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In honor of the release of Christopher Golden's Joe Golem and the Drowning City in limited edition hardcover on October 3 and Baltimore: The Play, his collaboration with Mike Mignola, on November 21, Dark Horse editor Scott Allie interviewed the award-winning author for us.

Topics covered in the interview include Golden's interpretation of the term "dark fantasy," his upcoming project with True Blood author Charlaine Harris, vampires in our current culture, his influences, the scariest thing he's written, and Lots more. Check it out below, and look for more guest blogs from Scott Allie over the coming weeks.

Scott Allie: Can you explain “dark fantasy” to me?

Christopher Golden: The easy approach would be to say it's a merger of horror and fantasy, but that's not always true. For me, dark fantasy is fantasy in which nasty things happen. For people who've read my original novels, dark fantasy would be easy to recognize.

The unstoppable philistine known as Death claims another Trailers From Hell patron saint.

Horror legend Jimmy Sangster has died, which should — in your exploration of genre classics (or just watching through the numerous trailers for films that feature his name) — mean something to you. If it doesn’t, Tim Lucas has an all-encompassing reminder of why it should:

After his first screenwriting credit (Joseph Losey’s A Man On The Beach, 1955), Sangster’s list of screenplay credentials form an impressive overview of Britain’s contribution to fantastic cinema over four decades:

X – The Unknown (1956), Blood Of The Vampire (1958), The Mummy (1959), The Man Who Could Cheat Death (1959), The Hellfire Club (1959), Jack The Ripper (1960), The Terror Of The Tongs (1960), Taste Of Fear (aka Scream Of Fear, 1961), The Pirates Of Blood River (1961), Maniac (1963), Paranoiac (1963), Hysteria (1964), The Devil-ship Pirates (1964), The Nanny (1965, his personal favorite), the Bulldog Drummond adventure Deadlier Than The Male (1967), The Anniversary...