Matt Stevens is the big man at high school. He sweats the students for protection money, acquires copies of tests for a fee, and has rigged the votes so he can beat Kelly in the election for... Read allMatt Stevens is the big man at high school. He sweats the students for protection money, acquires copies of tests for a fee, and has rigged the votes so he can beat Kelly in the election for student president.Matt Stevens is the big man at high school. He sweats the students for protection money, acquires copies of tests for a fee, and has rigged the votes so he can beat Kelly in the election for student president.
Featured reviews
High School Caesar (1960)
* 1/2 (out of 4)
A bully fixes a vote so that he can be elected Class President where he then plans on stealing even more money from students. Here's another drive-in era teen flick that tries to tell a message but even at just over 60-minutes this thing drags along. No camp value whatsoever and not bad enough to get any laughs. Just plain dull.
High School Big Shot (1959)
** (out of 4)
Drive-in era drama about a nerdy teen who gets his shot at the big time when he hears about a million dollar drop off. If you're a fan of these teenage "B" films of the 50s then this here is certainly one of the better ones but we're certainly a long way off from Rebel Without a Cause. The film runs out of steam around the fifty minute mark but the bad acting leads to some nice laughs.
Date Bait (1960)
* (out of 4)
Romeo and Juliet type story of a rich girl who falls for a poor kid. Her father is against them dating as is her ex-boyfriend who just happens to be crazy and has a gangster for an older brother. Bad acting, bad direction and a bad script make for a pretty bad film that feels five times longer than it actually is. The title song is a real hoot however.
* 1/2 (out of 4)
A bully fixes a vote so that he can be elected Class President where he then plans on stealing even more money from students. Here's another drive-in era teen flick that tries to tell a message but even at just over 60-minutes this thing drags along. No camp value whatsoever and not bad enough to get any laughs. Just plain dull.
High School Big Shot (1959)
** (out of 4)
Drive-in era drama about a nerdy teen who gets his shot at the big time when he hears about a million dollar drop off. If you're a fan of these teenage "B" films of the 50s then this here is certainly one of the better ones but we're certainly a long way off from Rebel Without a Cause. The film runs out of steam around the fifty minute mark but the bad acting leads to some nice laughs.
Date Bait (1960)
* (out of 4)
Romeo and Juliet type story of a rich girl who falls for a poor kid. Her father is against them dating as is her ex-boyfriend who just happens to be crazy and has a gangster for an older brother. Bad acting, bad direction and a bad script make for a pretty bad film that feels five times longer than it actually is. The title song is a real hoot however.
Girls in flared skirts, high school hops, big-finned cars and road races, so what else can geezer refugees from the 50's ask for. Okay, maybe the jd's don't look so tough throwing their weight around, but this is a middle-west, middle-class town, not Big City. Seems teen Ashley runs his classmates like a minor Al Capone. He's got his gang he keeps in line with threats and payoffs. Money comes in from test copies for sale, fees paid to the hops, and other services and shakedowns. Note that there's no mention of drugs or even alcohol among the teens, likely a Production Code result. Trouble is our teen Caesar's dedicated to a gold coin Dad gave him, and that leaves an ironical trail.
It's a well-crafted drive-in flick, but nothing memorable. Fortunately, Ashley mimics a high school hoodlum as well any Hollywood pretty boy could. For action, there's some knuckle bashing and pushing around. Too bad, however, the hop dancing is so modest- no swirling skirts or flashing legs, darn it. Then there're some not very convincing road races, maybe because of careless editing. Surprisingly, filming was done on location in Missouri; too bad we don't see more of the local neighborhoods. That would be an interesting non-Hollywood glimpse.
(In passing-- I just finished actor Steve Stevens' reminiscence on his acting years. In the movie he plays Cricket, Ashley's compliant go-fer. In the book, Stevens surprisingly describes having been a part-time go-fer for notorious LA gangster Mickey Cohen! Which I guess proves that old adage about truth being stranger than fiction.)
Anyway, the movie's a decent time-passer for 50's geezers like me, and maybe even those younger folks interested in seeing power plays among the well-scrubbed.
It's a well-crafted drive-in flick, but nothing memorable. Fortunately, Ashley mimics a high school hoodlum as well any Hollywood pretty boy could. For action, there's some knuckle bashing and pushing around. Too bad, however, the hop dancing is so modest- no swirling skirts or flashing legs, darn it. Then there're some not very convincing road races, maybe because of careless editing. Surprisingly, filming was done on location in Missouri; too bad we don't see more of the local neighborhoods. That would be an interesting non-Hollywood glimpse.
