 60s London and presenting Tom Courtenay in one of his defining but less-known roles, as someone who wants to be a spy but wonders what he's got into when he gets his wish. Otley is an inept spy, and was probably an even more inept drifter.

Full of colour, with a great score, and many fruity cameos, this film should be better known as it is a lot of fun, with a great central performance and the chance to get really engrossed in the period. Courtenay and Romy Schneider are charming, while character greats such as Leonard Rossiter, Alan Badel, and Freddie Jones add to the overall spoof feel.

28 August 2012. The droll British humor of this late sixties movie doesn't quite have the snappish charm of Peter Seller's The Pink Panther (1963) nor the American slap slick entertainment of another closely related and even more ironic comedy thriller The Man With One Red Shoe (1985). There are a number of sequences that are quite suggestive of the potential of this movie, yet it seems to be so laid back and in a few places so serious that it never quite takes off. The strongest element of this movie is its ending, yet it only heightens the apparent omission of the potential strength of the movie in the primary relationship between the two main characters. Romy Schneider who had the most appeal in the movie came close to achieving that fine relational nuance that would have taken this movie to a new level, but didn't quite take it over the top. Tom Courtenay only three years after his presence in the classic Dr. Zhivago, explores his range of talent from his previous role as a serious Russian revolutionary and isn't given quite the comedic material to really shine in the movie. Overall, this is a pleasant romp in England, mostly connected with together but not quite stitch up in the intricate nature of great British espionage movies of the time. A more contemporary British espionage spy comedy thriller would be Wild Targets (2010).

No way is this film as funny as it should be or seemingly as funny as it thinks it is. But it does have charm, some great and colourful location shooting and some very decent performances. From the extended opening as Tom Courtenay makes he way a good length of Portobello Road to the modest and quiet ending, we smile but little more. Nevertheless the film is likeable and a pleasure to watch, Coutenay is excellent, Romy Schneider lovely though underused and James Villiers who must have appeared in every British film of the time does better than usual. There is also a great turn from Leonard Rossiter who almost brings the film to life singlehandedly. Maybe it was the time, maybe it was writers La Frenais and Clement but this film is outrageously languorous and happy to almost stop now and again. Still good fun checking out the locations and Courtenay doesn't put a foot wrong.

Sir Tom Courtenay stars in this amiable British spoof of spy films, playing Gerald Arthur Otley. Otley is a rather shiftless young man who's evicted from his apartment in the opening minutes. After a party, he spends the night at the residence of an acquaintance, Lambert (Edward Hardwicke). During the night, Lambert is murdered, and Otley wakes up the next morning in a field by an airport. It's because Otley had pocketed a seemingly meaningless item in Lamberts' household that he now becomes enmeshed in the schemes of various characters who are quite shifty themselves.

Courtenay and the lovely Romy Schneider do a fine job of anchoring this tale. He's in fine form as an ordinary man caught up in extraordinary circumstances, yet he handles things as well as he possibly can - while also making humorous comments on the situation. He and she lead a superb British cast also including Alan Badel, James Villiers, Leonard Rossiter, James Bolam, Fiona Lewis, Freddie Jones, James Cossins, Ronald Lacey, Phyllida Law (mother of actress Emma Thompson), Geoffrey Bayldon, and Frank Middlemass. Young Damian Harris, the son of actor Richard Harris, plays the bratty Miles; he would grow up to become a director of movies such as "The Rachel Papers", "Deceived", and "Bad Company". The sequence with top character actor Cossins as a driving instructor is far and away the best in the movie, as Otley does everything possible to evade some pursuers while he is taking his driving test!

As for the rest, it benefits from its "London in the swinging 60s" setting, as well as its amusingly convoluted plot and enough genuine laughs to make it reasonable entertainment. One good thing: it clocks in at an agreeable 91 minutes, so it doesn't go on any longer than necessary.

Scripted by Dick Clement & Ian La Frenais, the screenwriters whose credits include things like "Vice Versa", "The Commitments", and "Still Crazy", from a novel by Martin Waddell. Clement also doubles as director here.

Seven out of 10.

This is one of my favorite 60's films. It's based on the first of a series of books by Martin Waddell about Gerald Arthur Otley, a young man whose occasional pocket-picking inadvertently lands him in the middle of a spy plot. (The books are great fun, too). Poor Otley's in way over his head, can't tell the good guys from the bad, and like Dorothy in "the Wizard of Oz," simply wants to go home! Suddenly his dull old life doesn't look so bad. There are many funny sequences, but the one in which he takes his driving test is truly inspired.

