La Femme en robe de chambre

Woman in a Dressing Gown is directed by J. Lee Thompson and written by Ted Willis. It stars Yvonne Mitchell, Anthony Quayle and Sylvia Syms, music is by Louis Levy and cinematography by Gilbert Taylor.

It's something of an inauspicious title, a title hardly conducive to making this piece of film leap out at you, to shout that it's essential British cinema. How wonderful to find that not only is it a title completely befitting the material being played out, but that it is actually essential British cinema.

It's little known and very under seen, in fact myself was only introduced to it by a Canadian friend! The story centers on a London family of three, husband is away earning the corn at the office, teenage son is just starting out in life after school, and mother? She's on housewife auto-pilot, but disorganised with it. Her auto- pilot world is shaken to the core when it is revealed that husband is having an affair with his personal secretary, a smart and beautiful younger sort who is demanding that husband divorces wifey or it's all off...

It sounds very kitchen sink, but actually it's not, it's a very smartly written picture giving credence to mental illness, to the shattering blows of infidelity, of a crumbling family dynamic, a family that in truth is homespun. Ordinary? Yes, but safe as the red brick built poky flat they dwell in. We are not asked to take sides here, to chastise or judge, Thompson and his superb cast merely ask us to delve into their world, to understand it, the psychological humdrum of 50s Britain, the starkness of marriage does mean growing old together, but that nobody ever said it was going to be easy.

Looking at it now it can be viewed as a very important film in the trajectory of British cinema, Mitchell's character is the fulcrum, making the film a must see as regards the evolution of how women have been represented in Brit cinema through the years. Thompson, better known for tough macho fuelled movies on his CV, does a wonderful job in letting us feel the anguish and emotional turbulence. Hazy camera shots couple up with stark framing of the objects in the cramped flat, all marrying up to the fractured nature of Amy & Jim's marriage. There's even humour to be found, very much so, with Louis Levy's musical cue accompaniments deftly shifting from seething passions to Ealing like comedy as the home life of Amy is scattergun in execution.

Kitchen sink, social realist, proto realist and etc? No! This has no pigeon hole to be placed in, it's just terrific film making, from the writing, the performances, the direction and its worth to anyone interested in classic British cinema, this demands to be sought out. And for the record, the last 20 minutes of film will move and invigorate the coldest of hearts. 9/10

You rapidly lose patience with Anthony Quayle for being such a weak fish that he completely fails to realise there's far more to a wife than just keeping the place tidy.

Yvonne Mitchell is an absolute delight in the tousle-haired title role. With her raucous laugh she tears about the set so fast the only way the director could possibly keep up with her is by constantly switching the camera's position into yet another of the notorious 'J. Lee Thompson' shots he's so often derided for.

A radiant young Sylvia Syms likewise is her usual charming self, and at least goes some way for the audience to sympathise with Quayle's plight.

Great black and white film - nostalgic and utterly moving - stunning performances from the main characters, especially the housewife - her downward spiral is a masterclass - it's a must see film for all the right reasons . . .

I have only recently seen this film, and it's baffling how I missed seeing such a good film for so long. The story could be looked on as a humdrum kitchen sink drama, but it's so much more than that. It centres on a common situation in which a married man becomes disillusioned with his marriage and has an affair with a work colleague. The acting of the main players is totally believable, and flawlessly evokes the emotional complexities of their situation. Special mention should be made of Yvonne Mitchell, who plays the the wronged wife. She gives one of the best performances I've ever seen by any actress. She deserved to be oscar nominated for this. If you haven't seen this film then it's a MUST see. It's that good.

This film from 1957 warns married women that too much devotion to husband & family often rebounds as they may often be tempted to take you for granted and start treating you like an unpaid servant.The trend now is for intelligent married women to have some "me time" which could involve developing their hobbies, pastimes interests & travelling on their own.Married women in 1957 were not so independent and relied too much on their husbands for emotional support and for material comforts.Of course today in 2018 the woman's movement has done a lot to help their own sex and with two female prime ministers, equal sexual rights legislation, and has changed a great deal for women over the last 60 years.Yvonne Mitchell's character is not well educated but always means well in dealing with her family.She is disorganised and inefficient which seems to cause great frustration to Anthony Quaile who plays her husband and who feels life has been slipping away from him and feels impelled to seek an office affair with his secretary (played by Sylvia Sims) at the firm of timber importers at which they both work.Young Andrew Ray (son of comic Ted Ray) plays their son who is caught in the middle of his parents marital strife.I rated this wholly British produced B&W film 7/10 which I saw on "Talking Pictures" channel 81 tonight.