(In passing-- I just finished actor Steve Stevens' reminiscence on his acting years. In the movie he plays Cricket, Ashley's compliant go-fer. In the book, Stevens surprisingly describes having been a part-time go-fer for notorious LA gangster Mickey Cohen! Which I guess proves that old adage about truth being stranger than fiction.)
Anyway, the movie's a decent time-passer for 50's geezers like me, and maybe even those younger folks interested in seeing power plays among the well-scrubbed.
John Ashland is "Matt", big man on high school campus. of course, he was 26 at the time. and the sound is TERRIBLE! so much echo in the microphones. so cheesy. Matt runs everything in this school, but it seems like much ado about nothing. Kind of feels like a john waters film, without the humor. played so straight, its painful. avoid this one. not worth the time. Written and directed by O'Dale Ireland... is that his real name? he only made a couple films. not much on him anywhere. Produced by marathon pictures, which made four more after this. Showing on "Film Detective" channel.
Usually a big fan of these teenage 50s era flicks, I was not thrilled with this one. It shows the usual 20 something "teenagers" but no one much else is seen in the entire movie. For example, in one scene a phone call is made to the police for help by the owner of the local hangout, but no cops are ever shown in the entire picture. The only good point was the use of real rock n roll music instead of the usual jazz or swing sound which are often heard(incorrectly)as teen dance music of the day.
I watched this movie last night and came away from it a bit disappointed. I definitely do not expect too much from these "teenage gang films" from the late 50's and early 60's but usually they are fun to watch. I found HIGH SCHOOL CAESAR to be short on action which may have taken the fun away. There are some "fun" parts, like the drag/road race but most of the film features a lot of "wooden" dialogue delivered by mainly "wooden" actors which, again, can be fun but not here. Now having said that, I was really taken by and enjoyed the lead performance of John Ashley as Matt Stevens. Ashley, clearly the professional of the cast, delivers a multi-faceted performance which kind of intrigued me. Definitely one of the "cooler" and more "suave" punks you'll come across in this type of film but he is not the low-life, one dimensional, 24/7 always nasty kind of punks you see in these movies. He has another side to him. He has a heart and is a very emotional sort when he is not rigging school elections or shaking down fellow students for protection money. He clearly is troubled and affected by the fact that his parents are never home and spend their time travelling throughout Europe and it was a little strange seeing his fondness for the family maid who he clearly looks at as a surrogate mother while railing on the family butler who he clearly sees as a substitute for his always absent father.
Now, perhaps it's silly to over-analyze a low budget gang film from the era but I found that facet of Ashley's character facinating and his performance even more enjoyable to watch. I thought it was also pretty unique that they would show Ashley as this young, Don Corleone type who holds meetings with his "family" and has payday for his leather jacketed high school "soldiers". I guess it might sound like I enjoyed the film more then I realize but if not for those sequences I mentioned or Ashley's performance, the film would just be a total flop because outside of that, there isn't much. Fans of these types of films may want to check it out, if only to see Ashley's layered performance and perhaps it's a film I should be watching again myself because it does have a pretty good rock and roll score.
Now, perhaps it's silly to over-analyze a low budget gang film from the era but I found that facet of Ashley's character facinating and his performance even more enjoyable to watch. I thought it was also pretty unique that they would show Ashley as this young, Don Corleone type who holds meetings with his "family" and has payday for his leather jacketed high school "soldiers". I guess it might sound like I enjoyed the film more then I realize but if not for those sequences I mentioned or Ashley's performance, the film would just be a total flop because outside of that, there isn't much. Fans of these types of films may want to check it out, if only to see Ashley's layered performance and perhaps it's a film I should be watching again myself because it does have a pretty good rock and roll score.
Did you know
- TriviaDaria Massey receives an "introducing" credit, despite having been in movies for ten years (since 1950).
- GoofsDuring Matt's walk from his car to his birthday party, the otherwise stable camera drops down, then rights itself by the time he reaches the door.
- ConnectionsFeatured in American Grindhouse (2010)
- SoundtracksHigh School Caesar
Music and Lyrics by John Neel and Oscar Nichols
Sung by Reggie Perkins
Recorded on Raynote Records
Details
- Runtime1 hour 15 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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