... to put a spin on that old MGM slogan, plus this film is oddly prescient.
Jim Fry (Jose Ferrer who also directs) and his wife Ginny (Gena Rowlands in her film debut) discover that after nine years of marriage they are expecting a child. This is good news for them. But at work, Jim's company has just been bought by a larger firm. Jim is all swaggering and confident with his "law of the jungle" talk about how the larger firm may axe less productive employees until he finds out that perhaps the new owners think he is one of those less productive employees! He gets this idea initially because all of the other employees who have a supervisory role are invited to a luncheon being held by the new owners and he is not. This gets the wheels - and his imagination - turning.
From that point forward he walks in on this or that conversation and hears rumors about possible terminations and thinks this all about him. The audience knows better - we see what happens in every case where Jim does not. In fact the new management intends to promote Jim, but they haven't bothered to tell Jim yet. Not knowing this, he is worried about how he is going to support a wife and now a child if he loses a job at age 40 - too young to retire, too old to find an equivalent position somewhere else.
I don't know how this was received in 1958, but in 2024 it all looks oddly prescient. Layoffs today are a fact of life. If you are over a certain age, it can be hard to find work. Unlike in 1958, it is now illegal to fire someone or not hire them because of their age, so you'll get the excuse that "it's just not a good fit for the organization." Which can mean anything, but it actually means they think you are too old.
The cast has many stars of 60s TV right before they become recognizable faces - Jim Backus of Gilligan's Island, Bobby Troup of Emergency, Werner Klemperer of Hogan's Heroes, Edward Platt of Get Smart, Richard Deacon of The Dick Van Dyke Show, and Nancy Kulp of The Beverly Hillbillies. Several of these folks are not even in credited roles, but skilled performers make the production. Joanne Gilbert is the well-meaning yet shrewish wife of Jim's colleague. Gena Rowlands plays the supportive wife to the point of being almost ridiculous.
With the cast of future TV stars that I mentioned, this thing has more of the feel of a made for TV movie than a theatrical production, but that's not necessarily bad. With the audience being in on Jim's situation it's more of a comedy from the audience perspective and a drama from Jim's. I'd recommend it.
