L'étoile brisée

This is quite a good, light-hearted little western featuring Audie Murphy as an escaping bank robber who arrives in a town only to be mistaken by the local judge - a feisty Walter Matthau - for a likely candidate for sheriff. When Gia Scala - Murphy's old flame gets off the river boat she almost lands him it, so to avoid discovery he claims that they are married so as he can carry out his own nefarious plans. When her real beau and his gang arrive in town things all start to get a bit complicated... It's an entertaining hour and a half; with a good rapport between all three principals and Eddie Little as the young "Jimmy". It's got an half decent script and some good action thrown in too. The ending is a bit poor, but I suppose it was inevitable...

Ride a Crooked Trail is directed by Jesse Hibbs and adapted to screenplay by Borden Chase from a story written by George Bruce. It stars Audie Murphy, Walter Matthau, Gia Scala, Leo Gordon, Henry Silva and Eddie Little. A CinemaScope/Eastman Color production, music is by Joseph Gershenson and cinematography by Harold Lipstein.

A blend of the breezy and the beefy here as Audie saddles up as Joe Maybe, a bank robber who after assuming the identity of the detective who was sent to capture him, winds up as the sheriff of a corrupt town. Ironically it's the town he and his dastardly cohorts had planned for their next big robbery. But as Joe insinuates himself into the company of the town's better citizens, he begins to doubt his dark side.

It's pretty routine as per the bad man trying to turn good axis of Western movie plotting, but there's a good sense of fun running throughout. Murphy himself seems to really be enjoying himself in the role of Joe Maybe. Leading the front of frivolity is Matthau as the town judge, his capacity for alcohol is as legendary as his ability to find a quip or sarcasm in the most trying of situations. Many of the scenes shared between the two men are most funny, be it hangovers, court room shenanigans or generally sounding each other out, they make for a great pair of characters.

Of course all this good fun has to ease off for the plot to take its darker turn. Which brings in the villains and the action scenes just as Joe's conscience starts to gnaw away at him. Costuming is appealing, especially when modelled by Scala, Gershenson provides another one of his lively Western musical scores and Lipstein's Scope photography makes good use of the gorgeous scenery. It's a bit creaky in parts and Hibbs sometimes lets the pace sag, but this is good entertainment for Audie and Matthau fans. 7/10

As simple case of mistaken identity puts wanted bank robber Audie Murphy in position of Sheriff in a small but fast growing Western Town - with its own large bank. The film plods along nicely giving enough to keep the viewer interested and when it does begin to delve into Murphy's character, it still manages to keep the question 'will he or wont he' wide open. Walter Mattau provides the comedy as the drunken judge who rules with an iron fist. Enjoyable..

i really enjoyed this western as i always liked audie murphy westerns. also a great performance by walter matthau as the crusty old judge. also gia scala is great as the bad girl with a big heart

i wish they would show this, other audie murphy movies and all the 50's westerns

from universal-international on tcm. also what do we have to do to get these great old western from universal on DVD? "ride a crooked trail" rates up there with me with "the cimmaron kid" "night passage" "the duel at silver creek" and the "unforgiven" as audie's great westerns. they put out old black & white westerns from the 30's and 40's from other studios but why don't they put universal's great color westerns from the 50's out on DVD

RIDE A CROOKED TRAIL is an Audie Murphy western distinguished by good writing and a flamboyant early role for Walter Matthau as a silver-haired, hard-drinking, shotgun-toting judge in a growing river town. It has surprisingly little action for a Murphy western, but it's consistently engaging thanks to a group of interesting, well-etched characters, a strong cast, some welcome humor, and a script by western veteran Borden Chase (WINCHESTER '73, BEND OF THE RIVER, THE FAR COUNTRY, BACKLASH, etc.).

Murphy was always at his best when surrounded by solid co-stars and here he's got Matthau as a persistent father figure; Gia Scala as a femme fatale ripe for reform; and Henry Silva as an outlaw gang leader. Murphy plays a wanted outlaw himself who is mistaken by Matthau for a missing marshal (who'd fallen off a cliff while pursuing Murphy) and soon has to assume the functions of the marshal's office in order to keep up the charade and escape detection. When Scala gets off the riverboat from New Orleans, she recognizes Murphy and calls him by his real name, "Maybe," forcing Murphy to cover up by telling Matthau Scala is his wife. But Scala is there to case the town's bank for Silva, so she has to act the respectable lady for a few days till Silva and company come to town. Both she and, later, Silva expect Murphy to help with the bank job. After a while, Matthau starts to get suspicious, even as Murphy begins to grow comfortable in the marshal's job. Added to the mix are a precocious orphan boy (Eddie Little) and a dog who, true to form, gradually tug at Audie's and Gia's heartstrings.

Murphy seems more relaxed here than usual. Perhaps he was grateful for the opportunity to turn the more attention-getting dramatics over to Matthau. Murphy also has good chemistry with Scala, who is quite attractive and confident here in a way that looks forward to Isabella Rossellini (who played a similar role in Lawrence Kasdan's WYATT EARP, 1994, with Kevin Costner).

Joanna Moore (mother of Tatum O'Neal) makes an attractive saloon girl. Mort Mills has a small, vivid part as one of Silva's gang and his appearance will be enjoyed by those who recall him as Charlton Heston's sympathetic colleague in TOUCH OF EVIL the same year and as the highway patrolman who stops Janet Leigh in PSYCHO.

Most of the film was shot in a western town set on the Universal Pictures backlot, although a few chase-and-cattle scenes take place on location late in the film. It's a relatively light-hearted film for screenwriter Chase, who wrote or co-wrote so many harder-edged westerns, but it turns out to be among the best of the roughly two dozen westerns Murphy made at Universal.