Ivan le terrible - deuxième partie: La conjuration des boyards

This space can't afford me the kind of gargantuan platform needed to speak on Eisenstein's masterwork (both parts) with the sort of attention to detail and passion that the director brings to the story of the Russian tsar. This is the rarest of films that stands as a testament to how cinema can extend beyond an entertainment and exist as a singular work of art and a document that works to expand our knowledge of the human condition. Every frame is rich, every scene speaks far more than any written line or action. The production is a phenomenal achievement in the absolute totality of the collaborative effort; the actors, the set, the cinematography, the soundtrack - every facet of the film-making process has worked to create a seamless connection. While the approach of the actors, the lighting and the choices of camera angles frustrate our standard ideas of what a movie should look and feel like, there is a design here; it is precise and it is brilliant. This is a film for those viewers who, as Eisenstein famously said, read (not just watched) the images on the screen. One of the two or three true masterworks in the history of movies.