Le Chou-chou du professeur

1958's "Teacher's Pet" is delightful, frothy fun, and probably what got the ball rolling a year later for Doris Day to film a batch of highly popular Universal Studios 'battle of the sex' comedies opposite Rock Hudson, among others. Here she's at odds with manly Clark Gable, in a change-of-pace comedy role.

Gable, in the twilight of his career by this time, is still loaded with sly, roguish charm as he plays a brusque, unrefined, self-taught city editor who, at the behest of his superiors, grudgingly signs up for a night class in Journalism 101, taught by the ever-spunky, no-nonsense Ms. Day. Clark doesn't let Doris in on the fact that he has a life time of experience in journalism, so Doris naturally comes off quite impressed by the "raw talent" of her novice pupil, taking a special interest in sharpening his "promising" skills. The fun really starts when the two start butting heads both professionally and romantically, with the devilish Gable stringing our girl along, while pushing her "virginal" buttons. You know how these things end but who cares? The joy is seeing two consummate pros play off each other.

Gable and Day are surrounded by a highly capable cast, especially (Oscar-nominated) Gig Young, a gifted comedy farceur, breezing through his patented "other man" role with effortless charm and skill. Here he plays Doris' handsome, long-standing beau who appears to be everything the roughhewn Gable isn't...glib, educated, charismatic, polished, impeccably-mannered, highly intellectual, a fabulous dancer, and an expert on practically every subject. Sounds like quite a catch to me! However, he's NOT the lead, so...

Sexpot Mamie Van Doren has a small, knockout role as Clark's platinum-blonde squeeze, a club singer who gets to bump and grind the hell out of a great solo number, "I'm the Girl Who Invented Rock and Roll." Trying to pass the bombshell off as an intellectual herself to impress Doris, the song pretty much says it all about Mamie, much to Clark's chagrin and Doris' delight. Day gets added laughs later when she gets to mimic the song as a sheepish Clark looks on. Others hitching a ride on this merry-go-romp are Nick Adams playing, as always, an earnest rookie, and Marion Ross and Jack Albertson in minor, pre-TV stardom supports.

The pace is brisk, the actors fetching, the comedy fresh and the fun contagious. Clark and Doris, despite their vast age difference, make such a good team you'd swear they had worked together before. Nope, this was their only pairing. So enjoy!

Classy, rapid-fire comedy that combines "His Girl Friday" with any one of the Spencer Tracy/Katharine Hepburn battle-of-the-sexes. The set-up of the plot is rather hoary and contrived (gruff city editor of a New York newspaper--who is so anti-education that he hates the smell of chalk--falls for a journalism teacher), yet the writing and the deft handling are so assured, you can nearly forgive the sitcom devices. The actress at the beginning of the film who begs Clark Gable to fire her son is such a wonderful, believable find that she gets the picture off on just the right note; Gable and teacher Doris Day are lovely together, fighting and flirting and completely at ease in their roles. When Gable finally plants one on DD, she turns away in a huff, only to melt with wobbly knees. It's a fantastic moment in this unjustly forgotten, underrated classic. *** from ****

This sole teaming between jolly blonde Doris Day and charismatic Clark Gable works so well you wish that there had been more opportunities for them to appear on film together. Still, we have to content ourselves with this tale – where newspaper hack Gable goes to night class to learn journalism from Day, the daughter of a leading entrepreneur in the field of ‘real news'.

About five minutes in you know where this story is leading, but it sure is fun seeing it get there. Of great value in the cast is smarmy Gig Young as the perfect writer and the perfect intellectual (and the perfect foil to get on Gable's nerves). You'll also spot Mamie Van Doren, that low-rent version of Marilyn Monroe, as Gable's showgirl cutie in a few scenes.

‘Teacher's Pet' is one of the unsung successes of Doris Day's run of romantic comedies. Go on, treat yourself to an exceptional example of the genre.

Gable and Day make an unusual couple, but this is a clever and cute romance. The film deals with illusion and reality and how the two become mixed. Though not often shown, the film is worth watching. It is one of those minor classics that is too often overlooked.

One of the best comedies ever, which the critics overlooked, of course. There are many witty one-liners:

"Education teaches a man how to spell experience...A psychologist is a person who gives all kinds of advice about matters he knows nothing about...A reporter has to do a lot of sweating before he has the right to perspire...There goes the unpressed gentleman of the press...College is amateurs teaching amateurs how to be amateurs...".

Some scenes are incredibly risqué. Gable bluntly asks Doris "How do you feel about sex?" He repeatedly ogles, grabs and kisses her. Today he would be in trouble for it.

Ah, the good old days of real honest to goodness movie-making! This is a truly priceless comedy. I have seen it five times, and can see it five more times. When the screenplay is good, everyone is inspired. Doris is absolutely brilliant, a genius of timing. This lady is way too underrated. There is NO ONE like her. She even sings the thrilling song to perfection. The plot does have its unintentionally funny aspects: Doris preferring uncouth elderly Gable to dashing and debonaire young intellectual Gig Young - and what's more, Young not minding it!!! The plot would have been better if Gable had been politely rejected. There is an unfortunate tendency in too many movies to assume that even the homeliest and oldest man deserves a young woman, that women over 35 couldn't possibly delight any real man. The movie is also a trifle pedantic and conventional in idolizing college education, as if a degree were all that. There is a serious message to the movie, but one enjoys the comedy more.