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When I started watching this film, I didn't know what to expect. At first it seemed like a slick, empty showcase for Elizabeth Taylor's beauty. However, it gradually turned into an involving (and extremely good-looking) little drama. You may have heard that it is campy; that's not true, although there is an unnecessary little speech by Harvey at the end. It's slickly produced, well-paced, entertaining and has an excellent cast.

As a lad I well remember in 1960 Elizabeth Taylor's struggle for her life with a deadly form of pneumonia. The news which usually when it talked about Liz Taylor it was usually about her various amours. this was different, the whole world was watching the bulletins as they came from London where she was in hospital. It was touch and go, but she made it.

Because she made it, she got an Oscar for Best Actress in 1960 for BUtterfield 8. It was not an award she highly prized. While she was filming BUtterfield 8 she cracked to the press loud and often about what a trashy film it was. She did it because she had only one more film to do on her commitment to MGM and MGM had this property kicking around for decades.

BUtterfield 8 was a novel by John O'Hara about a high priced call girl named Gloria Wandrous. It was based on the infamous Starr Faithful who was killed in 1931 and had a black book of some very influential clients.

Though it was written in 1935 the film is updated to the present. Taylor has a tempestuous relationship with her number one client played by Lawrence Harvey. He's the problem with the film. He's basically a cad, so much of one that one wonders what Taylor saw in him other than a successful social marriage. She certainly has some twisted values and finds that out too late.

Taylor got Eddie Fisher cast in the film as her friend. This was Fisher's second attempt at a movie career and there were no further offers from Hollywood for his services. As an actor he was a dud, Taylor says he doubled in that department as husband. She was quoted as saying that while she could think of good qualities in most of the men she was involved with, she couldn't for the life of her understand why she married Eddie Fisher.

But more than that, to me it was obvious that Fisher's character is gay, despite him having a girl friend played by Susan Oliver. Back then that was one area Hollywood didn't go into.

So Liz got her Oscar at last more for her courageous battle with pneumonia than her performance. She sure did better work. Her second Oscar for Who's Afraid of Virginia Woolf was one she really felt she earned. She was not on screen again until 1963 when Cleopatra was released. And that's a whole other chapter in the Elizabeth Taylor saga.

John O'Hara's novel was way ahead of its time. Daniel Mann's "Butterfield 8" was a film that capitalized on the lurid aspects of the book, but actually was turned into a soap opera. By today's standards it looks kind of ridiculous, but of course, it was meant to reflect the period of the late fifties in which the action is set.

Elizabeth Taylor was at the height of her beauty when the movie was shot. She comes out as the gorgeous creature she was in this vehicle that won her the Oscar that she should have received for other films, notably "Suddenly, Last Summer".

The film will entertain whoever hasn't seen it before. It's obvious Ms. Taylor and her co-star, Lawrence Harvey, had no chemistry whatsoever, as it shows in the film. What was shocking then wouldn't raise an eyebrow now. In the supporting cast, Mildred Dunnock, Betty Field, Dina Merrill give good performances.

Watch this film as curiosity piece to see some of the New York of that era.

... and just a few years away from the production code being dumped altogether it seems like a demonstration of what was the worst about the code years combined with films in the 60s trying to use what shock value they could get away with, and today , overall, it just looks cheesy.

In most summaries of this film I see Elizabeth Taylor's character, Gloria, described as a call girl. I never really see that happening. Instead Gloria just seems to like sex a lot. As in lots of sex with lots of men. Maybe to come out and say that when the goal of all women was still supposed to be having dishpan hands was going too far.

Gloria wakes up one morning in the apartment of wealthy but married playboy Weston Liggitt (Laurence Harvey), with him having left behind a note with $250 asking "Is this enough". She writes "no sale" in the mirror and takes a mink coat she finds in the closet - only to teach the guy a lesson for assuming she is for sale, but as they get more involved and do so immediately, she forgets all about that coat, and that causes a huge misunderstanding down the line.

The title comes from Gloria's answering service which is "Butterfield 8", and it is the subject of some - today - howlingly unintentionally funny scenes as Liggitt pleads with these people to find Gloria, curses at these people because they don't know where Gloria is, thanks them when they do find her. Gee, fellow, these are just operators eking out a living. They don't know their clients and they don't know you!

With Liz' husband at the time, Eddie Fisher, as a musician who has been Gloria's platonic friend since childhood and who also has a jealous girlfriend who oddly enough looks like Debbie Reynolds. There are some great location shots on the road between New York and Boston with the little independent diners and hotels that once dotted that landscape. I'd mildly recommend it.

An aside - Jeffrey Lynn, once strangely promoted as a romantic leading man over at Warner Brothers just before WWII, does a good job in a small role as Liggitt's friend.

Two beautiful unhappy people from opposite ends of Eisenhower era America are drawn together by an obsessive love that ends in tragic consequences. Elizabeth Taylor won a Best Actress Oscar (after much better performances in earlier pictures such as `Cat On A Hot Tin Roof') for her portrayal of (shock!) call-girl Gloria Wandrous. Laurence Harvey plays the john, Weston Liggett, trapped in a stale marriage with his stoic wife Emily (Dina Merrill, perfect as a blue-blooded blonde heiress).

Complementing the moody performances of Liz and Laurence Harvey are an excellent Eddie Fisher as Gloria's long-suffering best friend and greatest admirer Steve, Mildred Dunnock as poor Mrs. Wandrous, in complete denial of her daughter's easy virtue, Betty Field as nosy neighbor Mrs. Fanny Barber, and many others including Kay Medford as tragicomic motel matron, Happy.

Lurking behind the scenes of `Butterfield 8' are some very grown up issues (particularly for its day) about infidelity, high class prostitution, childhood sexual abuse, and the meaning of true commitment. The dialogue by John Michael Hayes (`Peyton Place,' `To Catch A Thief,' and `Rear Window", among many credits) and Charles Schnee, is punchy and quick, and the movie glows with luscious cinematography from Hollywood veteran Joseph Ruttenberg, who got an Academy Award nomination for his efforts (he had previously won four Oscars dating back to 1938).

Although somewhat dated, it remains a thoughtful film (if you pay attention) and a visual treat for any Liz fan. Worth watching!