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6.0/10
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Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.
Hilary Heath
- Lady Elizabeth Markham
- (as Hilary Dwyer)
Featured reviews
We tend to diminish some movies which doesn't fits in ours pre-established concepts, The Oblong Box is one of this case, an exotic picture mixing gothic horror and sorcery from Africa, however has many qualities to overcame a possible low points, the story is about two brothers from British aristocracy Julian Markham (Vincent Price) who maintain imprisoned at your room Edward (Alister Williamson), such fact took place at Africa where they had profitable business, actually Edward fortuitously killed a native child, by this his face was disfigured by voodoo's ritual, at England under order of Julian his lawyer brings from Africa a native sorcerer to try heal his brother, but he was misleading by the greed lawyer, Edward is hit by poison dart, he states as dead and buried alive, but the body snatchers unearth him to sell to Dr. Newhart (Lee) just for scientific purposes, somehow Edward wake up and made an agreement with the Doctor to stay there, in exchange of money to keep his research ongoing, to make his revenge Edward uses a scarlet hood, the producers put a mundane atmosphere on movie as at brothel's house, offering plenty of slight nudity scenes, spicy sequence, further has a twist on final that worthy waiting for, valuable and underrated!!
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.5
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.5
In the end of the Nineteenth Century, the aristocrat Edward Markham (Alister Williamson) is disfigured by sorcery in Africa by the natives. His brother Julian Markham (Vincent Price) brings him back to the Markham Manor in England and keeps him prisoner in the attic. The mad Edward asks his lawyer Trench (Peter Arne) and his partner to bring the African sorcerer N'Galo (Harry Baird) in secret to heal him but Julian does not allow any contact with his brother. Trench and N'Galo simulate the death of Edward to remove him from the attic in a coffin. However, body snatchers bring his body to the unscrupulous Dr. Newhartt (Christopher Lee) for his research. Edward offers a large amount to Dr. Newhartt to stay hidden in his house and wears a crimson hood to hide his face. When Edward goes to the town, his mask brings problem to him and he begins a series of murders. When he finally meets N'Galo, he finds why the natives have deformed him and he seeks revenge.
"The Oblong Box" is a dark horror movie based on a story by Edgar Allan Poe. The screenplay keeps the story interesting until the end and the cast has two icons of the genre - Vincent Price and Christopher Lee. The sets and the atmosphere are stylish and adequate for the story. My vote is seven.
Title (Brazil): Not Available
"The Oblong Box" is a dark horror movie based on a story by Edgar Allan Poe. The screenplay keeps the story interesting until the end and the cast has two icons of the genre - Vincent Price and Christopher Lee. The sets and the atmosphere are stylish and adequate for the story. My vote is seven.
Title (Brazil): Not Available
Sir Julian Markham (Vincent Price) is an aristocrat of the late 19th century that keeps his disturbed brother Edward locked up in a tower of his manor; the man has been disfigured by natives in Africa when blamed for the accidental killing of a child. But Edward manages to escape and seeks revenge against Julian.
Director Gordon Hessler -not a top one at all if you see his filmography- gets a sort of morbid and languid atmosphere and settings that help the picture; but too many turns and items in the plot (voo-doo, madness, revenge, killings, treason, body snatching, romance and else- sort of disperse the focus in the main events -to put it somehow- and the final product comes out just standard.
Vincent Price and Cristopher Lee as a doctor that steals corpses for experiments are at their usual level and in some way save the picture (without them "The Oblong Box" would have been a complete failure).
Perhaps the main flaw is the character of Edward that appears too light for a villain or monster and even lacks impact when his ruined face is shown at the end; in fact you feel sorry for the guy since he's not scary at all.
Fans of Price, Lee and Gothic horror won't probably be disappointed but even then just one watch is enough. You always have the feeling that keeping the basic story and making it much more simpler would have made a good product in the genre; but it didn't come out that way.
Director Gordon Hessler -not a top one at all if you see his filmography- gets a sort of morbid and languid atmosphere and settings that help the picture; but too many turns and items in the plot (voo-doo, madness, revenge, killings, treason, body snatching, romance and else- sort of disperse the focus in the main events -to put it somehow- and the final product comes out just standard.
Vincent Price and Cristopher Lee as a doctor that steals corpses for experiments are at their usual level and in some way save the picture (without them "The Oblong Box" would have been a complete failure).
Perhaps the main flaw is the character of Edward that appears too light for a villain or monster and even lacks impact when his ruined face is shown at the end; in fact you feel sorry for the guy since he's not scary at all.
