Invisible Avenger

Is that Orson Welles intoning at the beginning and end of this pilot for a THE SHADOW TV pilot, "Who knows what evil lurks in the hearts of men?" He had played the role on the radio for a few years, and it sounds like him.

The story, such as it is, consists of Lamont Cranston being called down to New Orleans to deal with the death of a jazz man, only to get wrapped up in a South American revolution. He's worried about turning permanently into a shadow if he clouds men's minds too much, making himself invisible or causing a ship's pilot to imagine an iceberg dead ahead. Richard Derr makes an okay Lamont Cranston, and James Wong Howe is credited as the director, for his third movie directorial credit. He had gotten a job in Paramount's camera shop, and one day Cecil B. Demille found that he seemed to beat everyone into the studio, including him, so he promoted him. In actuality, Howe had been sleeping in the camera room rather than taking the trolley back home, to save time and money. By 1925, he was a respected cinematographer, and by the time he retired in the 1970s, was considered a genius. Which he pretty much was.

The Shadow had been invented as a character to read stories from Street & Smith's DETECTIVE STORY magazine in 1930. He quickly grew popular, so S&S created a magazine around him. He was popular on the radio and in pulp magazines, but a dozen attempts to transfer him to the movies, TV and video games failed to take. the meandering sotry line and cheesy special effects here explain why.

The title of this garrulous and uninvolving retread set largely in New Orleans of the radio character popularized in the thirties by Orson Welles may be vaguely familiar to some from its presence as a rather mysterious footnote to the illustrious filmography of the Oscar-winning cameraman James Wong Howe. Howe directed one feature film, 'Go, Man, Go!' (1954), with the Harlem Globetrotters, and between his Oscars for 'The Rose Tattoo' (1955) and 'Hud' (1963) directed a few TV episodes, of which this may have been his first. Assembled from two unsold pilot episodes for a TV series (of which only one was directed by Howe, hence the joint credit) which were spliced together under the intriguing title 'Invisible Avenger' and released as a feature film, it thus finds itself by default among Howe's film credits.

The drab photography, however, belies Howe's contribution; and as an avowed stickler for realism I hope he wasn't responsible for the multiple set-ups employed on the public execution shown being screened on American television. Apart from the "Daddy O" jazz talk and the topical storyline about revolutionaries plotting against a Latin American dictatorship, it feels more like a Republic serial from the forties. Using his radio name of Lamont Cranston, the Shadow hangs out with a mystic sidekick named Jogendra who's taught him how to think himself invisible (hence the title), but rather than simply prowling about invisible he usually waits until he gets caught so he can then confound his captors by disappearing; sometimes for effect he casts a shadow only, and he only ever emits his trademark diabolical cackle when invisible.

Although billed third and cutting a striking figure as a hard-boiled nightclub hostess, Helen Westcott's role proves surprisingly irrelevant to the action.

If not a "made-for-TV-movie," this film may have been intended as a pilot film for a TV series that never got made. When I saw it in a theater more than 30 years ago, that was my impression.

The Shadow is of course a grand old multi-media figure. A generation of kids grew up on the Shadow radio show and comic books, millions of other readers bought the pulp magazine or Shadow books, anywhere from the early 1930's to the 1960's. And of course there was the Alec Baldwin film -- also, not a bad effort. But they just couldn't decide whether to play it as a real adventure story or as parody. Like other attempts in the same era (The Phantom, Doc Savage) that's a prescription for failure.

To me, the best screen "Shadow" of all time was the late Victor Jory, but probably that's because I saw the Jory version when I was a little kid and didn't have very tough critical standards.

I'm still hoping for a Shadow movie with a first rate production from a good, solid script. In the meanwhile, watching earlier efforts like "The Invisible Avenger" aka "Bourbon Street Shadows" just gives me the old "glass-half-empty-glass-half-full" sensation.

Dick Lupoff

"The legendary mind-clouding man of mystery is back in this film noir tale set in New Orleans, where nothing is ever as it seems. Exiled Spanish leader Pablo Ramirez is hiding out on Bourbon Street as plans are laid to overthrow the oppressive dictatorship that currently exists in his country. A fascist generalissimo has planted assassins in the city to dispose of Ramirez and thwart his impending coup d'etat. Lamont Cranston (Richard Derr) - aka the Shadow - is summoned to protect Ramirez and thus ensure a successful revolution. The Shadow summons up his supernatural powers of hypnosis and invisibility to save Ramirez and stop his enemies' diabolical exploits," according to the DVD sleeve's synopsis.

This TV try-out may be re-edited to include the execution footage, which seems a little heavy for 1950s television - or, maybe did they did show executions in westerns back then - anyway, the eerie "Who knows what evil lurks in the hearts of men… the Shadow knows!" line interrupting the drama a couple of times perfectly illustrates why this series was successful on the radio - and, also, why this visual representation was unsuccessful; the picture simply does not live up to the mystery inherent in the series' famous catchphrase. Mr. Derr is a good lead, but not very mysterious; mystical sidekick Mark Daniels (as Jogendra), creepy Dan Mullin (as Pablo & Victor Ramirez), and shadowy James Wong Howe are interesting.

***** The Shadow: Invisible Avenger (12/2/58) James Wong Howe ~ Richard Derr, Mark Daniels, Dan Mullin

Twelve years after the last entry in the series, we finally get a Shadow who can appear to be invisible (if that's not an oxymoron), hypnotise and 'cloud men's minds', and laugh in a very creepy way!! This was originally two pilot episodes for a proposed Shadow TV show (not picked up), subsequently edited together and released as a movie by Republic Pictures. The action takes place in and around New Orleans, as the Shadow is asked to help the exiled former President of 'Santa Cruz' (think Cuba) to return to his country, overthrow the dictatorship, and reunite his people. Cue lots of assassination attempts, car chases, and kidnappings.

Richard Derr stars as Lamont Cranston/The Shadow, alongside Mark Daniels as his ever-present mentor, Jogendra. There's no Margo Lane - although Cranston and Jogendra sometimes come off as though she'd be a bit of a third wheel, if you know what I mean. I'm sure it's just my cynical 'modern' eyes. Derr makes a good Shadow, convincing as a likeable playboy, as well as handling the rough stuff. There's no iconic hat/coat, but as I say, we get powers - which also include Cranston and Jogendra being able to communicate telepathically. The invisibility/living shadow effects aren't bad for the time (and low budget). Some of the supporting acting is a little shaky, but the story is pretty good. And if you're into jazz the score isn't bad. 7/10.