L'enfer du Viêt-Nam

FGTH is shown on the Fox Movie Channel quite often. It's a riveting movie set in 1950 Vietnam that will keep your interest until the very end. Written and directed by James Clavell, it's the story of eight Red Cross nurses and two doctors who are captured by Vietnamese bandits and taken to the jungle castle of warlord Chin Pmok. There, they must treat and keep alive the gravely ill grandfather of the warlord leader. Eventually, they make a break for freedom and must learn to use hand grenades and M-3 "grease guns" in order to stay alive.

The acting is first rate. Neville Brand was an odd choice to play Chin Pmok, but he pulls it off well and is quite believable. He makes Chin Pmok a brutal killer, but also a man who has a sense of honor and a softer side.

Dolores Michaels strikes the right note as Athena Roberts. Athena tries to repress her love for Dr. Richter, and in doing so, often appears emotionless, but she can turn on the fire when necessary.

Patricia Owens was perfectly cast as the hard-edged but pragmatic Joy Brooks. The press book for FGTH mentions the scenes where the women are selected by individual soldiers for sex. Patricia told Director Clavell that she was going to give the soldier who selected her "the look." In that closeup scene of Patricia, she definitely gives him "the look" and shows that she knew how to seduce a man just by using her eyes. That scene alone makes the FGTH worth watching. An excellent piece of acting by Patricia Owens.

Nancy Kulp was born to play Susette, the head of the nurses. Irish McCalla was originally cast as Greta, but wound up with the much smaller role of Sister Magdalena. Gerry Gaylor as Greta was very good. Shirley Knight, Nobu McCarthy, Linda Wong, and Greta Chi (in her first ever role before the camera) are all quite convincing. Ken Scott and John Morley provide good support as the two doctors who are sworn to save lives, but now find they must take them in order to stay alive.

Try to catch FGTH on The Fox Movie Channel if you haven't seen it yet. It's also available on DVD and can be found on Amazon and eBay. It's a good film to have in your collection.

I first saw it very early (about 1970), and didn't see it again (as far as I know) until just a few years ago, but somehow the general idea of it always stayed with me. There have been many movies, I think, about women guerrilla fighters, but as far as I know, they usually do it for patriotic reasons. These women were doing it partly to stay alive and partly to get even, which gave it a different "feel", along with the fact that they were NURSES turned guerrilla fighters. Because of this, in the back of my mind, I always think of it as an exploitation film (the kind about "girl gangs" and so on). Which are fine with me, but it isn't one. It also isn't a "yellow peril" story, or really any kind of propaganda film (for France or any other country being in Vietnam). And where else can you see Nancy Kulp (Miss Hathaway) holding a hand grenade? (Unless maybe in some broad comedy routine.) And in how many other films (until a few years later) would you see a nun firing a machine gun? (Even though she did it very briefly.) And I know that people either laugh or get mad when they see an Asian (or in this case Eurasian) character played by a Western actor, but Neville Brand was very good in the part (again, he wasn't a "yellow peril" villain and nothing else). It isn't a perfect movie, but I think it mainly works.

Nancy Kulp is comedic genius in this role. Otherwise just a story of attractive women in danger. This film is not to be taken serious but for camp value.

I haven't seen this film since the early seventies, and I can remember it being a shocker to my teenage sensibilities. ( I think I had just been allowed to wear white lipstick, shades of Yardley!) But it held my attention, and I can remember seeing Nancy Culp (Yikes, Miss Jane, what are you doing with a grenade?) in a role 180 degrees from the office of the Commerce Bank and Mr. Drysdale. I remember the role of the nun being virtuous, but stoic in the face of war, and that Neville Brand was riveting as the main character.

I wish this were available on DVD. The writing and the story were gripping, and Clavell never disappoints...

So what do you have to "get over" to like this movie? The fact that standing sets and one American are used to be Vietnam. Those are small faults in a tightly put together potential exploitation film that instead manages to actually be dramatic and yes it's nasty in a war that's realistic to war in general and Vietnam in particular.

Due to a fast pace and tight dialogue this one won me over very quickly. It's well acted and there are things you won't see coming. The faith elements--both of the nuns and the doctors--are changed and broken realistically.

Unlike other Vietnam films--those made while the war was still being fought--this one presents the war in a way that time has supported, not torn down. There is no flag waving here. Also given good context and excitement to it all is a good musical score by Paul Dunlap.

James Clavell--as he proved with his novel turned movie KING RAT and with his later last film as director, THE LAST VALLEY, doesn't shy away from rape and death and nastiness in war but manages to make it about characters and drama not cheap exploitation. Which isn't to say that fans of just that wouldn't find this enjoyable and maybe even a little bit educational as well.

It's a good movie with limited production values--but makes the most of itself.