Fans of Price, Lee and Gothic horror won't probably be disappointed but even then just one watch is enough. You always have the feeling that keeping the basic story and making it much more simpler would have made a good product in the genre; but it didn't come out that way.
This 1969 film heralded the first on-screen teaming of Vincent Price and Christopher Lee - shamefully, they only get one scene together (why couldn't the film-makers of the time put the horror masters together in a film successfully?).
Despite being beseiged by production problems - the writer Lawrence Huntington died shortly after completing the script and the original director, Michael Reeves was replaced by Gordon Hesler, due to his dependence on drugs and suicidal tendencies (he actually committed suicide in February 1969) - the film has a very eerie and atmospheric feel to it.
The plot is guilty of becoming too involved for its own good, but given there is always a general understanding of what is going on, the film does not suffer. Indeed, the period atmosphere is well-maintained and is supplemented by plenty of suspense and shock, not least due to the large content of scenes taking place during nightfall.
We are also cleverly kept guessing as to what Edward Markham's face is really like under the scarlet hood, and since this naturally becomes a preoccupation with the viewer, one is entitled to expect a horrific revelation at the end. It does come and depending on what you pre-judge his face to look like, I was not particularly disappointed!
Vincent Price and Christopher Lee's characterisations are not that pivotal and their performances tend to be just enough to carry the film through - they are really secondary, in a film stolen by Alister Williamson as the revenge killer.
Nevertheless, this film is well-worth a look, mainly due to it's originality and ambition.
Despite being beseiged by production problems - the writer Lawrence Huntington died shortly after completing the script and the original director, Michael Reeves was replaced by Gordon Hesler, due to his dependence on drugs and suicidal tendencies (he actually committed suicide in February 1969) - the film has a very eerie and atmospheric feel to it.
The plot is guilty of becoming too involved for its own good, but given there is always a general understanding of what is going on, the film does not suffer. Indeed, the period atmosphere is well-maintained and is supplemented by plenty of suspense and shock, not least due to the large content of scenes taking place during nightfall.
We are also cleverly kept guessing as to what Edward Markham's face is really like under the scarlet hood, and since this naturally becomes a preoccupation with the viewer, one is entitled to expect a horrific revelation at the end. It does come and depending on what you pre-judge his face to look like, I was not particularly disappointed!
Vincent Price and Christopher Lee's characterisations are not that pivotal and their performances tend to be just enough to carry the film through - they are really secondary, in a film stolen by Alister Williamson as the revenge killer.
Nevertheless, this film is well-worth a look, mainly due to it's originality and ambition.
This movie was rather good, but it had a major flaw. Throughout the movie they hide one character's face. You know he is disfigured and considering how the people act when they see it you know it must be bad. I was expecting something like I saw in the movie "The Projected Man" (bad movie, but they did a good job with the face). Then finally when you see the face at the end, I wasn't all that impressed. The guy was not all that disfigured. However, I did enjoy how the movie played out as Vincent Price was good as was Christopher Lee. Though I find the opening credits funny when they say Lee is the guest star. How do you have a guest star in a movie? You are never quite sure where the movie is going at times and there are some twists and turns. In the end I had very little pity for the messed up brother, rather I felt sorry for Price's character that had done something wrong, but he had regret over it. The murders could have been done a bit better as they usually involved throats being slit and this did not look to good. For the most part it looked liked the killer was wiping blood on the people's neck. There is a rather interesting scene involving a brothel. Lots of cleavage and even a bare breast or two if you like that sort of thing. Overall I enjoyed it.
Did you know
- TriviaThis film was banned in Texas during its theatrical release.
- GoofsWhen Sir Edward murders Heidi the prostitute, the special effects knife clearly sprays blood onto the actresses' neck well before it actually touches her.
- Quotes
Dr Neuhart: I might find myself buying your pretty little body one day for a guinea or two.
- Alternate versionsThe MGM DVD is the complete uncut version running 96m. Previous USA VHS releases were only 94m whilst the old UK VHS was trimmed further to 91m (87m in pal). The UK VHS was missing:
- about 1m out of the pre-credits sequence (various small trims)
- a scene in which Vincent Price and Hilary Dwyer walk in a garden talking about Africa
- The murders of Carl Rigg and Uta Levka were abridged
- Ute Levka's brief nude shots were missing
- a short scene in which Christopher Lee administers a tonic to a patient was removed. The USA VHS restored some of this missing footage but Levka nudity was still missing, her death was slightly abridged and the short Lee scene was missing. The 2008 Optimum DVD features the full uncut version.
- ConnectionsFeatured in Nightwatch Presents Edgar Allan Poe: The Oblong Box (1973)
Details
Box office
- Budget
- £70,000 (estimated)
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