Le Sous-marin atomique

It's all here; the flying saucer, atomic submarines, overbearing narration, stock footage, terrible effects and cheap sets. This is B movie writ large. It has an interesting premise, no doubt about it, and must have been a real draw back in 1959. Unfortunately, the rest of the components of the movie doesn't come close to delivering on it.

The story is simple enough, the newest atom sub investigates terrible disasters befalling ships and subs in the arctic, only to discover it may well be an alien intelligence at work. We get lots of bombastic narration, a sure sign of a poor screenplay, and it's slapped over lots of stock footage of several submarines which in no way resemble the models or sets. The model work is uncommonly poor, probably due to the difficulty of simulating underwater and under ice vistas on a budget smaller than a kids allowance. It's charming and interesting to look at, but still poor and never conveys any real scale.

As for the acting and script, we have several faces familiar to 50's B movie fans, and they do what they can with a sub par script. The supposed conflict between the 'hero' and the son of his mentor is so forced that you wonder why no one just slaps him or sacks him on the spot. They actually look a little embarrassed delivering the lines. The sets are pretty sparse too, both in looks and number. You could count the locations on one hand, not including the fish tank used for the special effects, with the UFO being particularly minimalist. The scene with the young guy piloting the mini sub in particular stands out as there are no controls for him to work, so he plays with a graph pen while 4 guys in frogmen gear stand around watching him struggle to improvise.

All things considered it's no classic, but that won't stop genre fans watching it to the end. It's a bit slow and a bit rubbish, but it's heart is in the right place and you want to like it despite it's flaws. Go see it for free at the Internet archives and see for yourself.

Yet another interesting, small-budget, black-and-white thriller gem from the 1950s. These pictures are being continually (and successfully) released to DVD, much more than the genre films from the 1960s through 1990s. Why? In these post Atomic, Cold War years, imagination ran rampant with so many new ideas that were fresh and innovative. They're charming in their antiquated way. Using inexpensive special effects, with a generally serviceable, attractive cast working with scripts that moved the action along, these sci-fi drama infused sex (tame for the time) and violence with effective results. "Atomic Submarine" tells the story of an alien spacecraft destroying subs in the Arctic. When Arthur Franz finally meets the creature, a giant cyclopean octopus-style thing, it states (via telepathic communication) "We finally meet face to face. Franz replies: "That's a face?" Later Franz relates to extraordinarily handsome hunk Brett Halsey, that he left his little black book on the alien spacecraft, which included the number of buxom blonde (Joi Lansing) that he had a rendezvous with earlier. Most enjoyable.

Following a series of attacks on cargo ships and, most notably, nuclear submarine's, the Pentagon send their best ship, The Tigershark, to investigate. On board is Lieutenant Commander 'Reef' Holloway (Arthur Franz) and noted scientist Sir Ian Hunt (Tom Conway), who after examining the previous incidents and eye-witness statements, soon form the belief that they are dealing with some kind of underwater alien craft. Holloway's attack-first-ask- questions-later approach puts him at loggerheads with young pacifist Dr. Neilson, Jr. (Brett Halsey), the son of a revered scientist. They soon discover their speedy enemy, and Holloway finds himself confronted by a one-eyed monster intent on world domination.

There is a lot to criticise about The Atomic Submarine, regardless of the obvious budget limitations and drive-in aspirations. Sci-fi movies from the 1950's and 60's manufacture most of their charm from bad special effects and clunky dialogue, but The Atomic Submarine looks particularly ropey, with miniature toys and a fish-bowl filling-in for apparently state-of-the-art aquatic engineering and the great blue yonder. The first two-thirds of the film is extremely talky, which would be fine if not for the characters being little more than B- movie archetypes, either puffing their chest with patriotic defiance or providing some light comic relief.

Yet the climax, which sees a lot of the crew massacred by the drooling extra-terrestrial (voiced by John Hilliard), proves worth the wait. It's certainly formulaic, but it's full of wobbly, retro sets and a genuinely creepy score by Alexander Laszlo, key aspects in what makes these films so fun to watch. The face-off between Holloway and the spaceman also contains some unintentionally hilarious dialogue. "At last Commander, we meet as your people say... face to face!" says the alien. "That's a face?" Holloway replies. The Atomic Submarine is immediately forgettable, best watched late at night when you feel like you're the only person left awake in the world, but this effortlessly likable fluff.

www.the-wrath-of-blog.blogspot.com

What a difference the three years separating ATOMIC SUBMARINE and VOYAGE TO THE BOTTOM OF THE SEA made! Of course, Allen's much larger budget sure helped too. Still, one can see The Tigershark as being the direct parent of The Seaview.

We have an advanced nuclear sub capable of firing missiles or torpedoes and equipped with a secondary submarine. The Seaview originally carried a small fleet of 2-man submersibles but they got eclipsed by the flashier Flying Sub. And of course you have the senior officer, the younger guy who actually handles the action scenes, and a couple onboard scientists just for the heck of it.

The plot itself is pretty much the model for many of the Voyages to the Bottom of the Sea. The hidden mystery at the heart of an otherwise normal mission, the unexpected monster.... Yeah, this could have been a VOYAGE episode. And in fact, eventually IT WAS! VOYAGE did an episode that adapted ATOMIC SUBMARINE pretty much straight, just changing the sub, the crew names, and a few details (and ditching Joi Lansing's character, alas!).

While ATOMIC SUBMARINE does look frightfully low budget compared to VOYAGE, let alone today's super-bloated budget busters, it works pretty well for a product of its time. And the minimalist, barely illuminated alien saucer interior is surprising effect. I know it creeped me out when I first saw this late one night in '66!

I decided recently to dive into Criterion's collection of films to find some good stuff that I have either wanted to watch for a long time or that I've never heard of. "The Atomic Submarine" fell into the latter category, and I decided to pair it with "Robinson Crusoe on Mars" as a Criterion sci-fi double feature.

I was left wondering what it is about "The Atomic Submarine" that compelled Criterion to select it over the hundred other similar 50s sci-fi movies they could have included. It's not much longer than a single episode of any number of television series, and it looks like it was made for about $5. It's entertaining in that kitschy retro way that films of this genre from this time period always are, but I found myself trying hard and failing to see what was so good about it that it warrants inclusion in a list of culturally significant films.

The most interesting thing about it to me was that it features the brother of George Sanders in a supporting role.

Grade: C