Qu'est-ce que maman comprend à l'amour!

As others have noted, the plot is pretty slight, but it's a charming film, thanks to the effortless performances of Rex Harrison, Kay Kendall, and Angela Lansbury. The adults run away with this movie, rather like Beatrice and Benedick own 'Much Ado About Nothing,' even though Hero and Claudio are really the plot. The mile-a-minute dialogue between the older generation outshines the tame goings-on between Sandra Dee (who is completely adorable) and John Saxon (ditto). The reviewer who called Peter Meyers a Mortimer Snerd look-alike was spot on; he's so hilariously boring!

But to return to the exquisite Kay Kendall--her comic timing is superb and so is her dress sense! She looks totally fabulous in this film. It's terribly sad to see it and realize that she had not long to live. Film comedy lost a jewel in her.

According to the closing credits of 'What Every Girl Wants', 'The Reluctant Debutante' inspired that lamentable movie. Don't watch that; watch this!

I saw this one during its first-run release at the Beverly Theatre in Beverly Hills, Calif. The CinemaScope projection there was top-notch, doing full justice to Minnelli's always creative use of the wide screen. Among MGM's A-list ingredients was the casting of Kay Kendall, whose elegance and comic verve made this confection as enjoyable as one could have hoped. How I wish she had lived to make many more screen memories. Her early death was a real loss. This title appears to be available on video only in a VHS version, which no doubt means that it is probably not letterboxed. "There oughta be a law!"

I saw this film with my family at Radio City Music Hall in 1958, the year of the film's release and it took the house down. The entire audience burst into applause at the film's conclusion. What simple days those were. Alas, I miss the great days of movies so much I haven't been in a movie theater in 30 years. Thirty years ago people were nice. Not any more. People in movie theaters are just as rude as they are everywhere else. To escape in such a simple delight as this film is all I can do these days aside from my daily solitude which I refer to as ZEN and which occupies most of my time. But occasionally along comes a delightful film like this and I am flooded with happy memories of my youth when everything came up roses. I have such fond memories of Kay Kendall not just in this film but also in Les Girls which was just as marvelous. She was a treasure, taken much too soon.

I am not sure why this film isn't more famous, as it was a very entertaining romantic-comedy. Considering that it was directed by Vincente Minelli and stars Rex Harrison, it can't help but be good. It's apparently good enough that the film was remade just a few years ago as WHAT A GIRL WANTS.

As the film begins, the cream of British society is readying itself for a long string of debutante balls--just as Rex Harrison's daughter from a previous marriage arrives from America (Sandra Dee). His new wife (played by his real-life wife, Kay Kendell) is having a disagreeable conversation with an annoying friend (Angela Lansbury) about these society dances when she feels compelled to announce that her step-daughter will be introduced to society at the next ball--even though the girl and her father have no interest in these stuffy affairs. But to please the step-mom, they go through with it. Unfortunately, Kay is pretty snobby and tries to arrange a marriage with an in-bred idiot and Sandra. At the same time, Kay is horrified that Sandra is falling for a lowly drummer with a lousy reputation (John Saxon). How all this is worked out to everyone's satisfaction is pretty funny and quite romantic. I think most of this is due to good writing and the nice gentle nature of the film. In fact, the longer I watched it, the more I liked it and found myself really being pulled into the story. It's a very good and often overlooked film--pity, as it really should be more widely seen.

I have watched this film so many times that I know the dialogue verbatim. Of course, it is not a significant film in the history of cinema, but good luck finding many as charming. For one thing, the cast is amazingly attractive with Kay Kendall off the charts. She is so beautiful and stylish and her comic timing is glorious. The scene with she and husband, Rex Harrison trying to spy on their daughter is priceless and their chemistry is palpable. I find that she died only a short time later and that is really depressing. She was so lovely and funny; modern actresses would suffer by comparison. Only someone like Kate Winslet is anywhere near her league.