Horror Hotel

Having not taken much time to watch older movies of this genre, I was pleasantly surprised by how comprehensive the film was.

Black and white photography rarely seems to look this good, and has been one of the things that has turned me off such films before now. The visuals in City Of The Dead are so sharp and foreboding that they serve to accentuate the small town paranoia perfectly.

In terms of the characters, Patricia Jessel as Mrs Newlis and Christopher Lee as Prof Driscoll, are supremely sinister, whilst Venetia Stevenson as Nan Barlow, is hopelessly deserving of the viewers compassion as the witches prey!

I've come to love this film, not just for the sake of the film itself, but because it proved me so wrong in my assumption that most movies of this type/age are dull, it's incredibly watchable and tense.

A more than good b/w horror movie, based on witchcraft and satanism, with a very good cast and definitely a correct atmosphere. A young collegial goes to a small Massachussets town and find a coven of three hundred years old Satan worshippers. Maybe a little dated, but still more than watchable.

Strangers rarely come to Whitewood...and for good reason. For it's inhabited with witches and warlocks...and Christopher Lee! He's absolutely menacing in his role of Professor Driscoll. Horror Hotel (aka: The City of the Dead) is a just an old fashioned horror story, it's even kind of creepy. I think this one is all about the atmosphere; a dark and rickety hotel located in an aging New England town that boasts an excellent use of fog that would make John Carpenter envious. It's something to be seen. Horror Hotel is slightly dated, but not too shabby. After all, "the basis of reality is fairy tales, and the basis of fairy tales is reality"

This movie has everything you would want in an oldie B&W horror movie. Start with Christopher Lee in a typically suave ambiguous role. Add old stories of witchcraft and the dead rising from their graves, naive young girls, creepy men standing randomly on the side of the road, an old priest keeping jealous watch over his ruined church, mist rising from the road, a suspicious hotel landlady (she looks a little like Judith Anderson in Rebecca). This one checks all the boxes and is well acted by all the major characters. Time well worth wasting.

I first saw this movie in the mid 70's late one Saturday night on Sinister Cinema in Portland, OR and it kind of scared the crap out of me. They replayed it about a year later and same thing: It scared the crap out of me. I have now seen it 6 or 7 times over the years including twice in the last few months with the VCI Entertainment version of the dvd.

The movie doesn't scare me like it used to, but it still amazes me how it transports me into it's own world of the fog shrouded town of Whitewood, Massachusetts. The story itself is common enough: A woman (Patricia Jessel) is burned at the stake for witchcraft and she leaves a curse on the people of the town as she is consumed by the flames. Forward 300 years to the present day and we have Nan Barlow (Venetia Stevens) as a self determined college student who decides to write a paper on witchcraft. Her professor, Alan Driscoll (Christopher Lee), gives her directions to the town of Whitewood where 300 years earlier an alleged witch was burned at the stake. She goes to the town and after a few days disappears. Her brother then goes to the hotel where she was last seen, and runs into all kinds obstacles, not the least of which is the innkeeper of the Whitewood Inn, who just happens to look exactly like the witch burned 300 years earlier, and also Christopher Lee who happens to be a long ago resident of Whitewood

There is an old, blind priest who stays in his church despite the fact that he has no congregation. His granddaughter, Betta St. John (Patricia Russell), who seems to not be a witch, and has just returned to the town to take care of her grandfather, runs the local used book and antique store. She had befriended Nan before she disappeared and is now working with her brother, Dennis Lotis (Richard Barlow), to try and find out what happened to Nan.

Of course they run into the witches along they way and there is a showdown of sorts. The strength of this movie is in it's crisp acting and smart script. Especially notable are Patricia Jessel, Christopher Lee and Venitia Stevens. Despite it's low budget, the director, John Llewellyn Moxey, has made an altogether unforgettable film. This ranks right up there with other unique horror movies such as Carnival of Souls (1962), The Wicker Man (1973), The Thing From Another World (1951), and Village of the Damned (1960).

The VCI Entertainment release is just what this movie has needed for years. An excellent transfer at 1.66:1 with two extra minutes of footage added from previous video and dvd releases. There is a commentary by director John Llewellyn Moxey and another separate commentary by Christopher Lee. There are also three interview segments with Lee, Moxey and Venetia Stevenson. Pretty impressive extras for a 40 year old low budget movie.

The commentary by Christopher Lee is interesting in that he has not seen this movie since it came out 41 years earlier. He is watching it with an interviewer from VCI who knows more about what is going on in the movie than Lee does. But Lee's ability to recall information about people and give anecdotal information is unsurpassed. He is literally a walking, talking encyclopedia of info on people he has worked with over the years.

This is one of my prize dvd's and I really cannot recommend it highly enough. The VCI version lists for around $25 but I have seen it cheaper. There are also several basic versions without the extras (or extra footage) of the movie along with another movie on one dvd. Most notably the Diamond Entertainment version where it is packaged along with Carnival of Souls for under $10.