Tom Courtenay gives one of his best performances as the lead character, and he's well supported by a terrific cast of veteran character actors. Leonard Rossiter has an especially funny cameo. Moreover, "Otley" has one of the catchiest soundtracks of that era, a quirky mix of classical and rock tunes, and you'll find yourself humming the main theme for days after you've watched the film.

Why isn't this available on DVD? Or even VHS? It's a major oversight. "Otley Forever!"

Otley contains several inspired scenes with Tom Coutenay at his most outrageous. But, the bad scenes outweigh these moments of inspiration. This is especially true whenever Freddie Jones appears on camera to take over proceedings. His first appearance inspires guffaws. But his relentless clowning grows quickly tedious.

Gerald Arthur Otley (Tom Courtenay) scraps by doing whatever is necessarily. After getting kicked out of his flat, he struggles to find a place to sleep. He spends the night at a friend's house. His friend is shot and he wakes up in the middle of an airfield. His shoes are backwards, he's missing a day, and he gets taken by mystery men.

This Hangover premise would work better if Otley is funnier. He's a slacker getting caught up over his head. Tom Courtenay is a bit too serious of an actor. I'm not saying that he can't be funny. I'm just saying that he's not that funny here. I would have liked him to go off with Romy Schneider. The movie becomes one thing after another and it isn't too compelling.

Of all the spy spoofs that were set off by the James Bond films in the 60's, this was just about the best. Over 40 years later it's still witty with beautifully observed characters, great locations, and a suspenseful story. To top it off, it has a catchy title song that captures the spirit of the hero perfectly.

Gerald Arthur Otley is a likely lad. He's an opportunistic, occasional antiques dealer - he has sold his landlady's furniture - who gets by on his wits and his way with the ladies. However things get out of control when he becomes involved in an espionage plot.

He is kidnapped twice and meets some interesting but dangerous people including a female agent, Imogen, played by beautiful and enigmatic Romy Schneider. "Imogen", he exclaims when she first tells him her name, "It sounds like something you put on cut knees". He also meets Johnson, a hit man played by Leonard Rossiter whose light-heartedness about his work belies a merciless nature.

Director Dick Clement gave the film a light touch, and Tom Courtney reveals a flair for comedy where a look says a lot. The film is almost a cross between "Alfie" and "Arabesque", but works far better than just about all the spy spoofs that hit like a tsunami in the 1960s.

The film has a serious side and there is an element of danger for Otley; likable as he is, his survival is not a forgone conclusion. Although he is a bit of a loser, his luck holds up despite his relationships with women seeming always to be of short duration. His parting with Imogen at the end after their brief affair sums it up; when he asks if he can see her again, she answers, "Don't be silly", and drives away.

The film is also something of a time capsule. Like "Goodbye Gemini" made around the same time, the background of the film captures not only the look of the times - the hairstyles, the clothes and the cars - but also the mood, including Otley's casual day-to-day approach to life.

Along with great shots of late 60's Portobello Road and other London locations, the film has a score by the eclectic Stanley Myers. The song "Homeless bones" co-written and sung by busker Don Partridge, adds the right touch to a film that works beautifully on many levels.

Interesting little gem from the swinging sixties. Tom Courtney plays Otley, a down-on-his-luck antiques dealer in the Portobello Road in this comedy spy thriller.

He's kicked out of his digs after he's gone past his sell-by date in terms of the attentions of his randy landlady because he can't pay his way and is forced to go from friend to friend at a party in order to be put up for the night.

Otley manages to reel in a favour from one of his friends, but blunders into a spy plot when that friend is murdered in the flat and Otley is forced on the run. Otley has little aptitiude for anything but antiques and even this ability has to be questioned considering his circumstances.

The plot meanders continuously and is a little confusing but is of little consequence. We are not meant to focus too much on it, because the film centres on how this hapless bungler manages to squirm free from one episode to another whilst we enjoy the scenery. A high point of the film is when he goes to take his driving test which turns into a car chase with some villains around the backstreets of London.

The supporting cast contains some good character actors and includes Leonard Rossiter playing a hitman. Romy Schneider plays the femme fatale, but is curiously underused. An enjoyable 'sub-sub-Bond' adventure if you don't expect too much.