Le Trône de feu

As said, I just witnessed the full uncut version of the Bloody Judge. Like you could see IMDb never made notice of this version so I thought it must be wrong on the DVD but no, it clocked in at exactly 103 minutes. It's English spoken until the extra minutes appear, they are in German but the subtitles stays intact. The extra minutes are no more then a torture scene with full nudity, the others include all nudity with a love scene between the bloody judge and the witch, the last extra is a lesbian scene in the torture room with frontal bush nudity. Thinking of the year it was made, 1970, it was normal that it was cut out. Anyway, the storyline does refer to the real history but the movie is way too long. There is a lot of blah blah and the torture scenes are really laughable. You only see blood but it never runs or you never see cuts made by the executioner. A shame, could have done better by Franco. The performances are really good but the suspense isn't there due the lack of storyline, they really refer to much to history. It is nice to see how they made you say you are a witch. There are better witch hunt movies out there, I guess would Lee never appeared in it it would be a forgotten flick. It's not for the geeks of horror, just one of the Jess Franco flicks with the usual T&A features. It's available in his 103 minutes in Belgium with the German pieces in it, judge it for yourselves

First of all, "Night Of The Blood Monster", is a stupid and misleading title. "Bloody Judge" is exactly what the excellent Christopher Lee portraits in this big budget (yeah, Jess Franco with money!?!) witch hunting flick. The plot is almost the same as "Mark Of The Devil" and "Witchfinder General", also from that period. It's beautifully shot and filled with impressive battle scenes and lots of politics (based on a true story!). If you see the uncut LBX version you'll get a sleaze-o-rama of torture, nudity, whipping etc. Franco regular Howard Vernon is over-the-top as the chief torturer (made me think of Marty Feldman in "Young Frankenstein"!). Franco and Lee should be proud of this film, think of that when you're watching Franco-bombs like "Golden Temple Amazons" and "Man Hunter". Vintage Euro-horror at it's best!

This film is an unique thing. Being possibly the best of B-category Franco's movies, this one is very hard to find in Russia. And I guess only Franco's true fans and the lovers of the costume movies (like me)really have any reason to search for it.

Nevertheless, this film could be worse if not Christopher Lee. The man destined to play fantastic villains all his life now was playing a real historic villain (was the real Judge Jeffreys a villain? I think not but Jess Franco used another version). But Lee was ready to play in a HISTORIC movie, and instead of it he was to perform a horror show. Although his performance in this role was a very good one, he was disappointed and detested and told later he doesn't want any credits for this film.

There are some very rough mistakes (or special changes) in the movie: 1) The date is missed. The year 1685 was the real time of Monmouth rebellion, but the events destroying James II' and Jeffreys' power, has happened only 4 years later, in 1688-89, and called "Glorious Revolution". 2) Sir George Jeffreys really has died in the Tower of London - but of stone, not of a heart-attack as it's shown. 3) Jeffreys, how good or bad he was, has never been neither womanizer nor witch-hunter. Moreover he did all he could to prevent death sentences to alleged witches. And there was nothing to suggest that he had a mistress or used the arrested women for his lust. It is nothing but a profanation. 4) There were NO witch hunt in later 1680's in England. Even the few who was charged were mostly acquitted. The horrible things shown in film as Ketch's work were used normally in Scotland, not England.

O.K., it's no Witchfinder General (but then again, what is?), but Jess Franco's The Bloody Judge is a well-written, well-acted, well-made historical-horror hybrid in the tradition of it's obvious model, Rowland V. Lee's The Tower of London. Franco stalwart Howard Vernon delivers a delicious homage to Karloff's Mord the Executioner from that film, and Christopher Lee is excellent, if somewhat insecurely emphatic and earnest, as the cruel, narrow, and hypocritical Judge Jeffries. The score, by Bruno Nicolai, is majestic and memorable, and the film as a whole is vividly entertaining. Having seen this film over 25 years ago, on television, heavily edited, under the title Night of the Blood Monster, I was amazed at how much of it had lain dormant in my memory, ready to be jostled into consciousness. Whole scenes played out in my mind as I re-watched them on my wide screen TV.

There are a few people, including the otherwise estimable Glenn Erickson, of the hugely insightful and informative DVD Savant site, who have claimed, based on the evidence of this film, that Jess Franco could not have "directed" the legendary Battle of Shrewsbury in Orson Welles' Chimes at Midnight. First, lets get a few facts straight. It is well documented that Franco shot the second unit on Chimes at Midnight, which included much of the battle scene. This means that Franco shot a lot of coverage of the battle, working from a general outline given by Welles. Later, Welles took the miles of footage into the editing room and, many months later, emerged with the shattering sequence that appears in his picture. Franco, obviously, had nothing to do with this editing process, and, as far as I can tell, has never claimed otherwise. To compare the battle scene in The Bloody Judge with Welles' magnificent achievement is grotesquely unfair, as I am sure that Franco was allowed minutes rather than months to assemble The Bloody Judge for exhibition. Given the strictures under which he was working, Franco, his cast, and his collaborators should be commended for having produced a film with such a high level of professionalism. Welles, that most populist of auteurs, who once stated that he would rather watch paint dry than sit through an Antonioni film, and who responded to energy, verve, iconoclasm, and enthusiasm, had seen and appreciated those qualities an early Franco effort, which eventually led to the offer to work on Chimes. If Franco was good enough for Welles, he should be good enough for us. The two are closer than you think...

This is actually one of Jess Franco's better films; a relatively high budget goes a long way in creating some authentic locations and costumes in this historical drama. The film is also refreshingly free (well, not totally) of the pointless zoom shots of which Franco was so proud. The original title was NIGHT OF THE BLOOD MONSTER, but as there are no monsters involved, it seems to bear little relation to the film and THE BLOODY JUDGE is indeed far more apt. Christopher Lee plays the cruel judge who has blood on his hands as he finds all suspected witches guilty and sends them to be burnt alive.

The film is very similar storyline to WITCHFINDER GENERAL, an obvious influence, as well as MARK OF THE DEVIL. The film has a lot going in its favour, but ultimately it fails to be a masterpiece due to the confusing editing and disjointed feel to the whole thing. While the threadbare plot is nothing new, it gives ample opportunity for Franco to delight in what he likes best: naked women, and plenty of torture scenes, including a woman being whipped and (the most wince-inducing) a bloodied woman stretched on the rack.

Christopher Lee gives a tour-de-force performance in the title role and he's perfectly cast as the cruel, tyrannical lawman. His portrayal of the corrupt and seemingly powerful leader who is plagued by inner demons is an insightful one. Lee is surrounded by some top Euro crumpet, indeed Franco fills out the cast with lots of beautiful women who get variously tortured and murdered. Franco favourite Howard Vernon enjoys himself as an executioner.

Those who enjoyed the aforementioned classic with Vincent Price will be sure to delight in this very similar film. Attention to detail is surprisingly thorough, and the costumes and sets are brilliant. Without the grisly torture sequences the film would be an interesting, engaging historical story of a barbaric time in Britain, but with them, it becomes an accurate portrayal of the violent and perverse state that the country was in. Worth seeing for Lee's memorable performance alone, this may not be a very good film, but it's definitely better than you might have come to expect from exploitation king Franco.