A professor of cybernetics comes to believe that his dead daughter is communicating with him from the netherworld.A professor of cybernetics comes to believe that his dead daughter is communicating with him from the netherworld.A professor of cybernetics comes to believe that his dead daughter is communicating with him from the netherworld.
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That is what everyone seems to say that I know. We even brought it up at my 30th class reunion! I remember watching it (10 yrs old) and being petrified! But it's all relative. What was scary back then might be cheesy now. But I sure would love to see it again! I found a site called movielead.com that claims to have it but you have to write a request and leave your email, and someone will get back to you. Anyone ever hear of that site and if they are legit? Thank you to all who critiqued it and gave it high ratings. I think the Baby Boomer crowd appreciates this kind of stuff far more than the younger ones. Made for TV movies are sometimes the best, but the hardest to get a copy of!
Scientist Ray Milland believes he's seeing and speaking to his late young daughter in "Daughter of the Mind," also starring Gene Tierney and Don Murray.
I suspect this was a pilot for a series on psychic phenomenon that was to star Murray; hence the "guest starring" credits for Tierney and Milland.
This is an intriguing drama. Milland is a scientist involved in sensitive government work, and our side is convinced that the messages he's getting from his daughter to quit what he's doing - bringing into play the possibility of defection - are a conjurer's trick by the other side.
George MacCready, who plays Murray's boss, asks him to investigate. There are some sticking points for Murray. He sees the girl's image, he hears her voice - and then, during a séance, a wax replica of her hand appears in water, with verifiable fingerprints yet!
If these things aren't true, how are they being accomplished? John Carradine, who plays an expert in the field of séances and mediums, advises him, "You're going about it the wrong way. Don't ask if it was a trick. Ask yourself, if you were going to do it, how would you?"
Gene Tierney plays Milland's wife. 1969 was the last year she worked with the exception of one appearance in 1980. Though not Laura any longer, the blue eyes are beautiful and vibrant, her smile is lovely, and though illness has taken its toll, she is still beautiful.
Ray Milland is fine as the devastated father though his bad hairpiece is distracting. He lost his hair after a permanent he received for "Reap the Wild Wind," and eventually embraced baldness.
Pamelyn Ferdin, a popular child actress of the day, plays the daughter. All in all, a very interesting story.
I suspect this was a pilot for a series on psychic phenomenon that was to star Murray; hence the "guest starring" credits for Tierney and Milland.
This is an intriguing drama. Milland is a scientist involved in sensitive government work, and our side is convinced that the messages he's getting from his daughter to quit what he's doing - bringing into play the possibility of defection - are a conjurer's trick by the other side.
George MacCready, who plays Murray's boss, asks him to investigate. There are some sticking points for Murray. He sees the girl's image, he hears her voice - and then, during a séance, a wax replica of her hand appears in water, with verifiable fingerprints yet!
If these things aren't true, how are they being accomplished? John Carradine, who plays an expert in the field of séances and mediums, advises him, "You're going about it the wrong way. Don't ask if it was a trick. Ask yourself, if you were going to do it, how would you?"
Gene Tierney plays Milland's wife. 1969 was the last year she worked with the exception of one appearance in 1980. Though not Laura any longer, the blue eyes are beautiful and vibrant, her smile is lovely, and though illness has taken its toll, she is still beautiful.
Ray Milland is fine as the devastated father though his bad hairpiece is distracting. He lost his hair after a permanent he received for "Reap the Wild Wind," and eventually embraced baldness.
Pamelyn Ferdin, a popular child actress of the day, plays the daughter. All in all, a very interesting story.
I had read the book, "The Hand of Mary Constable" in my dad's Reader's Digest Condensed Books, so I was thrilled when I saw that it was going to be a Movie of the Week.
Unfortunately, it didn't live up to the book, as is frequently the case. In particular, the technology supposedly employed by the hero (which was actually the protagonist's name in the book, Alexander Hero) was ridiculously inadequate.
The book had a real downbeat Cold War mood to it and was a highly effective and timely thriller. I first heard the term "cybernetics" there.
Much later, I read the uncondensed version of the book, and though it had a lot more sex (not at all a deterrent), it wasn't as propulsive as the condensed version.
Unfortunately, it didn't live up to the book, as is frequently the case. In particular, the technology supposedly employed by the hero (which was actually the protagonist's name in the book, Alexander Hero) was ridiculously inadequate.
The book had a real downbeat Cold War mood to it and was a highly effective and timely thriller. I first heard the term "cybernetics" there.
Much later, I read the uncondensed version of the book, and though it had a lot more sex (not at all a deterrent), it wasn't as propulsive as the condensed version.
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed and Produced by Walter Grauman, for 20th Century-Fox TV, broadcast by ABC-TV. Screenplay by Luther Davis, based on Paul Gallico's novel; Photography by Jack Woolf; Edited by Michael Economou; Music by Robert Drasnin. Starring: Ray Milland, Don Murray, Gene Tierney, Barbara Dana, Ed Asner, Pamela Ferdin, George Macready, John Carradine, William Beckley, Ivor Barry, Virginia Christine, Cecile Ozorio and Frank Maxwell.
Stylish Grauman direction sets this above the run-of-the-mill made for TV horror opuses. Key scientist Milland is subjected to a "daughter back from the dead" supernatural hoax to convince him to defect -his gullibility to psychic suggestion is a most unlikely plot device. Carradine gives a fine cameo as an old-time magician and expert on spiritualist faking. Film ends with an old-fashioned touch: after the hoax is definitively exposed and the film is resolved, Ray hears the voice of his dead daughter saying "Don't forget me" as he gazes at his wife's sculpture of the child.
Stylish Grauman direction sets this above the run-of-the-mill made for TV horror opuses. Key scientist Milland is subjected to a "daughter back from the dead" supernatural hoax to convince him to defect -his gullibility to psychic suggestion is a most unlikely plot device. Carradine gives a fine cameo as an old-time magician and expert on spiritualist faking. Film ends with an old-fashioned touch: after the hoax is definitively exposed and the film is resolved, Ray hears the voice of his dead daughter saying "Don't forget me" as he gazes at his wife's sculpture of the child.
I just came across this old TV movie of the week and after reviewing other reviews, it seems we all experienced the same thing in seeing this movie - we were all young when we first saw it, vividly remember the hand in the fishbowl and recall "daddy, daddy, daddy...." Whoever said films don't leave an impact?
Did you know
- TriviaThis sole TV-movie credit for Gene Tierney..
- Quotes
Mary Constable: [wailing, as she vanishes] Oh, Daddy... I *hate* being dead!
- Alternate versionsOriginal broadcast version was 73 minutes long.
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- Fruto de la imaginación
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- Runtime1 hour 30 minutes
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- 1.33 : 1
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