Ah! Dieu que la guerre est jolie

What struck me most about the film was Maggie Smith's remarkable transformation as she was at first an alluring young girl,- the Music Hall star as recruiting agent - the epitome of that era's romantic glorification of Going To Do Battle,then as the blood and death became evident, her character was transformed into a painted, ravaged whore.The heart-rending ending aside,the acres and acres of crosses dotting a hillside,her symbolism is what stays with us.My sister's-in-law first husband was next to Rudyard Kipling's son when he got blown up,and the sensitivity and denial of that time was such that the Kipling family only received notice that their son was "lost".This film managed to show just that attitude.And-- it resonates in today's view of the current lost cause.

This movie does a good job of catching the spirit of the original play. It points up, in ironic scenes, the class differences in the English Army. It also shows how long and how much tragedy had to occur before the troops turned cynical.

There are a number of memorable scenes and songs that go with them - the scene in the estaminet is incredibly moving. The Church parade, especially the quote from the vicar are noteworthy.

There are many vignettes from the movie which evoke a very strong emotional response. Some scenes do not come off as they were probably intended - a difficulty when trying to use allegory and allusion to make a point.

If you have not seen it - find it and watch it.

If you get a chance to see the play - which I found much more direct in its anti war sentiment - definitely go and see it.

It's been thirty-five years since I first saw this movie. I remember it as well as any movie I've seen. I check every few months to see if it is available in any format. So far I haven't found it. It would be good if someone could be influenced to create a DVD version. I'd buy it in a minute. I'd probably buy several copies and give them to special friends. It may be my favorite movie of all time.

Until I saw the movie, I didn't realize that there was some special music that accompanied WWI. It's music that now brings a tear whenever I hear it. The portrayal of pompous generals and their subservient minions, as they are posting the numbers of deaths and casualties for the day, is beautifully done. They were simply putting up numbers. But each number was often a death. A death of a promising young person. This movie makes war appear as brutal as it can really be. The poor always die first. It would be nice if international law demanded that the political and military leaders of a country be required to send their own children into war first. If that were the case, there would likely be no more war.

A clever piece of work, this film - Richard Attenborough's first as director and an adaptation of the production by Joan Littlewood's Theatre Workshop - considers the pure futility and waste of World War One by presenting it as a 'war game' based in and around Brighton; on the West Pier, atop a Helter Skelter, etc.

The central characters are the Smith family - several sons and nephews, a grandad, mother, wives and younger children. All have tickets for the game, welcomed in at Douglas Haig's booth (Haig puts his own words to 'I do like to be beside the seaside' = 'I do love to see a man in khaki'). They are the routes by which we follow the various battles and conflicts through the war, punctuated by a soundtrack of popular songs of the period ('It's a Long Way to Tipperary', 'Keep The Home Fires Burning', 'and so on).

Oh! What a Lovely War manages to be daring, funny, and moving, and boasts a starry set of cameos including Olivier, Gielgud, Richardson, Maggie Smith, Dirk Bogarde, Kenneth More, Ian Holm, and Vanessa Redgrave. It covers all of the conflict, from the assassination of the Archduke of Austria, through to the Christmas truce in the trenches, to the war's conclusion. Poppies play their part, as well they might, to indicate the scale of loss of life; and a final tracking shot on the Sussex Downs attempts to give some indication of the wanton destruction of 'cannon fodder' by the powers-that-be.

As a pure war film, this would never work. As a satirical musical, it stands up extremely well, and has many memorable moments to reward the viewer when they see the film again and again. Attenborough himself of course would go on to greater things, culminating in the Oscar-winning Gandhi some 13 years later, but this is an excellent debut, sure of itself and without getting bogged down in cloying sentimentality.

I first saw this film when it came out. I was 10 years old, the Viet Nam war was still going on, and it blew me away completely.

I saw it again 5 years later, in a revival house. I went with a high-school friend, happy to be able to introduce its power and brilliance to someone new. It blew her away completely.

That was 27 years ago, and I would give almost anything to know if the film could still move me as much as it did those first two times. It is not available on video, and I've never seen it broadcast on any TV channel.

This is truly one of those films that burned itself into my memory at first viewing. I urge anyone who finds the chance to see it to run, not walk, to the theatre! The Great War -- the War to End All Wars -- has faded deep into the past for most people, and we forget that the death-toll from that conflict blighted an entire generation. This film makes that loss all too vivid, using the music of the war itself.

Truly a classic, in the most literal sense of the word: a film for the ages.