Le Cri de guerre des Apaches

A partially decimated Army unit teams up with a group of cowboys, who also had been hit by renegade injuns. The cavalry squad was trying to get a gun runner and 3 dozen rifles back to their fort, but had to fight their way through fierce indian raiders intent on getting the weapons. Average soldier vs. redskin shoot-em-up.

Before signing as ramrod Rowdy Yates in Rawhide, Clint Eastwood did a variety of films some of them better than others which if it weren't for his presence they would be obscure and forgotten. Ambush At Cimarron Pass falls in that category.

What Eastwood has is star presence, you can absolutely tell this man was going to have a future in the movie business just looking at him. Not that his character was anything special, someone else described him as petulant and I'm inclined to agree.

Sergeant Scott Brady and a small band of cavalry troopers are escorting Indian gun runner Breton Baynes and a lot of those valuable repeating rifles that he was about to sell to the Apaches. They run across a band of former Confederates, one of them being Clint Eastwood. Later on to make things interesting they pick up Margia Dean stranded out on the prairie courtesy of the Indians.

After that it's just one western cliché after another, nothing terribly original, just the same plot situations that have been done a gazillion times before. Along with the Confederates is Irving Bacon who says he's a judge, Scott Brady doubts it, pretty soon everyone else is also. He's trying to save his own skin, but there seems to be no real rhyme or reason to his character at all. When he's killed nobody mourns.

Other than it's listed in the body of work of a cinema legend, Ambush At Cimarron Pass would be lost to history. Clint Eastwood wishes it were.

Remnants of an ambushed Army unit hook up with a group of cowboys to fight their way through Indians on the warpath. Sounds like it could be an exciting western, but this one is dull, dull, dull. It moves like molasses, the action scenes are uninspired, the acting is pedestrian, the writing is flat, even the photography isn't very good. Eastwood, in a very early role, plays an ex-Confederate who doesn't like the idea of fighting on the same side as Yankees. That's about the only remotely interesting situation in the whole movie, but Eastwood wasn't experienced enough an actor to pull it off, and his character comes across as petulant rather than angry or embittered. A very ordinary western. Actually, a very less-than-ordinary western. Worth a look if you're a die-hard Eastwood fan and want to see him at the very beginning of his career. Otherwise, don't bother.

This film essentially begins with a squad of cavalry escorting a prisoner known simply as "Corbin" (Baynes Barron) through Apache territory to a fort to stand trial over 100 miles away. However, on the way there, their squad is decimated by an Apache war party which leaves a man named "Sergeant Matt Blake" (Scott Brady) responsible for the delivery of his prisoner. As luck would have it, the cavalry squad comes across a few former confederate soldiers were taking part in a cattle drive but encountered a separate Apache war party on the way. That being said, while none of the former confederates have any great desire to serve with these cavalry soldiers, they realize that their only hope of survival depends on doing just that. It is then revealed that, along with their prisoner, the cavalry squad also has a great number of repeating rifles which Corbin had been planning on selling to the Apache. Needless to say, knowing how badly the Apache want these rifles, everyone now realizes that time is not on their side and that, if they are going to survive, they must make it to the fort as quickly as possible. What they don't realize, however, is that the Apache are equally determined to slow them down--and they have an idea on how to do just that. Now, rather than reveal any more, I will just say that this was an okay Western which suffered to some degree by its rather low budget. As far as the acting was concerned, everyone played their parts well enough but nobody--to include Clint Eastwood (as the bitter confederate cowboy named "Keith Williams")--really impressed me that much. To be sure, he wasn't necessarily bad, by any means. It just wasn't one of his better performances. Regardless, while certainly not a great Western, it managed to pass the time well enough, and I have rated it accordingly. Average.

One of the earliest of Clint Eastwood's Roles. This movie quotable lines about masculinity. The central theme here is bargains. Survival depends on bargains. Copelan at the helm of his first and only film explores the usual themes of man versus man, man versus society, man versus his environment, and the issue of apocalyptic armaments. Clearly, the Winchester repeating rifles at the heart of this drama serve as metaphors for atomic weapons. Copelan emphasizes their role early on by presenting them in the first close-ups so that we cannot overlook them. The durable and dependable Scott Brady must prevent these rifles from landing in Apache hands. Watchable only due to Eastwood's early presence.